i watched highlight of the film —— steve buscemi.cemi. i watched it with someone he knew nothing about horses and you don't really need that. no, you just need to know about loneliness and growing up and i think most people know about at least one is not two of those things. and steve buscemi is great. the movie is kind, nobody is great. the movie is kind, nobody is two—dimensional or thrown away. beautiful landscapes as well, if you wa nt beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd. well, the previous palm d'or winner, the square. the creator of this museum, who seems to be terribly right on, terribly, you know, thinking about equal rights and everything, but actually due to the theft of his mobile phone, he is in torment. it is a very interesting piece. at times it is darkly satirical, there is seen in it about a piece of performance art that is one of the creepiest things i have ever seen, one of the creepiest things i have ever seen, but, and one of the creepiest thin

and steve buscemi is great. the movie is kind, nobody is two—dimensional or thrown away.f you want that as a bonus. what about anyone who might want to watch a dvd? well, previous palm d'or winner, the square. klaus is the creator of this museum, who seems to be terribly right on, terribly, you know, thinking about equal rights and everything, but actually due to the theft of his mobile phone, he's in torment. it's a very interesting piece. at times it's darkly satirical, there is a scene in it about a piece of performance art that is one of the creepiest things i have ever seen, but, and i say this, it is not a horrorfilm! laughter ok? you are a good man, you brought me something! curious week but an interesting one. thank you very much. dr kermode, i should get it right! i will get told off otherwise. 0k, see you next week. a quick reminder before we go, all the film news and reviews from across the bbc at bbc.co.uk/markkermode, and our previous shows are on the iplayer of course. that's it for this week. goodbye. good evening, we have a bit of everything this weekend,

based on a novel and directed by the creator of 45 years. after by steve buscemi, 255555: is..“ ft! the ~—g-§§ egg-zg— — — —— — ——— ... ~ who when the horse is done about sending them off to mexico which is a euphemism for what is really happening to them. i really like this film. i thought first, charlie plumber, the young kid, absolutely brilliant. he has one of those faces that telegraphs his emotions, not to do with dialogue but the way he looks. he has something of the young james dean about him because there's a sound to his voice, very expressive face. i love the fact that andrew haigh, british film maker, has gone to america and shot in some deserts around, but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert, but still at the centre of it is charlie. he is in every single frame pretty much in the movie. the other thing is i like the fact that none of the characters in this film are two—dimensional. some of them seem harsh and difficult and violent, but everyone has got redeeming qualities. and they often play against type.

and steve buscemi is great. thrown away. beautiful landscapes as well, if you want that as a bonus. what about anyone who might want to watch a dvd? previous palme d'or winner, the square. the cannes film festival is on at the moment. you know i don't go. christian is the creator of this museum, who seems to be terribly right on, terribly, you know, thinking about equal rights and everything, but actually due to the theft of his mobile phone, he's in torment. it's a very interesting piece. at times, it's darkly satirical. there is a scene in it about a piece of performance art that is one of the creepiest things i have ever seen, but, and i say this, it is not a horrorfilm! laughter. 0k? you are a good man, you brought me something! curious week but an interesting one. thank you very much. dr kermode, i must get it right! i will get told off if i get that wrong again. ok, see you next week. a quick reminder before we go, all the film news and reviews from across the bbc at bbc.co.uk/markkermode, and our previous

it's a horse who is towards the end of its racing life, he's looked after by steve buscemi, who is kindowner who, when it, when the horses are done with, he has told no sentimentality about sending them off to mexico, which becomes a kind of euphemism for what's really happening to them. i really liked this film. i thought first charlie plummer who is the young kid was — is absolutely brilliant. he has one of those faces that telegraphs his emotions. it's not to do with dialogue, it's to do with the way he looks. he has something of the young james dean about him. there's a sort of lilt to his voice. very, very expressive face. i love the fact that andrew haigh, you know, a british film maker, has gone to america and shot in some desert surroundings but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert but still at the centre of it is charlie. he is in every single frame pretty much of the movie. and the other thing is i like the fact that none of the characters in this film are two—dimensional. some of them, they seem harsh and difficult and

it's a horse who is towards the end of its racing life, he's looked after by steve buscemi, who is kindo, when it, when the horses are done with, he has told no sentimentality about sending them off to mexico, which becomes a kind of euphemism for what's really happening to them. no, not over your neck. the rope over your shoulder. good. all right. come on. it's ok. hey, hey, hey. slow down. remember what i told you yesterday. pick them up before you take the rope off 'cause he'll run on you. good. let's go. see that body? this kid is a natural. yeah, he's a good kid. and he ain't afraid of a hard day's work like some of these other kids... come on, it's all right. just relax your arms. and walk him. i know, i know. you're just excited. you did real good. come on, pete. you got it. just happy. there you go, keep moving, keep moving. stay ahead of him. yeah, yeah. you singing a song? i really liked this film. i thought first charlie plummer who is the young kid was — is absolutely brilliant. he has one of those faces that telegraphs his emotions. it's not to do with dialogue, it's to do

the horse is towards the end of his racing life, looked after by steve buscemi, who is kind of gruffto mexico, which is a euphemism for what is really happening to them. no, not over your neck. i really like this film. i thought firstly charlie plummer is brilliant. he has one of those faces that telegraphs his emotions — not to do with dialogue but the way he looks. he has something of the young james dean about him because there a lilt to his voice, very expressive face. i love the fact that andrew haigh, british film maker, has gone to america and shot in some deserts around but has not been overwhelmed by the scenery. there are moments in it when we are out in the desert but still at the centre of it is charlie. he is in every single frame pretty much in the movie. the other thing is i like the fact that none of the characters in this film are two—dimensional. some of it may seem harsh and difficult and violent, but everyone has got redeeming qualities. and they often play against type. chloe sevigny turns up as a jockey who has fallen off the horse one time too many. i can see t