first came stanislaw ski. but he wasn't a writer he was directing so lots of acting he taught acting and he went when you understand what what what what stanislaw ski was teaching primarily was that there's a whole inner life that exists inside of a character underneath what they're saying and doing this up to these subjects so once you understand that you can do shakespeare better than you would ever do it it isn't just reading the law it's beautifully but bringing a character to life from underneath it once you understand the concept and you that the end can execute subtext everything gets much better and check off of course absolutely demands subtext so you think he was an impressionist like an electrician yes yeah he was a minimalist and an impressionist and the stories are very powerful and very beautifully told but it's all in the subtext and at the actors don't bring the subtext to life then check off seems bay now when they bring it to life it's it's overpowering and the differences and subtext is so s

life it's overpowering and the differences and subtext is so stanislaus through checkoff because stanislaw ski learned this because he was directing checkable and he was trying to find a way to make check off work well we'll check up didn't only do the short stories but he also did he plays more to do you think he would make make a good writer fulfill for modern movies even live today oh yes baby yeah absolutely but he would write a film like on the air like company he'd write a film like up in the air where a character is going through their day. and dealing with some problems on the surface and we see through that surface to realize my god this man is leading a meaningless life. why don't the russian movies. some of which i do like don't why don't they at the international screen well they do i mean i think i saw. i saw house of pools three times i saw it in los angeles i saw it elsewhere in the world and so there are many russian films that do reach the world. but the when you say the world i just had this discussion just the moment that it was what if what you mean is north america europe

stanislaw ski's books which gave me the you know the sense of what was being an actor and that from that day i decided i was fifteen years old and from that day i decided to become an actor yes and so the really russian that really gave me the. the inputs you know are you know. especially maybe. for the americans at least stanislav the people who influence the world stage greatly well that was long ago do you think that today there still is something about the russian school that is important for the west i hope so i hope. in the world of actors for sure i mean this is because this is that was a this was a major way to teach acting and planes take off it's something you have to do it one day in your life all those great authors also you know from the one you know all the great authors are a great influence on what we like on parts on the things that we want to tell and i think the synthesize the relationship between human beings so well that of actors is so great to play and. you mentioned this little guy in the film that you played and then you also took part in the movie in two thousan