. >> a few weeks ago, florian asked the musicians from the stood guard philharmonic -- stuttgart philharmonicmb in with their instruments, mid-performance he took this photo. florian is a conceptual artist. in 2014 he published the video experiment, human tracks, on the impact of mass surveillance. in 2015 he photographed refugees to draw attention to overcrowded shelters. in 2019, he photographed young people using smartphones, to illustrate the idea of humans as data raw material. now he is tackling the coronavirus crisis. each scene is carefully composed. the actors each tell a story. during the photo shoot, they act out theater scenes. how exactly does it feel to perform in a pvc bubble? >> the acoustics are pretty extreme, i got your pressure now, but it was interesting. >> i am excited about the end result. any opportunity we have now to present ourselves. ♪ >> for now, because of the pandemic, florian's only publishing his photos on his website. but perhaps one day they will serve as a testimony to a time when art could only exist in a bubble. ♪ brent: it does not look like fun at all.

performance of the live performance a few weeks ago fly in maine at us the musicians from the stuttgart philharmonic to put on their concert attire and then slip into the p.v.c. pulls with their instruments then this photo was taken while they all were performing. the driving force behind my work is always an issue that concerns me personally that i can't resolve. the color. it's no coincidence that he has already photographed data protection activists in his social distance tax project as he wonders what implications the growing shift to digital communication has during the crisis. i am a net is a concept artist in 24 he published the video experiment human tracks on the impact of massive alun it's. in 2015 piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed a young people using smartphones to illustrate humans as data material and now with his transparent bubbles from handmade net taffy pieces together. the actors become part of a photo series and up each supposed to tell their own little story during the photo shoots they repeatedly act out brief them to s

the musicians from the stuttgart philharmonic to put on my concert attire and then climb into the p.v.c. vel's with instruments. made for months he took this photo. filthy and may not is a conceptual artist in 2014 he published a video experiment human. tracks on the impact of massive am. in 2015 he photographed refugees to your attention to overcrowded refugee shelters. and in 2019 he photographed young people using smartphones to illustrate the idea of humans it's day to roll material and now he's tackling the coronavirus crisis each scene is carefully composed the act of each tell a story during the photo shoot they act out should feel as if. so how exactly does it feel to perform inside a p.v.c. bubble acoustic the acoustics are pretty extreme actually got a bit of a pressure right now but it was an interesting experience. but i'm really excited about the end result. for any opportunity we have right now to present ourselves. now because of the pandemic it is only publishing his photos on his website but perhaps one day they'll serve as a testimony to a time when all it could. be. c

performance of the performance a few weeks ago fly and may not ask the musicians from the stuttgart philharmonic to put on their concert attire and then slip into the p.v.c. pulls with their instruments then this photo was taken while they all were performing. the driving force behind my work is always an issue that concerns me personally that i can't resolve. to the. top or it's no coincidence that he has already photographed data protection activists in his social distance next project as he wonders what implications the growing shift to digital communication has during the crisis. i am a net is a concept artist in 2014 he published a video experiment human tracks on the impact of massive valence. in 2015 feet piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed a young people using smartphones to illustrate humans as danger material and now with his transparent bubbles and may net cafe pieces together. the act has become part of a photo series and are each supposed to tell their own little story during the photo shoots they repeatedly act out to brief t

performance of the performance a few weeks ago i am a night asked the musicians from the stuttgart philharmonic to put on their concert attire and then slip into the p.v.c. pulls with their instruments then this photo was taken while they all were performing. the driving force behind my work is always an issue that concerns me personally that i can't resolve. the color and. it's no coincidence that he has already photographed data protection activists in his social distance tax project as he wonders what implications the growing shift to digital communication has during the crisis. and i am a net is a concept artist in 2014 he published the video experiment human tracks on the impact of mass surveillance. in 2015 piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed a young people using smartphones to illustrate humans as data material and now with his transparent bubble of shopping and the net cafe pieces together. the actors become part of a photo series and up each supposed to tell their own little story during the photo shoots they repeatedly act out t

performance of the live performance a few weeks ago fly and may not ask the musicians from the stuttgart philharmonic to put on their concert attire and then slip into the p.v.c. bowls with their instruments then this photo was taken while they all were performing. the driving force behind my work is always an issue that concerns me personally that i can't resolve. the color and. it's no coincidence that he has already photographed data protection activists in his social distance next project as he wonders what implications the growing shift to digital communication has during the crisis. i am a net is a concept artist in 24 he published the video experiment human tracks on the impact of mass surveillance. in 2015 piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed a young people using smartphones to illustrate humans as data material and now with his transparent bubbles program a net catholic pieces together. the act has become part of a photo series and up each supposed to tell their own little story during the photo shoots they repeatedly act out to brief t

performance of the performance a few weeks ago fly and may not ask the musicians from the stuttgart philharmonic to put on their concert attire and then slip into the p.v.c. pulls with their instruments then this photo was taken while they all were performing. the driving force behind my work is always an issue that concerns me personally that i can't resolve. the color. it's no coincidence that he has already photographed data protection activists in his social distance next project as he wonders what implications the growing shift to digital communication has during the crisis. i am a net is a concept artist in 24 he published the video experiment human tracks on the impact of not surveillance. in 2015 feet piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed young people using smartphones to illustrate humans as danger material and now with his transparent bubbles and then at cafe pieces together. the actors become part of a photo series and are each supposed to tell their own little story during the photo shoots they repeatedly act out to brief them to

performance of the live performance a few weeks ago fly and main at last the musicians from the stuttgart philharmonic to put on their concerts attire and then slip into the p.v.c. pulls with their instruments then this photo was taken while they all look at forming. the driving force behind my work is always an issue that concerns me personally that i can't resolve. the. top it's no coincidence that he has already photographed data protection activists in his social distance tax project as he wonders what implications the growing shift to digital communication has during the crisis. i am a net is a concept artist in 24 he published the video experiment human tracks on the impact of muscle valence. in 2015 feet piled up refugees to point out the crowding in refugee shelters in 2019 he then photographed a young people using smartphones to illustrate humans as data material and now with his transparent bubbles from hand they net cafe pieces together. the actors become part of a photo series and are each supposed to tell their own little story during the photo shoots they repeatedly act out brief them to

a few weeks ago phil had me not the musicians from the stuttgart philharmonic to put on my concert attire and then climb into the p.v.c. vel's with instruments. for months he took this. van me not as a conceptual artist 14 he published the video experiment human. tracks on the impact of math surveillance and 2015 he photographed refugees to your attention to overcrowded refugee shelters. and in 2019 he photographed young people using smartphones to illustrate the idea of humans is day to roll material and now he's tackling the coronavirus crisis each scene is carefully composed the act of each tell a story during the photo shoot each day acts out of fear to seem so how exactly does it feel to perform inside of p.v.c. bubbles up the acoustic in the acoustics are pretty extreme i actually got a bit of air pressure right now but it was an interesting experience. reminds me of the i'm very excited about the end result. yeah obviously glad for any opportunity we have right now to present ourselves but you know that's until. now because of the pandemic will we end may not is only publishing his