at the limit of feelings, a big premiere on the stage of the tabakov theater is the performance of the desire to live, why are they so close now and it is clear to the viewer that he took the telling price? all in creativity and gave. our military thwarted an attempt by the nationalists to advance on the positions of the russian troops with the help of drones, the exact coordinates of the location of the enemy were obtained, the strikes were carried out by the crew tanks t-90m breakthrough, they hit the targets of the militants, which are located at a considerable distance from the observation post, warehouse, ammunition, foreign military equipment on the right bank. dnieper, all targets were successfully hit. free howitzers acacia liquidated the stronghold of the nationalists , the fire was corrected with the help of drones, the exact artillery hall and the goal was achieved and the armored vehicles of the opponents released heat traps, as accurately as possible. quickly harmoniously without wasting not a second work like that, and our doctors at the hospital are very close to the fro

the first thing we took was excerpts from shukshina, now shukshina plays on the stage of the tabakov theaterrector. alena lapteva chose nine of his stories at once about life, death, friendship and love. the peak reaches the drama, probably in every story, uh, these are people who hate to death and love to death. well, that is, as a matter of fact, all my immersing the audience in the times already once experienced in the tabakov theater begins, what is called from the threshold right at the wardrobe of the guests meets this a buffet with libra bills and food packages in the same string bag, however, along with the piercing voice of the russian village , it was important for vladimir mashkov, the artistic director of the snuffbox, to show all the technical capabilities of this unique scene for the entire performance. it moves and rotates, revealing the next characters to us. here is the appearance. it is this people from the depths that do not exist. the break of mother russia, these people and those leaving for this land , these opportunities of the stage give us in this area to fantasize a

that is, in fact, all my immersing the audience in the times already once experienced in the tabakov theateret with libra bills and grocery sets in the same string bag, however, along with a piercing it was important for vladimir mashkov, the artistic director of the snuffbox, to show all the technical possibilities of this unique scene in the voice of the russian countryside throughout the performance. it moves and rotates, revealing the next characters to us. here. here is an appearance from this people from the depths bowels the break of mother russia, these people and those leaving for this land, these possibilities of the scene give us in this area to fantasize about the people shukshin knew them like no one after all, he himself was a siberian nugget. and here we are still, as his films kalina the red stove-shop , such a sold-out guy lives, laughter and tears at the performance based on the stories of shukshin at the theater of nations has been going on for 15 years. so there are no more tickets in the snuffbox for the next show. this story is so true of our deep people, it's all so mu

war, the leading theaters for many viewers in the post-soviet space there, the moscow art theater of the oleg tabakoveriod, the moscow art theater, or the snuff box, or the vakhtangov theater , or the lenkom theater, mark zakharov, these were not soviet themes, was moscow a soviet one there was a moscow artist, the gorky academic theater headed by tatyana droga, which was later approached by a rickshaw, but i want to tell you that if you want to preserve the soviet center in moscow, it is much easier. tetyana doronina tetyana doronina is a great actress although many people came from ukraine, in fact, he came to see her there in some roles, people were just ready to go and endure it just to look at doronin, great talent, and there was no one there. okay, dear, that is, the whole theater did not hold. you know, we want someone to leave. we want to look at the road in the end. of the people but he has a tabachnyk's wife well, that's understandable well, of course, that's logical and who, in principle, should play alone, and you see, if he wanted to, and that's what i consider such and such things of pr

war, the leading theaters for many viewers in the post-soviet space there, the moscow art theater of the oleg tabakoviod definitely mkht, or the snuff box, or the vakhtangov theater, or the lenkom theater, mark zakharova, these were not soviet themes, was moscow soviet, were you the gorky moscow art academic theater, led by tatiana doronina, who later came to prilepiped, but i want to make sure if you in moscow, it is much easier to preserve the soviet center. of course, muscovites will not go, but many people will come from the provinces to see a doctor in russia. tetyana doronina is a great actress, although she is from ukraine many people came actually came to see her there in some roles, people were just ready to go and to endure it just to watch doronina's great talent and there was no one there in kyiv, no expensive, that is, the whole theater did not hold, you know, we want someone to go we we want to look at this road, well, in the end, we will close our eyes and we will be there, he expelled and this road, this genius director in these times and nations, but he has the wife of tabachnyk, wel