to the theater where he worked, and taganka was extremely popular then, and it was very difficult tot tickets there, and i came to the service entrance, near which there was a crowd, a crowd of people, and so - i stood, waited for the door to open, vysotsky would look out, everyone... so to each other, vysotsky, vysotsky, look, it's vysotsky, and he looked out, looked around the crowd and said, sasha, where are you, come here, everyone turned around, who is this sasha, and i walked slowly, solemnly, everyone looked at i had such a friend, i knew bulat shalovich, akudzhava very well, is this a name for you something says, well done, songs, yes. connected not only with my work, not only with my work, but with some other spheres of activity. hello, my name is fyodor, is there a film about which you can say, wow, why didn't i make this film, oh, fyodor, if you only knew how many such films there are, i really love what nikita mikhalkov did, the unfinished piece for a mechanical piano, what a... magnificent picture, slave of love is a delightful film, it's such a film, it's so close, it i