pitched somewhere between steven spielberg's duel and joel shumacher‘s falling down, unhinged from directorrick borte is a nuts and bolts affair that does exactly what it says on the tin without ever really stopping to think about it. andy. whose phone is this? i'm sitting here across from a friend. we know from the trailer that the action is going to involve crowe wreaking mobile phone havoc in a diner and a giant truck running over a car, and that pretty much sums up the movie. a popcorn mix of interpersonal craziness and big crunchy carbound carnage. can you see him? he's catching up. it helps, of course, that playing a character with anger management issues is hardly a stretch for russell crowe, although unlike michael douglas's more interesting character in falling down, crowe starts crazy and then just gets worse. you can hardly call this an analysis of societal rage, but watching 90 minutes of head—banging pedal to the metal big screen thrills, ifound myself happy to be back in a cinema, succumbing to the magic of the big screen. better bring your a—game. cos you're going to need it.

when steven spielberg recreated the world war 2 d.-day landings in saving private ryan he made it as visceral and violent as anything deerhunter. spielberg wanted to try to put the viewer exactly in the position of one of the infantry soldiers you know who had. his body was essentially you know a target the viewer can feel the fear the. the excitement the pressure the terror the nervousness everything there's no other way that an audience would get that much of a strong impression of exactly what it was like to be in that battle. because it's very uncomfortable for the viewer confidence who said at the same time in an almost perverse way it's fascinating and he said because it's like going on a ghost writer on the gusts that we experience something that we're not really experiencing the during you know the monsters are real and in the movie you know the war isn't real those. in the end war cinema remains entertainment war cinema is never war. our movie memories of battle have become more visceral and more violent but we're still a lon

bring that powerful story, elaine, and secretary, to the screen and a television series by steven spielberg's production company. secretary, you're the executive producer. so elaine, i have to ask you this, what did you feel as an author when you got that call? >> well, it was the sort of dream of a lifetime kind of moment, a very special moment. of course for me it was the idea that hillary clinton had read my book. i think that was the most powerful part of it. and then how deeply she understood the power of the story and wanting to make this story available to the largest audience. we agreed we need to tell this story because it's meaningful not just in our history but for how we go forward and how we learn from this experience of having to fight for half of the nation to get the vote. and so the idea of partnering together on this has been one of the most spectacular experiences, and we're working hard to adapt this into something that young people will be interested in watching. i think it's been a great -- wonderful roller coaster experience for both of us. we are not familiar with the

will continue to grow and that's where we're gong to be known as the tyrants you know is on steven spielberg's and all those guys of nigeria. ok guys thank you guys nice i need you outside now jim where did you become alice plus i want to do what i did. dream where you were going to do waiting outside. yes you can thank you i watch. this nollywood this is the way we do it and. i qualify good stuff guys that do this like did it. for you it's a problem with the about ladies and it's a struggle to get and there's a joke in nigeria that you know if you can find someone to get married to your family would marry you off to somebody. since the success of the wedding party in new nollywood has been producing one romantic comedy after another featuring a huge wedding ceremony the film's a wildly successful in nigeria pocket of. but the movies are not made specifically for the local market that meant to showcase the nigerian lifestyle and sense of spirit while at the same time telling stories that touch the hearts of people all around the world we need to start telling universal stories yes or no you wo

market will continue to grow and that's where we're gong to be known as the talented nose and steven spielberg's and all those guys of nigeria. ok guys thank you come good guys nights i need you outside now jim where did you become dallas last time what to do when you. dream where you were going to do waiting outside. yes i can thank you i watch. this nollywood this is the way we do it. i call it good stuff guys that do this like this. so we need it. there's a joke in nigeria that. many. new nollywood has been producing. the films a wildly successful in nigeria. but the movies are not made specifically for the local market that meant to showcase the nigerian lifestyle and sense of spirit while at the same time telling stories that touch the hearts of people all around the world but we need to start telling universal stories that's what nollywood need somebody down if you have to watch your film and understand your plight somebody in japan somebody in china that's storytelling that's the way we used to go because when i was growing up i wanted to be a japanese i wanted to be an american i wanted

talents you know as well steven spielberg's and all those guys are. you guys right on the outside now jim where did you become ls plus i want to do what you. dream where you were going to be waiting outside. the. thank you very much. this is the way we do it and. i call it the good. guys that do this good and. so are you. and there's a joke in nigeria that you know if you can find someone to get your family to you off to somebody. new nollywood has been producing one romantic comedy after another huge wedding ceremony the film's a wildly successful in nigeria. but the movies are not made specifically for the local market they're meant to showcase the nigerian lifestyle and sense of spirit while at the same time telling stories that touch the hearts of people all around the world but we need to start telling universal stories yes or no you would need somebody down if you have to watch your film and understand your plight somebody in japan somebody in china does storytelling that's the way we used to go because when i was growing up i wanted to be a jap

starting to nose on steven spielberg's and all those guys of nigeria. but the guys guys you camera guys right on the outside no dream where do you become alice cloth i want to do what i did. dream where you were going to do and waiting outside. yes you can i go i watch. this nollywood this is the way we do it and. i call it the good. guys let's do this let's get it. so you know if it's a public call with the about ladies and it's a struggle to get on there's a joke in nigeria that you know if you can find someone to get married to your family would not do you off the somewhat. thank you thank god since the success of the wedding party in new nollywood has been producing one romantic comedy after another featuring a huge wedding ceremony the film's a wildly successful in nigeria pocket of the 500. but the movies are not made specifically for the local market they're meant to showcase the nigerian lifestyle and sense of spirit while at the same time telling stories that touch the hearts of people all around the world but we need to start telling universal

[laughter] but it will be a feature film and it will be directed by steven spielberg which is very exciting. [applause] >> produced by leonardo dicaprio which is also exciting. looks like i will again be the historical consultant. [applause] >> you've written about washington and hamilton and now grant. are there any lessons you've learned through studying these that you think is worth sharing? >> it's a very good question, one strange thing when people have asked me about a common denominator to these lives. with every person i've written about, they had to cope at an early age with a difficult and even impossible parents. i know that sound like a strange response to your question. there was the washington with a very self-centered mother. hamilton with the absentee father. grant with the overbearing father. there's something about a parent that shapes character and forces people to be self-reliant at an early age. all of the people i've written about because they had such difficult parents, they never talked about it. sometimes i imagine if i could conjure them to life and ask questions,

steven spielberg stole that, i have a life-size bus in my house.s the funny thing, that festival, if something happens, some people commit crimes, they will call the police to help them i think it's interesting the police and bad guys, we talk about this every day, every week, all the time. we are seeing the results of decades of people being told the country sucks, everybody is bad and needs to overthrow it. the government is not your friend, you listen to wheeler, he's saying no i destroyed the city but don't talk about it or show it because people will vote trump. it is crazy. greg: joe, i'm a little confused because i don't think kindergarten cop is arnold worst movie. i was going to put twins ahead of that. [laughter] joe: she's talking about kindergarten cop like it's the bad lieutenant. what a perfect 2020 movie to take on. we've got no cops or kindergarten. [laughter] >> the movie is from that time period, you got predator where he takes on an undocumented immigrant and commanded where he kills like 100 people to save alyssa milano which --

but it will be a feature film, and it's going to be directed by steven spielberg, which is very exciting. and produced by leonardo dicaprio, which is also exciting. and it looks like i'll, again, the historical consultant. >> great. [ applause ] >> so you've written about washington and hamilton and now grant, are there any lessons or a big less son you've learned through studying these that you think is worth sharing? >> it's a very, very good question. one strange thing when people have asked me about a common denominator to these lives, the one thing in every person that i've written about, they had to cope from an early age with a difficult, even impossible parent. i know this sounds like a strange response to a question, but you know, there was washington with the very self-centered mother. there was hamilton with the absentee father, grant had this very domineering and overbearing father, and i think that there's something about coping with a very, very difficult parent that i guess shapes character and forces people to be self-reliant at an early age, kind of big frustration i fou

shucks, but it will be feature film, and it's going to be directed by steven spielberg, which is very exciting. and produced by leonardo dicaprio which is also exciting, and it looks like i'll again be the historical consultant. >> are there any lessons or big lesson you've learned through studying these you think is worth share something. >> it's a very good question. one thing when people have asked me about a common denominator to these lives is every person i've written about they've had to cope from an early age with a difficult even impossible parent. i know this sound like a strange response to your question, but there was washington with the very self-centered mother, hamilton with the absentee father. grant had this domineering and overbearing father. and i think there's something about coping with a very, very difficult parent that i guess shapes character and forces people to be self-reliant at an early age. kind of a big frustration i found with all of these books because they had such difficult parents, they never talked about it, and sometimes i imagine if i could conjur

steven spielberg stole it from jack arnold. i have a life size bust of the creature in my house.t the film festival, if something happens, some people are committing crimes, they're going to call the police to help them. and so i think it's interesting that the police and the bad guys -- listen, we talked about this, i feel like we talked about this every day, every week, all the time. we're seeing the results of decades of people, these people being told that the country sucks, everybodyf is bad and you need to overthrow it. and a lot of lessons here. the government is not your friend. you listen to wheeler. he's actually saying i know i destroyed the city but don't talk about it and show it because people are going to vote for trump. it's crazy. it's actually crazy. greg: yeah. joe, i'm a little confused. i don't even think kindergarten copies arnold's worst movie. i was going to put twins ahead of that. [ laughter ] >> yeah. she's talking about kindergarten cop like it's the bad lieutenant, not the edgiest fare that he's done. what a perfect 2020 movie to take on because we've

. >> seth: ah, man >> but yeah, in the first one, steven spielberg, if i can invoke his name, was offe sound effects, you head dinosaurs. and they've got the big dinosaurs and it's great, you know but, stan winston had back then won the oscar for the -- what he did. but they were new, they were ground breaking and on an occasion, there was t-rex that was life size that when you went into the sound stage they said, and "don't go anywhere near it because it can get kind of morbid and we're still trying to figure out how to operate it." so it can go into unexpected compulsions and drop on you or attack you, or - you know, we didn't want to get killed by the fake t-rex so, you know >> seth: oh, yeah. that would have been -- certainly would have made the press junket a lot harder if one of you had died via the mechanical t-rex >> it would have been -- it would have been dark days >> seth: we'll be back with more jeff goldblum. ♪ boboost mobilele's new w upgradd networkk hahas a strongnger signall and fafaster speededs. it's n not just fafast - it's's super fasast. wewe like it.. but how ca

drive-in movie theater and they're setting up the black screen right now, they will be showing steven spielbergcompletely free, walmart has announced they will do this through october 21 at 160 different locations, they will showcase 320 old movies from wonder woman, madagascar, even spacex. but they will be competing with amc and regal cinemas that are opening up next week in those theaters as well will be showcasing older films but you can see what is going on, you have to get your tickets online and you have to register, right now they are sold out but the differences, you can do this all from the beauty of your car, social distancing, the only thing you have to do is get out to go to the bathroom but walmart is keeping the doors open until 10:00 p.m. at least you have that distance going if your little concerned of going into a movie theater the show not about to begin but beginning with s. >> you said it and you said it perfectly, people are dying to spend the night out in a town and this is as close as we can get these days, it does look appealing. thank you very much, appreciate it. trum

pitched somewhere between steven spielberg's duel and joel shumacher‘s falling down, unhinged, from directort it. andy. whose phone is this? i'm sitting here across from a friend. we note from the trailer that the action is going to involve crowe wreaking mobile phone havoc in a diner and a giant truck running over a car, and that pretty much sums up the movie. a popcorn mix of interpersonal craziness and big crunchy carbound carnage. can you see him? he's catching up. it helps, of course, that playing a character with anger management issues is hardly a stretch for russell crowe, although unlike michael douglas's more interesting character in falling down, crowe starts crazy and then just gets worse. you can hardly call this an analysis of societal rage, but watching 90 minutes of head—banging pedal to the metal big screen thrills, ijust found myself happy to be back in a cinema, succumbing to the magic of the big screen. better bring your a—game. cos you're gonna need it. also getting a wide summer release this weekend is summerland, a film that could not be more different from unhinged in

her book was inspiration for steven spielberg's film in 2012. she earned her ph.d. in harvard. coming up, we'll reair her indepth appearance where she discussed her entire body of work and took phone calls. we'll show you discussions from her books, leadership in turbulent times and bully pulpit, but we'll start with her january 1st, 1995 appearance on the c-span series book notes. in this hour long interview, she discussed franklin and eleanor roosevelt in the home front during world war ii, her book "no ordinary time" won the pulitzer prize for history. here is historian doris kearnes goodwin. >> doris kearnes goodwin author of "no ordinary time" if you could ask franklin roosevelt or elino eleanor roosevelt any questions, what would it be? >> i would ask her why she was unable during the war where he asked her to be his wife again and stop travelling and take care of him, to say yes to him. and i know he loved her and she loved him and why didn't she do it, he was going to die soon. and why he couldn't share himself with anyone. he was an ebullient and sparkling personality,

in fact, her book team of rivals was the inspiration for steven spielberg's film "lincoln" in 2012. goodwin earned her ph.d. at harvard, so coming up we're going to reair her " in depth" appearance where he discussed her entire body of work and took viewer phone calls. we'll also be showing you excerpts from her books, but we'll tart with her january 1, 1995, appearance on the c-span series "book notes." she discussed franklin and eleanor roosevelt and the home front during world war ii. her book, "no ordinary time," won the pulitzer prize for history. here's historian doris kearns goodwin. c-span: if you could ask either franklin delano roosevelt or eleanor roosevelt a couple of questions after all the work you did on this book, what would they be? >> guest: i think with eleanor, why he was unable to be stay home and take cower of him to say question to hum. i know he still loved him, and -- she still loved him. and i think for him why he couldn't share himself more fully with anyone. he was the most charming, most sparkling personality, everybody got how warm he was, but underneat

pitched somewhere between steven spielberg's duel and joel shumacher‘s falling down, unhinged from directorerrick borte is a nuts and bolts affair that does exactly what it says on the tin without ever really stopping to think about it. andy. whose phone is this? i'm sitting here across from a friend. we know from the trailer that the action is going to involve crowe wreaking mobile phone havoc ina dinerand a giant truck running over a car, and that pretty much sums up the movie. a popcorn mix of interpersonal craziness and big crunchy carbound carnage. can you see him? he's catching up.