you know, i didn't know this about stankovich, what you told me about this opera is very interesting. experience, actually pounding this rock since 2014, that of course it's all possible, but it's all extremely difficult, because fighting a shell is practically fighting, well, like a domquixote, and that's it we need some kind of more state strategy, because when an artist comes and says: well, look, i i want to play a concert for tushinsky, he 's like that... my own, that's one thing, and another thing is how, for example, russia uses its resources, some pianist appears in them, let's say, even some not the best, they they take it and immediately all the venues wash it with this rachmaninov, and this rachmaninov concert is played 150 times in the same, well, in all concert halls, well, i would say even more, that is the very concept of cultural diplomacy in ukraine, i would like. .. to hear some discussion of the very definition of culture, because, well, look, what do the russians gain, as a nation with a great culture, of course, money, an empire and the like, but they are always p

just a different, different musical series , it can be done, you know, i didn’t know this about stankovichwhat you told me about this opera is very interesting, it’s from my own... i can say, actually, pounding this rock since 2014, that of course it's all possible, but it's all extremely difficult, because to fight with a nutcracker is practically to fight like a domquixote, and for this we need some kind of more state strategy, because when an artist comes and says: well, look, i want to play a concert for tushynskyi, he is so cool, that's one thing, and the second thing is how, for example, russia uses its resources, a certain pianist appears among them, let's say, even a not the best one, they take him and immediately all the venues wash him with this rahmani of theirs. and this rachmaninov concert is performed 150 times in the same, well, in all concert halls, i even more i will say, in general, the very concept of cultural diplomacy in ukraine, i would like to hear some discussion of the very definition of culture, because well, look at what the russians gain, as a nation with a grea

very simple, we had, let's say there was this... what was it called, the night before christmas by stankovichch was written specifically as a new year's ballet, and it was not performed at the kyiv opera, because they believed that loskunkchik is more promising, and it was renamed so as not to show the new one year, it is still going under a different name, well, it is like that, it is the past, maybe it will change, but if we offer it to european opera and ballet theaters, what should we do to make it really... because i believe that if a person will come, but you are talking about the performance of some repertoire, relatively speaking, it is clear that the same package can be stuffed into lyatoshynskyi, sylvestrov, shostakovich and rachmaninov and it will seem like the music of the same space, but if you show the opera in stockholm , then everyone will understand that this is not a russian opera, but ukrainian opera, it's just a different musical series, it can be done, you know, i just didn't know it. what you told me about this opera is very interesting, i can say from my own experience,

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chose russian, well, it's very simple, we had, let's say this, as it was called, the night before stankovich'smas. which was written specifically as a new year's ballet and it was not performed at the kyiv opera, because it was considered that loskunchyk was more promising, and it was renamed so as not to be shown for the new year, it is still going under a different name, but that's the way it is, it's the past, maybe it will change, but if we offer it to european opera and ballet theaters, what should we do to really stage it, because i believe that if a person at...

these operas or these repertoire, but i would say that, well, this is what you said, that there is stankovichr someone there sylvestrov, lyatushynskyi and shottakovich in one concert. i would say that it destroys more than it builds, well, that's what i'm talking about, because it, it destroys ideas, because actually, relatively speaking, lutoslavsky and tchaikovsky do not appear in the same context, we're not talking now about the cultural level of the composers, it is true, but no one would think, relatively speaking, to play lyutoslavsky and rachmanin in one package, because they are different, just different programs, a person can play a rachmaninov concerto. but she won't play lyutoslavskyi's concert in the second act, according to the logic of the concert, it means that you can build programs in different ways, you can build programs not only according to a stylistic, homogeneous, but some other concepts, for example, i will tell you about our festival, which ended recently, and we were building a program the concept that was ukraine as an integrated part of the european cultural herita