yevtushenko wrote: “taganka actors have a peculiarity of posture, a peculiarity of destiny: to provelaves. you.” the tagan breed, rebels and tomboys, it turns out that lyubimov, as a director, was eager for freedom, as vysotsky was breaking the chains on this blessed stage of ours, lead me, lead me to him, i want to see this man, i want to see this man, vysotsky’s brilliant role of the flapper in pugachev, it was, it was the whole taganka theater, to be or not to be , that is the question, is it worthy to endure resignation to the shame of fate, or is it necessary to resist, rebel, arm, the victors will perish, die, and keep their distance, how much to open, how much to close, you have closed a lot, but there has always been a myth that with everything. .. is that andropov is coming to you he treated you well, you had some kind of personal contact with him, that’s why it all happened, his kids came, after they were ten years old, to enroll in taganka, straight into taganka, yes, they are in love with the theater, and i auditioned them, that’s it, and i say, no, my children are on...

there are two performances left: the good man from suzanna, with whom the theater began, the tagankaut of course it’s already such a, you know, museum, museum, museum, museum, that is, this kind man, who was incredibly avant-garde then, is now looks archaic. very archaic, very archaic. everything else, a new repertoire, a lot of performances, a lot of good artists came, but in the corps there were very good strong artists, different directors come to the theater all the time, i invite young, exclusively directors for the production, then you don’t have permanent directors, there are no permanent directors in the theater, there is one, one young talent, i invited him this year, twenty-five years old. simple in construction in form, to incredibly complex, to musical performances, to complex simply in terms of stage design, and so on. different forms, different directors, naturally, each director brings his own idea, his own form, his own genre, and so on, and also the visuals, well, i really fight for an interesting set design, we are all set designers, that is, everyone says that it i

today the moscow taganka theater turns 60 years old.hat’s the question, in people’s memory only myths remain from the theater, that’s how the taganka myth is, and accordingly, the myth will be beloved, the creator and chief director taganka theater yuri lyubimov was born in 1917, he brought the revolutionary spirit to his theater, here is the performance... sixty-six, 10 days that shook the world, the action begins on the street, tickets at the entrance are pinned on rifle bayonets, we have it nearby restaurant, and people come out of it, tipsy, they think that such a holiday, maybe they missed one, join us, now legends, the walls in the office of their loved one with autographs of famous people of that time, the director’s famous flashlight with different colors, which he shone during a rehearsal from the dark hall the artists, then, knew that... red is a rehearsal, until the last metro, which goes badly, then retribution, right there, green, rarely, green - there was jubilation, jubilation, the last interview with yuri lyubimy, memori

yes, yes, and here is taganka, for me taganka is in general, something so transcendental, i remember crew, that’s how it all holds together here then, that they, as a collective choir , roll out to the stage, act out some kind of action, this is all very, not all performances, yes, there are others, but, but a lot of things hold up, well, they were then in those years, i’m not talking about the current one theater, everything is probably different there, but then it was such a feeling, and yet taganka, and lyubimov there, dupak, but you found a dupak, it turns out, right? while i , yes, he passed away, nikolai lukyanovich passed away last year, of course, i found him, and he came to visit me, came, and you it turns out his successor, no, no, no, no, nikolai lukyanovich left before lyubimov, they quarreled, and the director under lyubimov was his wife katalin, then, when yuri petrovich left the theater and valery sergeevich zolotukhin became the director, then he came. vladimir natanovich fleischer, i already replaced him at the nathan theater, so after all , the manager, the director

the taganka theater celebrates its sixtieth anniversary in the spirit of the times.ause the ability to be in tune with time. created his fame. the birthday was celebrated with a poetry performance in search of a genre. more details, yana music. then he will say goodbye in the morning, of course with... experiments with vysotsky’s legacy with theatrical language, taganka in search of a genre, fresh ideas and new names. over all the many, many years, in the traditions of the theater, to speak, to be in dialogue with the audience in today's language, and we have never lost this and are trying not to lose it, so what tomorrow will be, this will be the nataganka theater. one of the directions is to bring vysotsky’s work closer to today’s. to interest the young audience, a special team was formed inside the theater - viakama. the artists realize that vysotsky cannot be surpassed, it is impossible to imitate him. the only way is to find your own sound. some songs, indeed, have melodies in them, some don’t at all, and this was on purpose, because each performer brings someth

story that our colleagues have prepared, and he’s like since it's dedicated the phenomenon of the tagankathat were in the soviet union, practically... right up to its collapse, well , almost, and then we, dear friends, will also invite you to participate in the discussion, you’ve already guessed, we probably want to hold a vote, i’ll talk about this a little later, now let’s watch the plot: 60 years ago, the moscow drama and comedy theater announces the production of a scandalous play german playwright bertolt brecht, the good man from xizuan, a provocation even by the standards of the thaw of the sixties. party officials call the production anti-people. censorship that will last until the collapse of the ussr. a strict commission from the ministry of culture studies the avant-garde productions of their beloved under a microscope, and of course, they cannot do without kromola. the play “take care of your faces is prohibited because of the polendrome based on andrei voznesensky, and the moon has sunk.” the hint that the americans visited the moon, but the ussr did not, looks like a mockery

, they were friends with lyubiyov and the actors, we lived nearby - from taganka to high-rise buildingsisited us at home , we had a lot of actors, i was very friendly with vysotsky, i talked a lot about him, i know almost all his secrets, we’re just with him like brother and sister we were friends, he was very wonderful. when he was dying, i walked along his stretcher, when he was already half alive, and sobbed, i don’t know how, everyone with whom i was friends were usually not friends, we didn’t have common friends, no, we had common ones, of course, but i was loved very much by various people who had nothing to do with andrei; they loved andrei as a poet. for a very warm relationship, you know, even at the very beginning i found out that she was born on april 16, 24, and on april 16 , 25, my mother was born, and my mother was the main director of the theater, she also studied at the theater department in gitis, at about the same time, i understand what kind of strong , beautiful woman zoya borisovna is. she always supported me, her maternal warmth towards me was somehow very concentr

is possible, abba, father, carry this cup past. is undergoing a constant process of renewal, the tagankad by a tireless search, a bold experiment, it is cramped within the framework of the usual dramaturgy and it bravely creates its own, the stage is not enough for it, it transfers the action to the fayet. for power over the summer and as one we will die, the capital has gone to us, the good army wants to take over the entire capital, they dug, they killed it, they showed us that we are eating, but i’ll throw it away. gentlemen, and we are bourgeois on the mountain, we will fan the world fire, the world fire. the italian critic, yuri lyubima himself, the american director, and the artists from milan and the residents of copenhagen all share the same thought. art makes us clearer and closer to each other, how much poorer and more desolate our life would be without it. 8 years ago, in the building of the moscow drama and comedy theater, which was without a taganka prefix, just the moscow drama and comedy theater , a group of young actors led by yuri petrovich lyubimov, honored artist of th

today the taganka theater celebrates its sixtieth anniversary; it was created on april 23, 1964 in moscowhe basis of the moscow drama and comedy theater, director yuri lyubimov. his students are from the chuka school. the theater opened that day with a performance by the good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mirkhold, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. no curtain, no decoration, unity of the auditorium stage. it was a unique fusion of dramatic acting. over time, due to censorship bans, yuri lyubimov ended up in exile, but then returned and for a long time led the theater, which today has a new repertoire, but its anniversary. it traditionally celebrates the good man from xizuan. the sheep walk in a row, drums are beaten, and skins are given for them. the sheep themselves. 40 years ago, on april 23, 1984, american microbiologist robert galla and us secretary of health margaret he

today the taganka theater celebrates its sixtieth anniversary; it was created twenty years ago.n the basis of the moscow drama and comedy theater, director yuri lyubimov and his students from the chukin school. the theater opened that day performance by a good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mir holda, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. there is no curtain, no decoration, no unity between the stage and the auditorium. it was a unique fusion of drama, acting, poetry, song and dance, with emotional intensity, passion and temperament. at a theater performance, the fallen and the living, pugachev, galileo and others productions, it was impossible to get into, vladimir vysotsky, valery zolatukhin, ala demidova, and slavina shone in them. 984, american microbiologist robert galla and us secretary of health margaret heckler announced that the human immunodeficiency virus - h

was accepted by the commission 22 times, and boguslavskaya joined because director. a thundering tagankas goes to visit andrei and zoya at kotelniki, vysotsk is a frequent guest, so you talked about genius, how would you tell the difference? talent and genius, and that's it very individually, those whom i perhaps considered a genius, he was only talented, but history illuminates everything, those who stay for a long time, they are geniuses, she also believes that there should be a critic, literary, theatrical talented, actors, directors, playwrights, poets... antonova and tatya, well, to be honest, we could use a little warmth. evgeny, alas, it’s rainy, cool here, without wonderful temperatures, in general, you won’t have to sunbathe like in the south. let's be patient. well, here in siberia, the peak of cooling has already passed, the temperature growing. in krasnoyarsk -10, in kozyil , barnaul and omsk - up to 15. contrasts are intensifying on european territory. in the north we have winter, in arkhangelsk -5 snow. we are also expecting wet snow in the leningrad region. but in the cent

development of the russian national team for the period of suspension was approved the day before at the tagankaootball house as part of the regular meeting of the rfu executive committee. the executive committee also approved the stadium that will host the russian cup super final. on june 2, the trophy will be played again at luzhniki. the main most capacious stadium countries will host the finals for the third year in a row. at twenty-two. spartak, last year csk took the trophy there. the current russian volleyball champion, kazan zenit , has only one victory left to defend its title. the day before in kazan, in the second match of the final series, alexei verbov’s team beat dynamo moscow 3:1 in sets. among the winners , dmitry volkov scored the most points; yesterday he had 17 points. the score in the final is 2:0, the third game of the series will be held in moscow next tuesday, in which kazansky zenit can arrange it. another championship title. let me remind you that last season zenit kazan and dynamo moscow also played in the final series, then zenit needed the minimum possible three match

feel, i believe, you go, rest, go, go, good night, good night, to the sixtieth anniversary of the tagankan of the century, today. on the first: fashion verdict, new season, let's try, start a new life, tomorrow on the first. the person who is responsible for taxes, finance and customs in ukraine, daniil getmantsov will strangle anyone in his tenacious tax clutches, one must choose between patriotism and mathematics mathematics, he is the leader in creating schemes that allow the withdrawal of billions of dollars; getmansov’s son has an offshore company. they lend to companies that belong to getmansov’s mother, this is a person who tends to tighten control in himself, so he has reached the level of conflict with ermak, most of the euro dollars are stolen by zelensky’s team, getmansov really wants to become a full-blown eminence grise, he needs a bankrupt picture for western curators, the owner says: fulfill your task to the last mission, everywhere increases extortions, fees, finally finishes off ukrainian business, then it will be replaced by black rock finance... structure, american, eur

bashar assad on sunday at the first sixtieth anniversary of the taganka theater in more than one letterotsky broke the chains, win, lyubimov as a director. was eager for freedom, there is no system of stanislavsky, it’s all stupidity, there is a method of work of the great master. yuri lyubimov, man of the century. suddenly leonit ilich says, it’s a good theater, don’t touch it. april 23, on the first. tef arrives at orekhovoye station, where are you going? there’s nowhere for a nut to fall anyway, everyone has to go. the next station is a shopping station. stef is loaded with nuts. we continue, this is our semi-final of the voice project. i'm closing the voting lines, ziverd teams. all. and now that voting is closed, there is nothing more to worry about . you can perform for your own pleasure. especially with this one. support and lyubov uspenskaya, one more minute. i hold your palms, carefully, another minute, and i will say that it is impossible to part, another minute before the last farewell sorry. it’s like a promise to save our past, another minute and i’ll believe that you will

a thundering taganka with performances based on poems by voznesensky, they go to visit andrei and zoyais a frequent guest for them. that's what you said. and genius, and you yourself how do you differentiate between talent and genius? well, this is very individual, those whom i may have considered a genius, he was only talented, but history enlightens everything, those who stay for a long time, they are geniuses. look around, now the year is 200-124, 100 years from now, everything will be different, moscow, moscow, where are the flying machines, energetically unjustified, she brought a man from school, a young man, according to my data, he is 117 years old , but the main thing will remain unchanged. "i know what it's like to give your word, just look at me, when everything will end, alice will return to her time, and you should kind of return to yours, i mean, why? we will act here now, we will change the present, in the name of our common past, which is the future, as it were, we will save your parents, their personal path and 13 galaxies of all, delicious, very, because made with lov

, a fashionable verdict, a new season, tomorrow on the first, for the sixtieth anniversary of the tagankaheater? you can just lay out a rug somewhere in the yard and start playing, the whole world is on fire, god bless! we are located nearby restaurant, and people come out of it, they are tipsy, they think what a holiday, maybe they missed one, they join us, there is such fun, even not only for the spectators who will then come to the theater, but also for just strangers on the street , here are my slogans, this is not a movie anymore, please be careful, jack. damn, it hurts. i feel like i'm made from one piece of cinema, from head to toe. thank you for being here. motador on saturday. first, this is a festival where there are films for everyone, this is cannes, so, dear friends, this program is to live healthy, we called our last topic like this, husband and wife, german shaevich, one satan, german shaevich pronounces the word satan with feeling, i don’t know why he was so pierced about satan, but... just like that, mikhail, don’t be surprised at what’s happening, but we actually have th

today the taganka theater celebrates its sixtieth anniversary; it was created on april 23, 1964 in moscowhe basis of the moscow drama and comedy theater, directed by yuri lyubimov. and his students from the chuka school. the theater opened that day with a performance by the good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mir holda, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. no curtain, no scenery, unity of the auditorium stage. it was a unique fusion of drama... 40 years ago on april 23, 1984, american microbiologist robert galla and us secretary of health margaret heckler. they announced that the human immunodeficiency virus (hiv) had been found. at the terminal stage, it causes a disease called the plague of the 20th century, this is spit, acquired immunodeficiency syndrome. it is still unclear where this disease came from; tens of millions of people have died from it, including many celebritie

to the sixtieth anniversary of the theater taganka stable government, at first i played dey on the streetmlet. they ask why you want to play a role, just because it’s a good role, he would probably be a wonderful king, the prime minister’s ass, vladimir vysotsky, i went on stage, as vysotsky broke his chains, prove it, lyubimov as a director, was eager for freedom, there is no stanislavsky system, it’s all nonsense, there is a method of work of the great master, yuri lyubimov. man of the century, suddenly leonid ilych he says it’s a good theater, don’t touch it. april 23, on the first. she’s great, and your mother, well done, wonderful, once again, leonid arkadyevich, i want to thank my best friends, sister and mother, who accompanied me here, came with me, and kind of... supported me, thank you very much, 550 glasses, but the letter i, well, why are you standing there, you knew that the letter is not here either, elena olegovna, the city of altaisk, there were, there were, however, it was a very long time ago, how are you, great, what is your profession, what do you do , i'm a family psy

joint card, i’ll send it to vanya, now i’m organizing, for the sixtieth anniversary of the theater on tagankas theater? you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god bless! there is a restaurant nearby, and people come out of it, they are tipsy, they think what kind of holiday is this, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also for just strangers people on the street. these are my slogans, the creation is empty. at first i played comedic roles, suddenly i played galileo and hamlet, they ask why do you want to play the role of a gan, just because it’s a good role, he would probably be a wonderful king, asshole of the prime minister, vladimir vysotsky, i came out on the stage as vysotsky broke his chains, prove it, lyubimov as a director, was eager for freedom. there is no stanislavsky system, it’s all nonsense, there is a method of work of the great master. yuri lyubimov, man of the century. suddenly leonid ilich says, it’s a good theater, don’t t

development of the russian national team for the period of suspension was approved the day before at the taganka regular meeting of the rfu executive committee. the executive committee also approved the stadium that will host the russian cup super final. on june 2, trophies will be played out again at luzhniki. the country's main and most capacious stadium will host the final for the third year in a row. in the twenty-second year , the russian cup in luzhniki was won by spartak, last year the trophy was taken. another coaching resignation in the rpl, just five rounds before the end of the russian championship, sergei tashuev left the post of head coach of the voronezh torch. according to the torch press service, tashuev is leaving the club for family reasons. circumstances. sergei tashuev's last match as the head coach of voronezh was the game on thursday, when the torch on his field was lost by the wing of the soviets. today fakel ranks eleventh in the rpl. tashuev worked in voronezh for a little over six months, he led the team. in the fall of twenty-three. 3 weeks ago they even announced a co

development of the russian national team for the period of suspension was approved at the football house on taganka rfu executive committee. the executive committee also approved the stadium that will host the second russian cup super final. june trophies will be played again at the luzhniki stadium. the country's main and most capacious stadium will host the final for the third year in a row. in the twenty-second year , spartak won the russian cup in luzhniki. last year, csk won the trophy. another coaching resignation in the rpl. just five rounds before the end of the russian championship , sergei tashuev left the post of head coach of the voronezh torch. according to the press service of the torch, tashuev is leaving the club for family reasons. the last match of sergei tashuev as the main one. the coach of the torch was the game on thursday, when the voronezh team they lost their field to the wings of the soviets. today the torch ranks eleventh in the rpl. tashuev worked at the voronezh torch for just over six months; he headed the team in the fall of twenty-three. 3 weeks ago they even announc

i had one story when i was young, i fell in love, i was wandering around theaters then, taganka, a contemporary-read, with artists by the hand. well, in general, as they say now, i was blown away, and then it turned out that it was the shop workers who brought him to me, figured out the fool, uh-huh, what next, next, i’m pregnant, and he demands that i give him some materials from the case she stole it, so you have a choice, what are you looking at, jail him? his whole gang, my love is my choice, but he has none there was no love, naked excuse me, calculation, but the child, there was no child, your father was detained in the sherem in the evening, why are you silent? he’s fine, alive, healthy, he’s not giving evidence yet, but i think it’s a matter of time, tell me honestly, you didn’t scrawl this report for your father, or am i mistaken, no, not only, i didn’t sign the report, i didn’t have time, so think, everything can be returned back, you have time, i may have time, but i have no other way out, what nonsense, he doesn’t have another way out, there’s always a way out, that’s it the questio

alexander smirnov committed the murder right at work. place i worked in a furniture company on taganka, this is the garden ring, the very center of moscow, today everything is closed here, light it’s burning, but you can’t get inside, the glass doors were sealed with film, the windows were hidden behind the shutters, smirnov met his future victim here in the grocery store, he was next door, a conversation began, the man offered to have a birthday drink after all, but he was alone, refuse flowers couldn’t, they went down to the basement, where the detainee had a workstation in the system administrator’s office, having gotten drunk on... an argument that smirnov decided to end once and for all, after the murder he informed his wife about everything by phone to police researchers, waited there in the office, the police came to you here, and passed by, asked what they asked, in general, what did you see there? we don’t have video surveillance outside, it coincided that the murderer who was killed lived almost next door, they were separated by a couple of streets, but before we have never m

were crown already, when everyone was already drunk, they said inka, my wife’s name was, let’s go taganka has come forever, like we loved, loved. we can open our own taxi company, there is too much interference, and as for yours this alla, she sang along, we’ll choke, we’ll discuss, eh? take it away, otherwise there are too many warning signs, what if something happens to you, i’m scared, too many dangerous intersections, trouble, my earring is broken, he’s alive, alive, but she can’t stop, your mother can handle it, she’s a strong woman, alla taxi, on monday on rtr. you're bored with your old fence, you want to update your bathhouse or terrace, but repair or replacement will hit your budget hard, we bring to your attention a universal photo facade for a fence, bright life, with its help you can easily and quickly transform your suburban area beyond recognition, a fence, terrace, gazebo will be instantly updated without expensive repairs and painting, four bright beautiful colors to choose from, all you need to do is secure the photo facade in a way convenient for you. this is a ready-mad

people sat like grapes, because at least one ear, but listen, and this friendship, which arose on tagankav, congratulating him with the main verses of voznesensky which he dedicated to his wife. aav oza. spent the night in your home, hysterical, licking your tears, listening to your breathing. she is friends with picasso, chagall only allows her to watch him work in his workshop, with bridget bardot and liza and minnelli, they trust each other secrets, it is not in their voznesensk house that the entire creative intelligentsia of that time gathers for alterations. they were not at all a typical couple for a bagen environment; they lived together for 46 years. and how did he leave? was he armed? why weren't you? didn't understand? oh loaf-loaf, how did we... missed that loaf sweetie, oh, you just don’t know well, let ’s drive, of course you’re the cable, buddy, let’s get into the car, let’s better let me drive, huh? oh, hello, taxi driver, hello, the non-departmental one will be on the way soon. there are no signs of entry, maybe through the roof we entered, maybe through the roof, or a fa

to mark the sixtieth anniversary of the taganka theater in more than one letter.t a rug somewhere in the yard and start playing, the whole world is on fire, oh my god, bless us, there is a restaurant nearby and people come out of it having fun, they think what a holiday, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also just strangers on the street, these are my slogans! creating a stable government, at first i played comedic roles, suddenly i played galileo and hamlet. and asking why you want to play the role of hamlet, simply because it’s a good role, he would probably be a wonderful king, premiere, vladimir vysotsky, i came out on stage, how vysotsky broke the chains, how... about the russian national debt and especially about the attempts in the united states in the european union to confiscate russian assets that they illegally seized? well, formally no one can, already now the fact that they were blocked is a violation of the law, the law, and even more so confiscation, but informa

war, the story continues, tomorrow after the program time, to on the sixtieth anniversary of the tagankaf the popularity of this theater, you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god’s blessing, we have it nearby. restaurant and people come out of it, they are tipsy, they think that there is such a holiday, maybe they missed one, they join us, there is such fun even not only for the spectators who will then come to the theater, but also for just strangers on the street, so my slogans, creation of a sustainable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be or not to be, they ask why do you want to play? he says it’s a good theater, don’t touch it. april 23 on the first. this is a podcast 20 years later, i am the host konstantin mikhailov, my guests are svintsova and tuman. how did the name come about? oh, that was also a disaster, because it was my student years, even after that, because it seemed like a group, a group, a group, a group, but what group? there is no name . and so we

a thundering taganka with performances based on voznesensky's poems goes to visit kotelniki's andreya. she also believes that a critic, literary, theatrical, must be talented, actors, directors, playwrights, poets, artists, everyone who talks about boguslavsky, for some reason first pronounce zoya, and only then zoya borisovna is corrected. ilya filippov, yuri gonchar, leonid oronchikov, elena fenashina, news. in the capital region , the hunting season for birch sap is in full swing; hundreds of lovers of this natural drink have flocked to the forests, but experts warn that it is still possible to collect it. there is a danger of getting a cocktail of chemicals elements. maxim oparin talks about how to get the right juice and what is best to drink with it. the snow has not yet melted in the forest, birch lovers. sap, armed with drills and empty containers, they are already looking for a succulent tree, choosing the right one is not so easy, there must be a lush crown and a minimum of dry branches. the ideal tree for receiving sap should be neither young nor old, there is a folk way t

, well, after the advertising we will see how trump is tried, for the sixtieth anniversary of the taganka but simply because it’s a good role, he probably would. we need to touch it, today is the first one. once these people determined the trends of rock pop music, but now they have left russia and divided the performers into their own and others, former music producer and now foreign agent mikhail kozyrov. there are artists who are like us we call it ziganuli, but there are artists who consider it suicide to express their anti-war views. mish, well, you probably need to get better, every night i return to what was possible. to do otherwise, i ’m doomed to live with this until the end of my days, broken, depressed, devastated, absolutely human, i’ve never seen him like this, bedinsky is obsessed with roulette and other gambling games, my income is meager, i’m actually banking on the fact that my friends give me, lord, how i feel sorry for him, on the one hand, on the other hand, what you are pathetic guys, i'm trying to catch some glimpse of... these are the finalists of the twelfth seaso

i was at the other end of moscow, in the taganka area, in an apartment. a corpse, and then sat in a cell, and his affair with a married woman was revealed, a scandal, on top of everything. the mistress came to vadim with things. my husband won. a prosperous life suddenly showed a deep crack. teacher student. yegor petrovich was about to leave school. in parting, i asked anton: what do you want to become? a pilot, a pilot, a raider. and he suggested, come on! to us, i will now be engaged in construction, it’s a profitable business, the young man looked at the teacher with gratitude, no one didn’t do so much good for him, no one else put so much into him. ninety- third year, moscow, tamara. the attention of the operatives was attracted by a group of acquaintances of the murdered tamara tishkina. these were students of misi, civil engineering. institute, a large guy stood out among them, a certain mikhail barzin, nicknamed the hippopotamus, he led a fairly social lifestyle, did not work, he constantly appeared at such gatherings, according to operational dat

narem, three chords, new season, look after the evening news, for the sixtieth anniversary of the tagankaopularity of this theater? you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god bless us, there is a restaurant nearby, and people come out of it, happier, they think, what is this holiday, maybe they missed one , join we have such fun, not only for the spectators who later come to the theater, but also for just strangers on the street, these are my slogans, the creation of a stable government, at first i played comedic roles. suddenly i played galileo and hamlet, to be and not to be, they ask why you want to play the role of hamt, just because it’s a good role, he would probably be a wonderful king, the premiere of the premiere, vladimir vysotsky, i walked out on the stage like vysotsky was tearing up chains, lyubivov, how the director was eager for freedom, there is no system of stanislavsky, that’s all. almost every person has one. i even read an interesting fact that sao paulo is the most tattooed city in the world. i was won

yes, you know what i want, to me in some send a message to vanya on the sixtieth anniversary of the tagankatart playing, that’s all. comedy roles, suddenly i played galileo and hamlet, to be and not to be, asking why you want to play the role of gan, yes, simply because it was a good role, he probably would have been a wonderful king, he quieted down, the premiere, vladimir vysotsky, i walked out on the stage, as vysotsky broke the chains, win, lyubimov as a director was eager for freedom, and what, why are you repeating yourself? and i’m not repeating myself, my god, are there no doors, in this film i play a negative character, i just left my rights, the script is real literature, we can’t leave it, thousands of journalists came, this is a festival where there are films for everyone , this is cannes. today the grand opening of the twelfth film festival took place. and, yuri nikolaevich, everything is clear, you rented a hotel room, right? everything is clear, come here. will you catch it? i was in the studio, dozens of people saw me. are you lying? why are you lumping everything together,

critics and misunderstandings from the audience, the artistic director left the stage and went to the tagankaloss, then a change, every 3 years there is a change of main directors - this is a painful process, because everyone has to adapt in one way or another, together, do, listen and... i couldn’t be happier, now she’s on the right spouses plays in the entertainment performances of his favorite director, it’s convenient, you can rehearse without leaving the couch, well, i see we are poor peasants, i see we are poor peasants, well , well, well, well, i see you are poor, when they met, he was still unhappy and married , had a daughter, arina, she married an italian a long time ago and lives with her husband. in sardinia, so saifulin’s granddaughter is italian. gennady rashidovich says that he fell in love at first sight. when i met, i had two friends, but for some reason i liked natasha, she was also a very pretty girl, but somehow, what it is, it's an inexplicable thing. i liked natasha, well, it’s already, soon it will be a lot of years, how long we’ve been living, more than forty, oh, it’s

boots in three chords, a new season, look after the evening news, for the sixtieth anniversary of the taganka single letter, i’m not lying, in what is the secret of this popularity? this is all nonsense, there is a method of work of a great master. yuri lyubimov, man of the century. suddenly leanit ilich says, it’s a good theater, don’t touch it. april 23 on the first. one of the indigenous peoples of ugra is the khanty. not far from surgut is the ancestral land of the khanty family sopochin. now this is a very popular place among tourists. you and i are far from the city, as you got there. this is due to the fact that deer need to be kept away from civilization so that they can be kept in peace. grazing deer, olei, tell me, do you always live here, yes, we always live here, we only go to the city on business, but our main place of residence is here, how hard it is, it’s not hard for me, we’ve lived all our lives, we’ve grown up, as if we it’s familiar, it’s not difficult for us, from time immemorial my great-grandfathers lived in this place, everything is your ancestral land, yes, this is ou

tomorrow on the first. to the sixtieth anniversary of the taganka theater.taurant next to us and people are coming out of it, they are tipsy, they are thinking, what such a holiday, maybe they missed one, join us, such fun is going on, even. not only the spectators who later come to the theater, but also just strangers on the street. these are my slogans: creating a sustainable government. at first i played comedic roles, suddenly i played galileo and hamlet. and they ask why do you want to play the role? yes, simply because it’s a good role. he would probably be a wonderful king. premiere, vladimir vysotsky. april 23 on the first. health is with you again, dear friends, our program continues my favorite project continues, which is called my pressure, my responsibility and no one else’s, there are not so many doctors to measure the pressure of every person in every mouth , put a pill, your pressure is your responsibility, my pressure is my responsibility, and today we doctors so easily shift the responsibility is on you, not by chance, the fact is that... we

you want, and you know what i want, send me some news to vanya, for the sixtieth anniversary of the tagankaet of the popularity of this theater, can i just lay out a rug somewhere? we have a restaurant nearby and people come out of it, they are tipsy, they think what kind of holiday is it, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also for just strangers people on the street, these are my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo. and hamlet, asking why you want to play the role of hamlet, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky, i walked out on the stage as vysotsky broke his chains, lyubimov as a director was eager for freedom, there is no system for stanislavsky, it’s all stupidity, there is a method of work. the center is decreasing, however, very little at the moment, the level in tabol is still about 10 m, -5 cm in a few hours, the authorities emphasize that it is too early to rel

completely unconventionally, brightly, lusenko, anatoly grigorievich, he does what lyubimov did on tagankalike i, so he knew how to get out of them something that they didn’t even understand what they had... laid down, the famous red carriage of ilya and emilia kabakov is exhibited after restoration in the main headquarters of the hermitage. the work was made in the genre of total installation and, like any work of conceptualism, requires explanation. alexey komarov will give them. for a long time it was impossible to see what the red car looks like inside, but now after restoration you can open the door and enter. before the eyes of the audience is a panorama of the utopian city of the future, the one with... the only thing that was not restored this time is this construction debris, this is also part of the installation, it symbolizes the collapse of the idea and construction of communism. by the way, each item has its own inventory number. in july, for the first time , the work of ilya and emilia kabakov, a monument to a vanished civilization, will be shown at the main headquarters. she

group, monte shococa cognac, a product of the stellar group, for the sixtieth anniversary of the tagankaive me some ice, please , back, everyone was running here, narzan wasn’t on the arbat. there is no such system by stanislavsky, it’s all nonsense, there is a method of work of the great masters, that's it. i stood against the wall, but with a real fodar, it was my military man, there were these green, white, red ones. the artists knew that the red one was a rehearsal until the last metro, why can’t you calmly sit on your hip, well, it would be hard for me now. run away and train you, i was generally kicked out three times, or even four, i walk into my office in the morning, someone is sitting next to me drinking beer, and i’m uh, that’s it, i’m done with you, why are you coming, i say, first, be kind, get out of here, yuri lyubimov, man of the century, today on the first, to the centenary before... you can you explain to me what happened? has, again his trace, so far everything is against us, there is no photograph, we need a person who could identify him. pomilty, why me, why? well, t

troupe, attacks from critics and audience misunderstanding, the artist left the stage and went to the tagankar another, together, do, listen, sometimes a director comes who is not interesting to me, but i have to say so, our acting business is like this subordinate, so it was a very difficult period, now bogomolov has come, he’s been here for 5 years now, in my opinion, he’s interesting... and the theater is already, however, called not on the malaya bronnaya, on the bronnaya, but it’s sold out, interesting there is to the theater, a person after thirty, he is his own doctor or enemy, oh, mom, there are 30 of them, our 60, crimson, desert land, one day gennady rashitovich decided to follow in the footsteps of his teacher and received a director’s diploma, staged plays on his native stage in the theater film actor, with colleagues alexander... kolyagir and sergei prokhanov at the luna theater. you how long have you been married? i’ve been married for 20 years, my teacher gives lectures, but i don’t know why i grabbed his move. on... natalya danilovna is not overjoyed, now she, as a wife, plays

plastic things, all natural, real live worms, you can’t find these in the city, you had to go to tagankallful ones added a little holva to the bait, the fish just went crazy from it, only with... company secret, in general, fishing fees are half the success of an enterprise. in our story, the theme of fishing gave the detectives a new version. you won’t believe how yuri kuklachev suffered a massive heart attack right during the celebration of his anniversary. guys, how much longer? not very good. please call the doctors. why did taistily get into multimillion-dollar debts? now i’m looking at how much it costs, and how much does it cost, why did dmitry debrov take up tailoring, you don’t sew role-playing costumes yet, tell me more about this, why anita tsoi’s estate near moscow went away under water, my trees are waist-deep, you won’t believe it today at 20:20 on ntv. mask, new season, tomorrow at 20:20 on ntv. there will be no card, there will be money, now you can easily get up to 300,000 rubles for any purpose, spend it anywhere, and also withdraw cash and receive cashback. the money w

the spring series of games, tomorrow, after the program, time, for the sixtieth anniversary of the tagankae spectators who then come to the theater, but also for just strangers on the street, these are my slogans, the creation of a sustainable government, i at first i played comedic roles, suddenly i played galileo and hamlet, they ask why you want to play a role, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky, i walked out on the stage as vysotsky was breaking his chains , lyubivov, how the director was eager to freedom, there is no stanislavsky system, that’s all. your story about pabla escar. my name is pablo iscabbar and i can find anyone in colombia except a normal neurologist. what is this? it seems they want to kill me. the family needs to be informed about this. pablo! oh rusito, my brother, how are things in venezuela? great! pavel! the most! beautiful girl in colombia, dad, daughter, what grade is she already in, we class the lykopitas, but she’s trying, family, listen to me, what am i saying, why are you saying hello, you

you know what i want, i ’d like some send a message to vanya, on the sixtieth anniversary of the tagankaill then come to the theater, but also for just strangers on the street, these are my slogans, creation! stable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be and not to be, they ask why you want to play a role, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky , i walked out on the stage, like vysotsky was breaking chains, lyubimov was breaking like a director. a statement has been received from the nichaevs, known to you, that after death they want to be together. i officially declare that i, yuri nikolaevich nichaev, want to live in the next world together with my wife, nichaeva, elena mikhailovna. well, what kind of love can there be, what eternity, right now i’ll tell lenka that i’m leaving her. in the end , she is not the first to cry and calm down. where's the champagne? i drenched him with my hysterics, horoscopes, and suspicions. and i think that he... only his wife and doesn’t want

season, i’m with you , alexander rogov, tomorrow at the first, for the sixtieth anniversary of the tagankaonly for the spectators who will then come to the theater, but also for just strangers on the street, these are my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo and hamlet, we... bimov, the man of the century. suddenly leonid ilich says, it’s a good theater, don’t touch it. tomorrow on the first. voice. the final. live. on saturday. on the first. today took place grand opening of the twelfth film festival. a, yuri nikolaevich. all clear. you got a hotel room, right? all prose. come here, and you catch me, i was in the studio, dozens of people saw me, you’re lying, why are you lumping it together, but we’ll get used to living separately, we’ll break up anyway. but we don’t decide, and then come up with something. so, gentlemen, a statement has been received from the nichaev spouses, known to you, that after death they want to be together. i officially declare that i, yuri nikolaevich nichaev, started together with my wife nichae

me, just watch a movie, poster on the tv channel culture, theater, music, fine arts april 23 , the tagankaensky and young contemporary poets. on the stage of the branch of the pushkin theater the white waltz, the premiere performance based on the play by alexei arbuzov, my poor morad, stage version staged by boris d'gichenko. the theater institute of the saratov conservatory named after sobiny shows the play passion for bumbarash on the stage of the theater center on strastnoy as part of the festival your chance gitis fest. music rachmanin and rispigh will be performed in... in the tchaikovsky concert hall performed by nikolai lugansky and the russian national orchestra conducted by alexander rudin. in the shyusev museum of architecture there is a monographic exhibition of vladimir stepanovich kubasov, one of the founders of modern russian architecture, the creator of projects for the building of the gorky hut, the international trade center, the palace of pioneers and schoolchildren on borobyovy gory, the river station in rostov -on-don, author’s graphics, photographs, archival materials,

to the sixtieth anniversary of the theatre. on taganka i'm not lying, i'm not lying, start playing everything, they are tipsy, they think what kind of holiday is this, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also... just strangers on the street, so my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be or not to be, they ask why you want to play the role of gant, simply because it’s a good role, he would probably be a wonderful king, kuzatik premiere, vladimir vysotsky, i came out on stage like vysotsky. broke chains, lyubimov as a director, was eager for freedom, there is no system, stanislavsky, this is all nonsense, there is a method of work of a great master, yuri lyubimov, a man of the century, suddenly leonit ilich says, good theater, don’t touch it, first thing tomorrow. right now we ask for the attention of passionate fans, we want to talk about incredible world records, i would say even crazy world records, right now sports news fro