karbauskas of the great lithuanian director who, in principle, accepted this the tabakova theater dideuropean thing for him for a short time, and i didn't know how to explain it to him. i tried to explain it to him, well, that is, a banyuk of some kind was interested in what it was like to play with such a director. and i tried to him just to say something, but in reality, well , to put it delicately, of course, you still won’t be able to preserve the vakhtangov theater for a long time, like a european theater, someone will come, uh, as it always happens, she goes in russian folklore, the sailor zheleznyak and will tell the guard, the audience wants the second comrade, that minus, and they they kicked him out, they kicked him out, of course, how they always kick everyone out, how they kicked out rahmanin vysylyatina, who did they not kick out , the list of those they kicked out is more than the list of those who stayed with them well, and so and so that's exactly what i think. i would like to write such a work. but in order to write such a work, i had to go to lesya ukrainka 's theate