for us, the story of svetlana karmalita.n opportunity to get closer to understanding what he was. why was it against the current for which the whole group could take several months to shoot a tiny scene? he is very hard to work with. he exhausted himself with work. the person who saved him and the only one who fully understood what was happening to him and how he could be helped and set up was also harassing him. this, of course, is svetlana igor, and most importantly, she is the person who helped him recover, and she saved him, because that he was self-torturing. the point of view about my beauty is expressed absolutely and it has never changed. he told me that i was very beautiful, but he sees, it's only him. that your beauty is hidden for others , they met on vacation in the crimea in the summer of the sixty-eighth year, by the time they met , both had their first marriage behind them, and both of you were not very successful. it turns out, right? although he swore that on the eve of his trip to koktebel he already wanted

don't worry, what's with svetlana karmalita. as a result , it was not the immigrant nekrasov who connected the fate, but the son of an official soviet writer from the side it seemed incredible, but it turned out exactly. so they lived on the same wavelength, understood each other perfectly, 44 years. together they wrote , filmed, lay with films on the shelf, and then they received state awards for them. he couldn't shoot without it. she could not write without him, love appears. yes, when i love, i can not love these. successful beautiful happy rich lungs are always always always always always easier than hacking difficult, desperate risk-takers not always, but this is love. so they somehow lived to protect each other, help each other, not betraying each other, swearing incredibly. naturally, then i put up with it. herman did not have time to finish his last film hard to be god in the summer of 2013, the film was being prepared for the premiere order by his widow and his son. we insert the phrase i read, colonel osis left the ar

in the summer of 2013, the film hard to be god was being prepared for the premiere screening svetlana karmalitasvetlana igorevna survived her husband by 4.5 years, she died in the summer of 2017. hello this is a podcast of eisenstein's witnesses my name is natalya ryabchikova, i am the history of cinema, and together with my colleague stanislav didinsky , we talk about who and how created the classic well-known, little-known, forgotten soviet and russian films. and today we have a program not quite ordinary not quite an ordinary podcast, because as a film archive. we have a living person today. we will talk about the film it's hard to be god by alexei yuryevich german and we will talk about it with leonid yermolnik. good evening. good evening our first question is of course should not concern films. we must approach him. we need to talk, of course. about alexei germany and cinematography alexei germana i watched the most. uh, naturally i love the painting the most. my friend ivan lapshin but little difference. e. checking on the roads i love the picture a little more difficult for me was the pi

the summer of 2013, the painting hard to be god was prepared for the premiere screening by svetlana karmalitaith her son alexei german, the youngest svetlana igorevna survived her husband by 4.5 years, she died in the summer of 2017. hello, here is a literary podcast. let them not speak, let them read. my name is dmitry buck. today we will talk about a person who, uh, is not only a great poet or playwright, but a person who has made a huge contribution to the national culture and demeanor throughout his life and in the style of fashion this is vladimir vladimirovich mayakovsky this year. we are celebrating 130 years since the fire of his birth, and today we are talking about mayakovsky with our wonderful guests. this is marina mikhailovna krasnova, head of the department of the house of the pointed-eared house in tubes in the museum, which bears the proud name of the state museum of the history of russian literature named after vladimir ivanovich. hello marina from anton dmitrievich buglak, actor of the satire theater hello anton hello, let's start, perhaps the most important thing. what does

yakov bazilyan based on the autobiographical novel by yuri germanov, the screenwriters were svetlana karmalitad he no no, no what? ai-ai-ai and alexei german, son of yuri german and husband, respectively, of svetlana dwarf, our old cinema thousand i am a stubborn famous composer. oleg karavaychuk played in this film based on the fairy tale play by tamara uncle. i think i know only one gabba play - this is the city of masters bravo, our old cinema 400 most of the scenes on the streets of kitezhgrad, where the action of this film is filmed in suzdal. this is a sorcerer's right. our old movie for 200 this play was filmed by leonid gaidey under the name incognito from st. petersburg . she recorded a composition spring of a kind, a continuation of the white labels flew away. why can't i sleep at night? for a thousand spring lovers are going to pray to our lady for a flower smile this belgian took an oath. what of what for 600 such vinegar, unlike the usual one, is made from grape must boiled down juice and aged in barrels for at least 12 years, balsamic what of what 800? blood consists of four comp

the summer of 2013, the film hard to be god was being prepared for the premiere screening by svetlana karmalitah her son alexei german, the youngest svetlana igorevna outlived her husband by 4 1/2 years, she died in the summer of 2017. hello this is a podcast of eisenstein's witnesses my name is natalia ryabchikova i am the history of cinema and together with my colleague stanislav didinsky we talk about who and how created the classic little well-known famous forgotten soviet and russian films. and today at us program is not quite ordinary not quite ordinary podcast, because as a film archive. we have a living person today. we will talk about the film it's hard to be god by alexei yuryevich german and we will talk about it with leonid yermolnik. good evening. good evening our first question, of course, should not concern films. we must approach him. we need to talk, of course. about alexei germany and about the cinematography of alexei german herman i watched most of all. eh, of course i love the painting the most. my friend ivan lapshin but little difference. e. checking on the roads i love t