sydney pollack. both deceased -- you raised the name anthony. >> i never met sydney pollack.s already very, very sick. anthony's de3ath was a complete shock -- death was a complete shock. he was a lovely person to work for. he just -- and i think you see it in the pilot -- he had such a love for this people and the land and the story he was trying to tell, so he did not want to turn it into a fairy tale, and he did not want it to be about the negatives, which so often, i think, happens in africa, and i was so thankful for that, and we have not yet felt the loss of that kind of the creative force. i do not think that we know yet what we have lost. nobody was creating in the way he was doing it. tavis: as you were talking a moment ago about being there for four months of last year, it means then that you were there when obama was making his run, right? so a two-part question. what was it like? what do you remember being in africa for four months when he was making the run back home. that is the first part of the question. the second part, what do you recall, what do you take aw

. >> re: next is the late sydney pollack with al pacino. >> yes. yes. that was for ""bobby dore >> fid." >> rose: about a formu one racer. >> and momts before the pe he's checking his character is all there. >> rose: next is don johns. frank richalks about this in his... >> i know, everybody's very.... >> rose: why? >> think because we've come to kn themso much and i've...i mean, here they are fst of all looking like twins. rose: yes, indeed. >> at the height of their beauty and youth and intertwined and it's hollywoodt the time. >> rose: nt is new rk's great woody allen. >> yes, doing "maattan." >> rose:nd how did tt haen? heas that same look, that sense of curiosity a searing and lking out and asking questions in hisead. >> yeah. waiting foan answer, maybe. i went on the set because the grea ballerina from balanine had been askedo be an actress in thefilm. woody had asked r so i went alonto take pictures. >> rose: xt is, i said, your great friend martin scorse and his daughter. >> y. we, and, you know what c we say? i mean, one of the most interesting

. >> rose: next is the late sydney pollack with al pacino. >> yes. yes. that was for ""bobby dore field." >> rose: about a formula one racer. >> and moments before the tape he's checking his character is all there. >> rose: next is don johnson. frank rich talks about this in his... >> i know, everybody's very.... >> rose: why? >> i think because we've come to know them so much and i've... i mean, here they are first of all looking like twins. >> rose: yes, indeed. >> at the height of their beauty and youth and intertwined and it's hollywood at the time. >> rose: next is new york's great woody allen. >> yes, doing "manhattan." >> rose: and how did that happen? he has that same look, that sense of curiosity and searching and looking out and asking questions in his head. >> yeah. waiting for an answer, maybe. i went on the set because the great ballerina from balanchine had been asked to be an actress in the film. woody had asked her so i went along to take pictures. >> rose: next is, as i said, your great friend martin scorsese and his daughter. >> yes. wel