meaningful to people, this is not only partly your work, i ’m saying now about your assessment of stev zhiganat he was with me, especially since we got from the maxim theater. with its production, how it has come to life in today’s time and how young people need it, i said earlier in my book about the theater, we will go to the theater, study human communication, we will learn emotions and unfortunately, i can say that in many ways this time of tablets and artificial intelligence has come, when this is already so relevant, this was the near future, this is completely. this time has accelerated, when you already want to go to the theater, to see even deeper human relationships, genuine tears, and here is love, burning love, how can you love so much, and i say, this is better than every beautiful one, i love you very much nature, but a human tear is better than even a beautiful one... conquered the whole world with beauty that will save world, how figurative this is, how worthy it is, in general, when we look from serbia, your state is so figuratively seen as a very worthy state. ivana, i just

years in her homeland of serbia and performed. and the daughter of the famous serbian director stev zhigane the torn out heart of serbia, kosovo and metohija, its people, values, tells and shows the crimes that are being committed these days. i receive a prize from the president, whom we in serbia appreciate, you know how, because he risked his life during the bombing by arriving. all serbia remembers this, this is a great happiness. her appearance and manifesto in the capital’s posters, with the gorky theater, took aim at dostoevsky. whether the alslavic superhero is an idiot, preserving the values ​​of the soul, the decision is up to the viewer, and he votes with a ticket, an idiot in the top three most attended productions of the repertoire. we should be proud. our heroes and be proud of our actors who can take on this spiritual burden after 3 hours and 15 minutes. in the more than ninety-year history of the theater, there have been no idiots in gorky. ivana made a kind of transfer of the performance from the national theater in belgrade, adapted to the new company. it is no coincidence