i remind you that this is a witnessstein podcast hosted by us, film historians stanislav dedinsky andd today we are talking about the work of the legacy of the wonderful soviet, russian cinema and theater director, mark anatolvich zakharov. and visiting us alexandra zakharova. and in cinema he also had this practice of writing more on the cutout. then hand it over little by little, no, it’s like that, no, it was just filmed there, for example, the scene in an ordinary miracle, when yevgeny pavlovich appears in the window, remember the politburo before, it was all a little bit like waving, that’s when yevgeny pavlovich appeared, he did this in the window, and when there was a premiere at the cinema house, fraternization began in the hall, when this happened at that time, and evgeniy pavlovich says, markusha he’s markusha, let’s reshoot it, because we’ll still have to reshoot it, but for the same money, let’s reshoot it now, but as a result, in general, everything remains, there were complaints about the song, mironova, bang-bang-bang, that there is some- it’s erotic, there’s a meaning,