in his frank, somewhat ruthless film, completed in 1990, the venerable director stanislav govarukhind the wretched reality of late soviet life from moscow and leningrad to the remote provinces. he made striking comparisons with life. ordinary people in germany, which the ussr defeated in the great patriotic war, asked questions about the reasons for the outrageous contrast, which only worsened over time. govorukhin’s film was not allowed into wide release, but the decision of the mass council opened the way for it to the capital’s cinemas. i called govorukhin and we organized a special operation. a special one was prepared for may 28, 1990. screening at the cinema in october. using the powers of the moscow city authorities, i sent about 20 buses to the kremlin on ivanovskaya square. after the meeting congress, on behalf of the mass council, we invited deputies to watch a documentary film about burning modern problems. almost all the deputies went. fortunately, the name of govarukhin attracted them, and the drive from the kremlin was 10 minutes. and the film did its job. a brilliantly

and then i remembered the documentary-journalistic film directed by stanislav govarukhin under the symbolicve like this.” late soviet life from moscow and leningrad to a remote province, he made striking comparisons with the lives of ordinary people in germany, which the ussr defeated in the great patriotic war, asked questions about the reasons for the outrageous contrast, which over time only... a special screening was prepared for may 28, 1990 at the cinema in october. using the powers of the moscow city authorities, i sent about 20 buses to the kremlin on ivanovskaya square. after the congress meeting. what a normal entrepreneurial economy can provide to ordinary people - it was a devastating emotional blow. the last frames of the film were accompanied by a song by vladimir vysotsky with the words: “and not a church, not a tavern, nothing is sacred. no, guys, everything is wrong, everything is wrong, guys. nothing, not a saint.” no, guys, everything is wrong, everything is wrong, guys, many in the hall at that moment lowered their heads down. the next day, may 29, 1990, at the next meet

in 990, the venerable one won the great patriotic war, director stanislav govarukhin showed the wretchedlate soviet life from moscow and leningrad to the remote provinces. he drew stark comparisons with the lives of ordinary people in germany, which the ussr questioned about the reasons for the outrageous contrast, which only worsened over time. govarukhin's film was not allowed into wide release, but... his decision opened the way for him to the capital's cinemas. i called govorukhin. and we organized a special operation. a special show was prepared for may 28, 1990 at the oktyabr cinema. using the powers of the moscow city authorities, i sent about 20 buses to the kremlin on ivanovskaya square. after the congress meeting , on behalf of the mass council, we invited the deputies to go to... the economy, it was a crushing emotional blow. the last frames of the film were accompanied by a song by vladimir vysotsky with the words “not a church, not a tavern, nothing, not holy, no, guys, everything is wrong, everything is wrong, guys.” not holy, no, guys, it’s not like that. everything is wro

and then i remembered about the documentary-journalistic film directed by stanislav govarukhin under a symbolic name. in his frank, somewhat ruthless film, completed in 1990, the venerable director stanislav. barukhin showed the wretched reality of late soviet life from moscow and leningrad to the remote provinces. he made striking comparisons with the lives of ordinary people in germany, which the ussr defeated in the great patriotic war. he asked questions about the reasons for the outrageous contrast, which only worsened over time. govorukhin’s film was not allowed into wide release, but the mass council, by its decision, opened the way for him to the capital. almost all the deputies went, since govarukhin’s name attracted them, and the drive from the kremlin was 10 minutes. and the film did its job. a brilliantly presented spectacle of soviet hopelessness, against the backdrop of what a normal entrepreneurial economy can provide for ordinary people, it was devastating. emotional blow. the last frames of the film were accompanied by a song by vladimir vysotsky with the words: “and