everything, well, and i’m cosmo grew, and this is the first time you will see such an artist alive in stegneeve assembly hall of the school and the director, our guest today is a former student of our theater school graduate, evgeniy aleksandrovich evstegneev, we are! i’ll get my hair cut, i’ll definitely get my hair cut, he takes me to the corner once by the elbow and says: you know why the school director kicked you out of the classroom, i say, well, your hair is long, he says, no, he doesn’t like contrast, your hair is long cosmos, look at me, i’m bald, i say, he says, it’s a contrast, and he says, you’ll be in moscow, come to the theater, i’ll show you. met vysotsky, boris khmelnitsky, at taganka kolya burlyaev introduced me to vysotsky for the first time, i look at the service entrance is standing with some fragile girl, then when we met, it turned out that this is ira rodnina, no more, no less, they’re all young, and volodya runs out, you say, kolka, quickly, let’s go, boy, why are you standing there? reach out, that's it, he grabbed the three of us and started him. the audience disperse

a benefit performance, if you look at how it is built, there is a benefit performance by evgeny stegneevt day, a very concert-like performance by sergei yursky, look how he sharpens everything. there are wonderful pieces by svetlichnaya, by fateeva, and the picture seemed not to require an ensemble, that is, the ensemble arose as a whole, of course, when a general idea of ​​this picture arose, when it could already be seen as a whole, but separately there every piece is self-acting, gerd has a wonderful episode, there is nina kornienko, who, remember, that woman who was robbed, her cards were stolen, there is a communal apartment, there is no noise of a fight , what happened, well, tell me, what happened, well, what happened, wait, shush, shush, well, wait, come on, come on, the nuts were stolen, at first varya died at the hands of a bandit, sharapov had to return to the office and see her portrait in a mourning frame. gosteleradio, govorukhina did not allow a sad ending, forced her to come up with something life-affirming and urgently reshoot the ending. so. a foundling appeared in the