of the music i was writing sound like it have some element of water, whether it was fast, slow, stillwaterthe title of that collection is a slow peace. i always like to think that it feels like the surface of water. more importantly than that, if the composer, improviser, is connected with an image or story, no matter what that story is, the and the listener who hears it is going to feel that. a man that did the same thing. i may be thinking water and somebody else may be thinking garbage. or somebody might be thinking about a friend of theirs. but still, they feel that connection. something is going on there that is creating an emotional, or maybe a visual image that people are picking up on. i am not quite sure how that ties in. >> it is an interesting point. the performance, of course, has a lot to do with it. one can take a piece by chopin and play it on the piano in a rigid fashion, that is the way that it was written, but without the proper articulation, the peace can sound somewhat flat. it is the performance that brings out the new ones. without putting you on the spot, i wonder if