here ivan ivanovna is one rather a fairy in soviet animation, who was inspired by the films of stareevich, who started working, and in a small animation workshop at a film factory. engineers on the bar, made promotional films by and large, the animation was of an applied nature. she had to advertise products, new tapes, create titles for feature films, and by the end of the twenties, starting to realize this in the country, which probably needs to put animation into a more meaningful applied channel and start working for a children's audience wins the hearts of a children's audience to create not just remote films that will be e children. well, i don’t know how to motivate the pioneers to behave well, that is, the screen adaptation of fairy tales begins in the world in one way or another, and at that time experiments begin. some yes , the first sound soviet film appears in the post-screen version, and poems are put by yakovlevich barshak, who is created by an illustrator. and mikhail tsekhanovsky the so-called concept of drawn sound appears, or the terminx begins to be used, including for

he vladislav stareevich was such an amateur entomologist and at the intersection of his interests.itable material for making his paradid films, and these films were, of course, parodies of costumed parodies, and tapes, which were very popular at the box office in those days. well, in general, he decided that it was necessary to force the audience believed their insects and disassemble such a typical scene, and they believed for about a year, everyone was sure. why a year because we know it's been advertised for about a year? the films are in such a manner that it is precisely the trained insects and, in fact, the starevich himself went down in history with the same nickname as the trainer. zhukov a. believed believed not only then more than years ago. now people are absolutely confident. but those who did not tell me anything about this, that these are real zhuki alexander khanzhonkov vladislav tsarevich fooled not only russian viewers, they fooled european viewers, because in 1913. and these films were released in the british film distribution in the uk and local magazines publish

here, again , comes from stareevich, yes, to animate objects, but, which are absolutely not suitable initially, either beetles or two ropes. it was a podcast of witnesses of eisenstein and the history of cinema natalia ryabchikova and my colleague stanislav dedinsky are talking about who and how created domestic films and cartoons about how we can better understand them and get the most out of them. bye thank you very much, goodbye. hello with you, the schrödinger code podcast and i am its host grigory tarasevich, the editor-in- chief of the magazine, you won’t believe the schrödinger code either, and today we will speak unexpectedly in cats and together with our guest miroslav volkov , a professional zoopsychologist. we'll talk about what our fluffy. these are the ones that run, purr, and meow, in fact. this is a big serious scientific topic miroslav once again. hello. hello. let's start with history, look. here is a popular book often write code was homemade then and there then, then, how did people even know, when and where was the domestic cat for a start , we need to understand