around the niche an ax and a typewriter, these markers are just amash directed by paul wilkins in stanley kubrick's cult film the shining, in which the protagonist goes to abandoned hotel to create a new literary masterpiece. giliger writer. graham is a character in a thriller. the spell of the unfinished chapter arrives at the parental home to finally emerge from the shadow of the glory of his own father. m of detective stories, guillier, who committed suicide under very strange circumstances in his parents' house, finds a manuscript, which may be his father's last unpublished work, a gripping story about adultery and murder. pushed by the load of children's grievances, inflated expectations and the requirements of the agent, urgently write new bestseller. gilger decides to pass off the text as his own, everything he achieved slipped through his fingers like sand, his life hung by a thread, and his hands were covered in blood, he looked at the wooden beam above his head and thought. but instead of just retyping and editing the parent history to the delegate. he would have to survive it and the nex

and i like the film kubrick if space is all that we called, i also love such space films, but stanley kubrick'st romantic most looking ahead. uh, scientific ah sci-fi space odyssey, but still later, there are already 20-30 years. you look at the picture, but how he looked ahead all these tvs, special phones, these uh video communications on the internet, then we watched he came up with. that's it. now i think that lord everything happened. so that the whole future of space depends on this fantasy , which today we allow ourselves to film or, uh, write in this or that literature of great high. i have not yet heard any appearance of new uh, literary cosmic novels, but films are not understood. so i wish you good luck. everything depends on you. you are the closest art has connected cinema and space. and even more so , tv is already here, so thank you. unfortunately , the time is right, everything was in one breath, but you have to return back to the ground. today i had an honored artist of russia , theater and film actor andrey merzlikin and me anton kaperov on board the space station, and these w

it's been the stuff of horror since stanley kubrick's film 2001, a space odyssey showed us the fear ofn astronaut whose spaceship had a mind of its own. today, we're long past 2001, and the computers aren'tjust learning — they're also now so smart they're starting to take jobs. the change ai promises is massive. while both the industrial revolution and the digital revolution change the world of work. this could be a transformation which is even greater. that's certainly what us president biden thinks. i don't think ever in the history of human endeavour has there been as fundamental potential technological change as is presented by artificial intelligence. according to goldman sachs, the equivalent of 300 million jobs could be automated by ai. it says two thirds of all occupations in the united states could be exposed to some degree of artificial intelligence. and of thosejobs, a quarter to a half of the workload could be automated. but the report also points out that historically, jobs that are lost to technology are replaced by others. just very recently, the scandinavian furniture g

from the year 1964, the famous production of stanley kubrick, well-known also of a clockwork orange,2001 a space odyssey. on the slide, you see here i am reproducing for you to critical quotations that i would like to discuss first from the general who starts all. the film is a dark comedy, the beginning of global nuclear meltdown touched off by an american general who has decided that he is going to intentionally a soviet nuclear retaliation without orders from the american commander in chief. the rather absurdly named general jack de ripper declares, can no longer sit back and allow infiltration. communist indoctrination, communist subversion. and the international communists conspiracy to sap and purify all of our precious bodily fluids. now, this is a parody kubrick making of the language of the era of joseph mccarthy and his witch hunts against communism in us culture and public. in the first half of the 1950s, over a decade before this movie was produced. it is also a point about eugenics and our author from yesterday, vladimir simonyan, whose discussion of traits in the contex