the turkish story gets darker. in the cross hairs, the group declares private channels satanic and on the list for emim nation. oil money, it's a slippery slope. news of the refugees by the refugees for danish readers. in the past four months since fays one of the turkish election, we have returned to the "listening post". turkey's media landscape is diverse, noisy and has become polarized and under pressure. this past week when twin bomb blasts rip through a peace valley, the change of reporting the story was magnified by the tension felt across the media. authorities were swift to issue orders, forbidding pictures of the blast, and instructing telephone operatos to slow down. there were stories unfolding in turkey, the battle between the military and kurdish fighters. the air strikes on i.s.i.l. in syria, and there's phase 2 of a make or break election. a key party came across the airwaves, in the past two weeks there has been more attacks. and a series of opposition broadcasters taken off the air. as turkey head

this story is not about the mafia. there is a real distinction between oligarchs and the mafia, oligarchs, there was a lot of violence going on and certainly they have interaction with the mafia but it was a separate institute. the idea that the godfather of the kremlin was a businessman who also had probably a division of weapons at his company, but to equate the oligarchy to the mafia is a different thing. vladimir putin at this point is the wealthiest man in russia. a lot of people say he is an oligarch at this point. those who succeeded, when you want something they pay for it. he has control of all of this wealth, but he is a president, a leader in a country that is built kind of like a pyramid right now. that is the way i would put it but i would make a big distinction between the mafia and oligarch. >> the research you did in this book, will he be president until his death? >> i have been getting asked that a lot. all these sanctions we are doing, will they force the oligarchs to seek out. people are looking at

and so the story is true., a lot of people this far back would say it was a scandal, something wrong with it. the basic truth of the story there was nothing wrong with. "the boston globe" had put it in print as early as 2000, but nobody in television had ever touched the story until about the time we got to it. as you pointed out, nbc did 90 minutes before we were on the air, did a version of the story. >> there was a lot of different threats of that story being pulled. >> i think it's important to also node up to and including this time former president bush has never denied the basic facts of the story, nor has anybody in his family or in a close circle around him. they say well, the documents were forged, that's game, set and match, but up to and including now, they have never denied the story, because the story was true, it was truth. >> that characterization by you in your own term and in this new film is causing a lot of political -- it may have been 11 years ago, but it is today. dan rather, president n

were bombs in your corn flake stories. the first time a bla guy told me about murdering a cop. the first time ron told me about building the weatherman bombs. the first time i was told about breaking chez out of prison and smuggling her to cuba. once i got a couple of those stories i realized -- i thought the book was uneven. i knew i had amazing stuff but it is not amazing everywhere. there were a couple groups i never talked to any of their people. i had to tell the story through the eyes of the fbi agents who pursued them. once i got a couple early stories i realized this is amazing stuff and i had the bock. >> the joan of arc of the black left tried to shoot a cop at point-blank range. >> she tried to do it many times but we know of the one she was convicted of. she is the most prominent fugitive still living in cuba. >> what would you tell the students that want to name a building after her in berkeley? >> i did my best to play it down the middle and not make political judgments. i have had people on the right say i a

the story is false, the story has no reality, but most of the people write about it. and as you will see in a little bit, it really is nutty how the make-up becomes fact when it's really fiction. so here is richard nixon chugging up towards washington on his train, getting nailed for having this secret fund. and at the same time, here's dwight eisenhower traveling on his train in the midwest. and as nixon is going up the spine of the west coast, there are people standing out there -- again, i know you'll be underwhelmed -- but they were democrats who were saying get rid of him. where is the money, richard? what are you doing? how are you living with this kind of taint on your life? now, for some reason, during this story adlai stevenson, who is running against eisenhower, doesn't say anything. people start to wonder, why isn't adlai stevenson attacking richard nixon for being this guy with a secret fund? and again this may surprise you, but adlai stevenson had a fund. [laughter] not only did he have a fund, but he had a fund ten times the size of richard nixon. now, i

story. i never set out to be a nonfiction writer or a journalist. as a kid i always hated nonfiction and i didn't read much of it. i was obsessed with television and bad tv like say by the bell m3's company and all of that crap. my parents, fearing the worst, made a rule at home that we had to read two books a week before we were allowed to watch tv. so at a very young age i became a speed reader so i could watch tv. i watched everything. by the time i graduated from college i knew i wanted to be a writer. i wrote and i wrote and i wrote nine novels in a year. i don't recommend that for anyone here that wants to be a writer. i got rejected by everyone in publishing. i had 190 rejection slips take to all my walls. i looked like a serial killer in my apartment. i was even rejected by a janitor the janitor took it out of the garbage and then rejected me. i wasn't really getting anywhere. eventually and editor took pity and said go read john grisham and come back any year. i read all these thril

here is the sad thing, she will never get to tell that story. i wrote the story. she could have had some influence, but she wouldn't because that is a part i could share with you it's, and she has a set pattern that she does. if you interview her you always get the same story. >> i also heard justice ginsburg speak several years ago after justice so the mayor had been appointed to the court and talks about how it was just her and sandra day o'connor many of the male lawyers would confuse them. they look nothing alike. but they said once they got a 3rd woman on the court is stopped. it is a wonderful story. and also, is she particularly close to so the mayor or kagan? >> she and kagan have been friends for decades. it's so, yes. and she credits ginsburg the changing the world so that she can take a ride, which she did. there are stories about so the mayor ruth bader ginsburg wrote a letter to stephen rice. as a letters. interviewing stephen rice. if i have to answer that question i better check with one of the letters i got. i'm like, letters? in her letter's, one

two channels covered the story in a different way, together. from yis llama bad they -- islamabad, they broadcast. and also from a honda indy channel. >> the host from one side asked questions of a panel from the other. anywhere else it would be commonsense. it was extraordinary, in that it was to civilized. >> they were both sitting in the story, peaced together across the border. there was is loft of it was like the perverbial twine that will never meet. >> i have been covering the indian pakistan relationship it's been difficult. there's not a common understanding of anything. there's not a common understanding of agreements even if signed by both sides. in india growth began in the 1990s. pag stan's media grew from a single broadcaster to dozens of chanls. news outputs from india is banned. the focus on neighbours is not as sharp as across the border. >> pakistan is the best indian media. it says there's a wound in the indian psyche that they have not come to terms with. the wound is passed on from generations to generations. the swings are

story of the most interesting story my life was my home town story and i could not even describe it to you. what that history was. as i delved into it and think about writing a book and doing inteploifihas, all of these messomfesistof thet coming at mt it was something i should not do. that the story was best left cnshed under the rug. it was ldinge a scab being pick, it was was never allowed to heal. there are a lot of people that did not want the story told and did not want to talk about it themselves. for me, telling the story was about my futurusl about the family i was creating. creating. when i was living in california i my. my future husnedndmy pas, who is a mirlytiranot hal man of indian descent and i know i wanted to to marry him and have children. iistnew the story my homy. own would be part of their story too. for me, understanding, understanding what had happened in that town long before i was born was important to moving forward and having my ouca family. >>istristin, by the way will be reading and exit from her own book as well to the end of the session. jim, havenuc y

this san insane story. to the story in austria but the thing happened in i think it was cleveland, wasn't it. >> yup. >> trevor: where a woman was trapped in a basement by a man and for years nobody knew that she was. there this is an instain story. i felt sorry for you when i saw you. >> i know, i konlt make eye contact. he walked in, he was like thank you very much for coming. >> trevor: i feel like you are a survivor, that is how i felt. >> well, that is very nice, but survived what, the making of a movie. >> trevor: which is very difficult. >> it is very, very hard. like i cannot believe you made it through. >> trevor: how do you prepare for this? do you-- do you stay in a room for a long time? >> yes, yeah, you set your accept for any type of situation so that you can really live it. no you just, with this type of thing you look to experts to help you out. so i spoke with a drama specialist. i spoke way doctors and nutritionists to try and figure out how her mind and her body would react to this type o

stories.ng her voice -- >> i believe it's healing and it's cathartic to be able to talk to each other, to look around and be together. >> bill cosby has said very little. he did not respond when asked about the allegations last year during an interview with the associated press. >> there's no response. >> cosby later told a florida newspaper a guy doesn't have to answer to innuendos. people should fact check. the person who perhaps knows bill cosby best his wife of 50 years has issued a public statement of support. so did members of cosby's other family, his tv one. >> all i can speak to is the man that i know and i love. the fact that he has been such an example. you can't take away from the great he has done. >> monique pressly is one of bill cosby's attorneys. she told thomas roberts in july that the star adamantly denies doing anything wrong. >> he has vehemently denied the allegations that he, one, without consent gave anyone a drug, and that he, two, had a relationship or had sexual inte

let's get the inside story. good morning, and welcome to "inside story." i'm tamala edwards. indeed, mark segal is my guest. good morning. how are you? >> tamala, it is great to be with you again. >> it is good to be with you. the book is called "and then i danced." i was joking with you that you were the forrest gump of the gay movement. if it happened, you were there. and that's where my first question comes from. you grew up in philadelphia in a time when you're ashamed to be poor. you're ashamed to be jewish in a non-jewish neighborhood. it is not an easy place to be gay. you see a family member beaten and run out of the family for being gay. and yet, at an early age, you decided to live life out. many people would have said, "i'm finding a closet and going to the back of it." why did you decide to do that? >> i had this incredible grandmother, fanny weinstein, who, at age 13, took me to my first civil rights march. she was a suffragette. she taught me how the family had fought to get out of europe during the pogroms. she talked about our family who struggled through the

what are the stories you can get out of that without telling the same story?: did you go through what she suggested was a hazing period in the early days when you are at the wall street journal? amy: i would not say people were mean, but i felt out of place. i had gone from being a tokyo correspondent who basically went straight to des moines. so i had this incredible culture shock about not just being back in america, but being back in america. i thought americans were huge. i had to look up what a caucus was and how it works, which a clinton person joked with me, that is ok. we did not know what a caucus was either. i felt very intimidated by the other reporters. sort of, i felt like they knew everything about politics and i did not know anything. but, at the same time, my editor, who had put me in that position, thought a fresh perspective would be good. and i do think, for the same reason, the same editor put me in japan when i did not know much about japan. is that, you know, readers do not know the intricacies of politics or being on the road or being in

not just my story, it is our story. you could be the most disparate person, young black man from new orleans, you could be a woman from bulgaria. hopefully the humanity of the work connects us, commonality is the thing that makes it classic at the time and space our humanity connects us. to understand this may be a portion of my family that i share with you this is policy. we know who we are by the stories we tell about ourselves and the world. we know who we are through the family and community of news stories we are part. we make our stories and our stories make us. i am not sure the stories of my family are art exactly. after all they came down to me not as objects to be admired for their beauty, then again it contains so much truth and goodness that they cannot help being beautiful as well. their trials, triumphed, every jews that gave them the strength to overcome, all of these things have been stories my family shares, an inheritance that grows as we invest in each successive generation. i draw creative strength f

these stories are stories of people whose lives were motivated by service most of all in a variety of capacities. and they come from all different areas. they are educators and lawyers and nine members of congress and playwrights and poets and dancers. but in each and every case, these are people who felt that through their craft, expertise, and discipline, they needed to somehow send a larger message. and that was an important way that we defined leadership. and julian himself thought that was incredibly important as a way to defined leadership. but i also feel that these interviews have an intimacy about them, because you have one civil rights leader who was so revered. every person who came for an interview came in large measure because of julian bond. he was so revered in the african-american community. and so many of them felt it was an honor to sit down with him. and then in fact, you feel this intimacy of two people, not necessarily having walked the same path, but two people with really shared appreciation for one another having this conversation about what it meant to be blac

hey, you share your story. tell me about what you've been through. >> that's pretty cool. >> and i think a lot of times the discussion that we have in pop culture and media, there's not specifics to it. and if you put sort of a picture and a name and a story and narrative to things, it kind of humanizes all of us. >> now, we know comedy can be used to take the sting out of, you know, sensitive topics and issues. >> yeah. >> were there tough moments that you had to bring to light since it is autobiographical and you work your comedy around it? times when you didn't necessarily smile then but now you can laugh about it? >> yeah, yeah. look, i i this comedy -- i think comedy's a pressure release valve on life. >> good description. >> and in laughter and tears, those are two sides of the same coin. so when you kind of -- i've been able to look back at some of those life experiences with hindsight and be like, oh, that was interesting or funny. it's kind of a roller coaster ride, you're going to do both. you going,

it's the inside story. ♪ >>> welcome to "inside story." i'm ray suarez.age gap stories usually begin with stat ickses showing that working men make more money than working women. single straightforward, widely understanding. but dig a little deeper and everything let's more complicated. comparing the very different jobs sometimes tough. men and women of a similar age may have dissimilar numbers of working years because birth and child rearing falls differently. how do you fig it out? melissa chan reports from san francisco. >> reporter: the law requires equal pay for equal work. and it will prohibit retallation against anyone who discloses and discusses his or her pay. >> we have pay laws on the books, but they are enough. >> reporter: equal rights advocates an organization that helped sponsor the bill. >> we represented women who clean hotel rooms, they are getting paid less than janitors who vacuum right outside the similar work. >> reporter: advocates say the new law will impact all industries and jobs from construction work to silicon valley. some of

what i would like to start off with if you don't find is a story not true but it's a story. like eisenhower didn't like one another. they may have hated one another. they may have gone even lower than that. they may have been in the ninth circle of hell but the story that is told is done for one reason and one reason only and it's the proof that extend and eisenhower didn't get along for a reason and the reason was if they couldn't get along, the party couldn't get along and they themselves as representatives of the republican party couldn't get along. and the people that write this are democrats and it's a story that is done purposely it's not a story that is done because of some mistake. it is done because if you are a democrat and if you are as a liberal persuasion partisan, the story fits and it is a good story of where to start with the animosity within the republican party and what is the better place to start than in the republican party that i eisenhower and richard nixon. it may make sense to folks that don't do the work. but after the pages of documents interviewin

women in this room with stories like hers. women like jewel allyson. >> i was one of those people that contacted barbara. i did not know barbara at all. for me, seeing her having the strength to come forward helped me tremendously. >> i love you, jewel. thank you, honey. >> late last year after barbara's essay and the burris video, it seemed like the flood gates opened. dozens of women began stepping out with similar allegations. hard for some in this room to hear. >>> coming up -- >> i went into shock. i went into bad shock. >> four decades later, the pain is still fresh. >> it was his gloating over my humiliation that stayed with me more than anything. he let me know, you think you're going somewhere in this business? you're a loser. >> when "dateline" continues. cry-proof, stay-proof look? neutrogena® makeup remover does. it erases 99% of your most stubborn makeup with one towelette. need any more proof than that? neutrogena. >>> i had to tell my story. >> he was a blackman who was a pillar in the black community. i'm going

let's do that story. i have a feeling andy didn't tell me the whole story. what went on over there?ow much money did you donate to trump? >> i am only guilty of loving america too much. >> is that what it is?xd >> covering politic3 is a soul destroying business. i wanted to do something nice for my co-workers and what better way to lift their spirits than a box full of make america great again hats. they cost a lot of money as it turns out. i had to get an extension on my rent, but i dropped the $500. >> how much are the hats? >> $25 each. >> they are probably made in america? >> of course. >> it is probably worth it? >> it is completely worth it. i was listed as a trump donor in the latest round of campaign disclosures. >> that's what is crazy to me. there was an sec filing? >> federal document. >> i think it is over a certain amount, but over -- i was definitely over -- >> so not just journalists? if they bought $500 worth of hats they would have to fill out a filing? >> if you do it on the website, yes. they get your address and occupation and everything. >> you listed your occup

trish, he has an amazing story. >> it is an amazing american success story. this is a guy who had the entire deck stacked against him. he over came so many odds. his mother over came so many odds. this is a girl who dropped out of school in the third grade and was married by the age of 13 and had two kids and a husband who had another family on the side. she realized it and divorced him and raised these kids as a single mom and he goes on to graduate from an ivy league school to become a tremendous top surgeon. it really is the stuff of american dreams. he over came everything to become the guy who is now running for president of the united states. >> that's it and that's why people love him, shane. he had a rough patch in his teen years, but he straightened out. we love that story. >> it is always a little awkward when republicans try to appeal to the youth. oftentimes it involves a story of trying to hit your mom in the head with a hammer because she wanted you to wear something different. i like he somehow hit the one point you can't stab someone. fortunat

compared with men, the stories compared with men, the stories of women so often

the ukraine/crimea story has heighten tensions.estigators calling it a robbery gone wrong but freedom campaigns said espinoza had enemies whehe did most of his w for proceso magazine. days later cabrera was shot in a bar in vera cruz along a gang boss. why the former news anchor was sharing a table with such a figure is not known but their probation i am tip lends weight to what has become a truism in mexico that judgists who get too close to the drug car tells or that story get what's coming to them. is it always red note journalism, the sensational coverage of violence that gets journalists into trouble. espinoza's crime was coffee growers, student protesters and environmentalists and the threat he said he had received were from local government officials and many mexicans say that's a trend that's only getting worse. the listening post's will young now on the complicated perilous state of journalism in mexico. >>> for more than a decade, ruben espinosa's journalism shone a light in vera cruz on corruption and other social issues

it's the inside story. ♪ >>> welcome to "inside story." i'm ray suarez.hen this crisis began, you might have thought the nations of the european union, in the interest of the e.u. itself of its citizens and of the people fleeing syria, might have found a joint and coordinated response by now. it seems every time any e.u. creates some consensus it's gone in a day or two, as the realities of huge crowds of desperate people, of borders, rivalries and train stations overwhelm any careful diplomatic language. our slovenia. >> reporter: 15,000 is the number understood to have come through slovenia in the last 24 hours. that is a record number that this country has had to accept. so those 400 police officers will be a welcome addition for -- as far as the slovenian authorities are concerned. places to provide good protection for the refugees from the weather, especially given that the winter is pressing in here. this camp behind me is one of three on the slovenia croatia border. eventually when space is freed up further down the line, they get moved on. but what

we tell that story in this video here. then we are going to bring our visitors into life at fort up an less -- thants the we are going to bring our visitors into life at the airfield in east anglia where you will have the eighth air force stationed in a hut just like what we have fabricated in this gallery. one of the features in this gallery -- we do suspend reality a little bit. you can see up top our animation, which depicts a lie -- flyover of thousands of b-17 b-24 liberators, other aircraft, the massive air force we eventually build up in england to continue the fight against the germans. but what we try to tell people about in the story here is the turning point in that air war. what is going to happen in early 1944 is a huge shift. we tell the story of the berlin raid of march 6, 1944, where we are going to put up better than 1000 planes in the air. be key to this is going to the fact that in the earlier raids i referenced, you're looking at 100 or 200 aircraft, 60 of them getting shot down. well, once we start put

it's the "inside story." >> everyone has a story... and the only way to see all of america, is to see the human stories... one at a time. get to know the people, their struggles, their hardships and their triumphs. >> it gives me a lot of pride. >> our american story is written everyday. it's not always pretty, but it's real... and we show you like no-one else can. this is our american story. this is america tonight. >> you're watching "inside story," i'm ray suarez. pull out a map of west asia. afghanistan is really far from damascus. from syria's turkish border, from lebanon and jordan. but with acknowledged contacts between taliban and i.s.i.l, should we look at afghanistan as a part of a single theater? we're looking at america's longest war this time on the program joining me now is michael bre rvetion reen, jim hansen, co-author of cut down the black flag and thom thomas johnson, director of the program for culture and conflict studies. michael breen, let me start with you. is this the right move at the right time as i asked amba

they had the story. they did not publish the photograph of the burning monk, meaning that editors in the u.s. were conscious of the nature of the images and about the controversy, which brings me to the question cd-rw asked -- santiago asked about my favorite pictures. favorite is not the right word. if i could pick any picture, i would look at them in a way that emotionsthem, but my are far more deeper and sad -- it was the set of photographs taken by a great photographer, a inman, who began taking them a 1963-1964. he spent a lot of time with south vietnamese troops in the delta of the southern part of the anon and -- vietnam, and in deep jungles. he would go out with american advisers. he was coming back with pictures of enormous brutality and -- brutality committed against the vong --the enemies farmers -- ietnamese farmers. these military operations were painted as being necessary to thed out the viet cong, group that was plotting against the government. but in fact, what was happening, whole villag

everybody has a different way of telling their story. and you kind of have to go with that, so people feel comfortable when they're talking to you on camera. but he would jump time periods, he was all over the place. >> and now you're sitting here. >> listen, let me finish, please. i would appreciate it. >> he had a lot of religious overtones. >> you know king david? >> who? >> king david? >> yes. i'm sorry. >> he was guilty of conspiracy to commit murder. >> he also seemed to liken himself to great figures of the old testament, as well as more current historical figures. >> jfk was a man with a -- he was nothing but extreme. they called him eccentric. >> but all people of power, which i thought was pretty intriguing. and in the course of, i think it was almost three hours of an interview, he revealed enough to make me think, god, there's a potential here that this alleged statement he made to this victim could be true. he was very open about the violence in his past. he was convicted of a crime that was just so grotesque, it was like, y

>> plus, a love story reunion.iniscing 45 years later. >> my lips were all bruised from the kiss. >> stick around. closed captioning provided by -- >>> welcome back, everybody. >>> fansst late, late show know he will try anything answer once again, he proves that. >> look who is filling in for james. it is james carden from the late, late show. with a new suv. >> the truth is, it's like riding a bike. that's what makes it. >> we can't have a male model on the show. that's a rule here. i have to get back to my roots, my modelling days. >> well this is the level of shear awesomeness that happens when he is set free monday on cbs. yep. james is a hugger. but now that he's on the price is right, will he return the favor to drew? >> i haven't been on show yet. >> he's doing the hip thrusting movements. >> i'm a bit embarrassed by the quality. >> if you can't get enough of him, watch him tonight on the "late show." >> they're all mixing it up. >> i love it. >> i like it. >> michelle turner joins us now with a movie pair

it's the inside story. ♪ >> welcome to "inside story," i'm ray suarez.hat started out as a sub culture is now a huge business. assemble a team from real professional players. the real player's actual performances on the field, the court, the ice are converted into points and you win or lose against other players who have done the same and are hoping the teams they put together on paper beat yours. hobbyists, watched pro performs, and up and coming college players, and then there are league tables, standards, and commissioners keeping it cranking along. but the intimate has accelerated the growth of fantasy sports allowing you to play against people you don't know, and now you can risk and win money, and websites assure you it's all legal. john henry smith takes a closer look. [ cheers and applause ] >> reporter: old school sports fandom, follow your team. new sports fandom, follow your fantasy league. rick runs a season that runs as long as the real season. >> yes, i'm a jets fan. but to also make some money along the way makes that that much more exciti

story."welcome to "inside story." i'm ray suarez. just about everywhere i've been in the world there's a loam beer. the brand d -- local beer, the brand that sponsors sports teams, shows up on restaurant coasters, is part of a restaurant culture. some of that is an illusion. some are run and controlled on the other side of the planet on many cases and subject to economic forces much broader than ads for your local baseball team. the fall of the berlin wall and the growing reach of international trade agreements drew people who produced a lot of different things into closer ties with each other around the world. one huge yet underrecognized industry caught in the same wave of consolidating is brewing. diane eastabrook has this report on beer and one of the largest mergers in the history of global business. >> the merger of inbev and ab miller, would acquire sab miller labels which include miller, coorms linengoogle and the combined company would help the brewer grow in latin america, asia and

it's the inside story. >>> welcome to "inside story," i'm ray suarez. for years local authorities have fried to reassure undocuments immigrants. whether the engoal is in ensuring cooperation with police, making sure kids get vaccinated or keeping kids you know are in the country illegally, make sure they stay in school, local authorities found it easier to turn their cities in so-called sanctuary cities. >> reporter: this food cart bustles at lunchtime. >> translator: we are very proud that immigrants are productive. that we are not a problem to the country. we are a solution. >> reporter: they are both undocumented but feel confident enough to call the police if they are in trouble. that's because philadelphia is one of 300 so-called sanctuary cities in the u.s. us. jurisdictions with local police have stopped enforcing federal immigration laws. >> if you have someone who is a criminal or you expect to be a criminal, or is on the run or they are wanted, go to a federal judge, get a warrant, and we'll be happy to told them for you. but we're not holding

i remember there would be story time. >> excellent. >> i would be read this story, and then i would have to tell them what the story was about. >> reporter: and they haven't let go of a certain reminder of how far he's come. >> this is the chair where jake was reborn. even -- >> hours and hours and hours and hours in this change learning. learning how to learn. >> reporter: together we watched a clip from that "nightline" show. >> i think that part of our lives was so intense and the therapy was so intensive and we were -- it was like we were living in this snow globe. that the rest of the world didn't exist. i mean, we barely -- i barely left the house during those two years. >> reporter: jake, what do you do with your autism? is it something that you talk about? is it something that you don't want to talk about? >> i don't say hi, i'm jake, i used to have autism when i was little. but if it comes up, i'm more than happy to tell them about my past. >> reporter: do you have moments anymore where you think back and say it could have turned out very differently? >> i have moments where i h

it is individual stories that have been a superb job of recording. that is why the library of congress has collected these materials. we have a number of photographs in our dust bowl migration archives. most of the photographs were taken by a photographer in ventura. almost all of the photographs are officially farm security administration photographs of life in the migrant camps of california. a few examples that are quite telling include this sign from the u.s. department of agriculture farm security administration identifying the farmworkers community that exists that these children are posing in front of. charles todd and robert sonkin collected songs and stories, and this photograph showing them in front of a microphone, getting ready to sing their songs for the phonograph placed in front of them is, again, both an iconic photograph, and also one that is very, very specific to these two people and their experience in the camp. again, mrs. pipkin holding a baby, sitting outside in the bright sun. a wonderful picture that speaks to the times. her

in my view begin to block the story. washington was advancing at and getting better stories, there were people who didn't want that published. that chilling effect happened across other outlets as well. the coverage changed in tone. at the time, we didn't know as much as we know now. congress continued its investigation. sources continued its investigation. sources continue talking to reporters like me and we were able to get a huge body of evidence that slowly trickled out over years. been a strategy to paint this as republican conspiracy theory and old news and people have probably gotten numb to hearing about it. but what has happened the couple of years is an incredible body of evidence has been released. does any of that come from the previous investigations and how many were there before the select committee? guest: i think seven committees have looked at it. despite the claims from the administration and the hillary clinton camp that she has been exonerated and it has been fully looked at, that is not the case. th

shopping for care, it's the "inside story." welcome to "inside story," i'm ray suarez. when the first enrollment period for the rg affordable care act began, the websites didn't work and tens of thousands of americans didn't understanding how the law worked. those that weren't teacted by it all, the websites worked, some of the most post officed state governments have cooperated, a little, many haven't. as the insurance marketplace prepares to open again, we'll find out who the affordable care act is working for, in a few weeks ads like these will be back. encouraging millions of unassured americans to buy -- uninsured americans to buy insurance under the affordable care act. >> we don't want people to settle with the penalty. we want people to realize that this is an opportunity for them to be covered. >> as the campaign gets underway, the program is facing another challenge, keeping the enrollees it already has. in february of this year about 11.7 million people were enrolled in federal and state-run marketplaces but by the end of june that number dropped by 15%, town

it is individual stories that have been a superb job of recording. that is why the library of congress has collected these materials. we have a number of photographs in our dust bowl migration archives. most of the photographs were taken by a photographer in ventura. almost all of the photographs are officially farm security administration photographs of life in the migrant camps of california. a few examples that are quite telling include this sign from the u.s. department of agriculture farm security administration identifying the farmworkers community that exists that these children are posing in front of. charles todd and robert sonkin collected songs and stories, and this photograph showing them in front of a microphone, getting ready to sing their songs for the phonograph placed in front of them is, again, both an iconic photograph, and also one that is very, very specific to these two people and their experience in the camp. again, mrs. pipkin holding a baby, sitting outside in the bright sun. a wonderful picture, speaking to the times. her fa