(susan seidelman) rosanna arquette, in imitating susan, in trying to be an imperfect version of susane movie is a better version of herself. we tried obvious devices, like amnesia, mistaken identity borrowed from the old screwball comedies, in order to get at some bigger identity truths. beautiful. $10, all right? hollywood is a pretty conservative institution, and i think that, that there are films that explore alternatives to these romantic situations, but i don't really think they come out of hollywood because i think hollywood appeals to this safety net. i think there's a lot of issues that could be dealt with, that have to do with gender, and have to do with sexuality, that i think we're still afraid to touch upon. we're mixed up. we don't know exactly what to fall in love with now. so you're seeing in the 90's all sorts of strange love, older men, younger women, two men fall in love, you're seeing two girls fall in love. it's all over the place in the 90's. we still haven't figured it out. but... soon, maybe by 2000, we'll have the 90's under control. we all go through cycles of