(susan seidelman) things were a lot simpler.n you're in a tough spot, the best thing to do is go back and see how the old masters handled that situation. what we tried to do when we were making a film was have the audience feel these two should get together they're attracted to each other they can complement each other. romantic ideas are laid into the film, so we want them to get together at the end. we want to see the story of our sexual desire enacted over and over and over, in all kinds of different ways; it does not go out of style. yes? what is it? i'm sorry to bother you, but i forget the key, so i had to ring your bell. i feel so silly. it's perfectly all right. the basic romantic comedy is: two people of different sides of the tracks get together. so this is part of what you do all through the ages, cross-dresser who meets fashion designer. you can do anything. well, the basic storyline is two people finding each other. not good enough. what did you say? i said they're not good enough for him. every jane in the room is