sundance, and then it showed at this festival. it's interesting to look at your work laid out end to end, because as much as this film is your story, a number of these films have been your story. - yeah. - you're comfortable telling your story in different ways, going all the way back to slacker, which literally, from the very first scene, is your story. it's you. - i think i'm, i will admit, i'm one of the few who will admit, like, oh yeah, this was a point in my life, or this was me and my friends, or yeah, i met a girl in philadelphia, and we walked around all night. - that becomes three movies. - you know, the trilogy's kind of based on one night i had, so i'll talk about that. i think you're supposed to kind of say, "oh no, i just, you know, "make these things up," but i kind of like, i'll acknowledge it, just kind of like, you know, a lot of novelists kind of will admit, you know, oh, this was this point of my life, or a moment in time, so, i have no problem doing that, and i think it, you know, people you're working with, i think they kind of like that, 'cause it gives you a certain authority. it's like, no, this is exactly