the role of the rival in the girls was played by svetlana druzhinina.they are for sure knew what they wanted to do. they saw everything, knew me, we knew each other very well, they came to our volleyball court, where i was the captain of the volleyball team. the film was shot very easily for me personally for this role. i didn't have any tension personally about this role. and i was even curious and funny, and somehow we all became very friends, a beauty, the dream of millions after the case was in stanislav rostotsky’s penkov, temperamental and bright. svetlana sergeevna played such a role, well, such a fatal beauty, and well , it was somehow emphasized that such a negative thing , like charm, but not negative, but something like that. well, kind of arrogant, well , apparently, to counterbalance nadezhda vasilyevna, because well, after all, the main character is toslitsina, so the opposition, it seems like everything is with her, life doesn’t work out, i kept thinking, people are lying about true love, the film girls still remains the pain of svetlana

give applause to another happy creative couple who is present here at the bridge film chair svetlana druzhininaasey in our hall, friends, bravo! and to the parents of director pavel lungin, whom i also know in our hall now, liliana lungino and semyon lungin, we owe the script of the film , welcome or outside entry is prohibited, ilema klimov, and of course, the translation of our beloved carlson, but now i want to talk about one more couple, and these are people whom i knew who are very, very dear to me, like me ... to everyone in this room, they lived together for almost 50 years, left one after another last year, he looked at her through the lens of the movie camera with loving eyes, she reflected this love to all of us from the screen in her gaze, in which there was no like, unlike anything else, incomparable light. gleb pomfilov and inna churikova. their love began on the set of the film “there is no brody on fire.” soon they became husband and wife and parents of their son vanechka. he gave her his best roles and often quarreled over this. let the words of gleb anatolyevich about ina mikha

the film took place on the eve of women's day on march 7 , 1962, when, during the screening, svetlana druzhinina, two sad people. inna vakarovana. they believed that they were offended by fate, for some reason the director cut out an important scene where makarova’s twenty-eight-year-old heroine decided that it was better to remain alone than to marry someone she didn’t love. it turns out that in the full version, she left him, because well, well, the truth is that a modern girl, like one from their company, cannot have such a curmudgeon who is many years older her, with whom it’s unlikely... he has some kind of interesting, maybe future, but they decided that no, apparently one of the editors was about the same kind of person, who decided that there’s no need to punish this. and it’s impossible for him to be left alone, how could you, the girl isn’t ashamed, you know, maybe it’s terrible, but the squad with makarova were so beautiful, so bright that they couldn’t be offended for a long time, we grumbled a lot, but when the movie started playing in the house this is the most inviting music, when

toiler of the village, in the film the main character was played by the then aspiring actress svetlana druzhinina came across a young ballerina sveta. so the graduate of the bolshoi theater school literally flew onto the movie screens. i really liked it, now it’s a little funny, let’s say, a little sad, to remember, but it really happened. the actors were given a chance and they didn’t lose , which is probably why for 65 years now the film with svetlana’s squad vyacheslav tikhonov has been watched and loved by several generations, because then they played themselves, ordinary people from the people, with their joys and sorrows, from people on... the holy day there is no secret in our village, no get together, break up, don't get married, away from picky eyes, don't get together, break up, don't get married to your father on the sidelines. dim, is it true that the film girls is one of your mother’s favorite films? yes, in general, i have two mothers, both of them are worlds , mine, yes, i am so lucky, and it so happened that both mothers, uh, they are the same age, 88, just like you, my mother sve

such directors as roland beykov, alexander zarkhi, eldar rezanov, and of course same, with svetlana druzhininay to stand on this stage in pavilion number one of the massfilm film studio, which i worked for, i didn’t think so, because i have a feeling that's yesterday, but perhaps more than 60 years. thank you, academy, i've been waiting for a long time. when the eagle finally flies to me, finally, after many years he flew to me, and what ’s surprising, right into my hands, i’m happy too, you know, at that time they showed many great people on the screen, i too communicated with them and... and there is such a wonderful, wonderful director, unfortunately, he is not there, mikhail ilyevich rom, when the students gathered, he told them, guys, never make musical films, comedies and historical films, then he paused. he said, no one needs them except the people, in my opinion, it’s brilliant, and in my life as a cameraman in general, it’s not my lot to talk, it’s very difficult for me to talk now, i’d rather shoot something, but that’s how my life turned out , that i really worked with amazing direc