yes, the famous taganka, theater, era, legendary theater, and this absolutely. look, look, first, you, he brought the revolutionary spirit to his theater, here is the performance... sixty-six, 10 days that shook the world, the action begins on the street, tickets at the entrance are pinned on rifle bayonets, we have it nearby restaurant, and people come out of it, tipsy, they think that such a holiday, maybe they missed one, join us, now legends, the walls in the office of their loved one with autographs of famous people of that time, the director’s famous flashlight with different colors, which he shone during a rehearsal from the dark hall the artists, then, knew that... red is a rehearsal, until the last metro, which goes badly, then retribution, right there, green, rarely, green - there was jubilation, jubilation, the last interview with yuri lyubimy, memories of the actors taganka, about the theater, time, about people, in the documentary yuri lyubimov, the man of the century, today on channel one, went quiet, i went on stage. his roles, a unique chronicle, interviews, are carefu

bragging because it’s true, i’m really bragging because it was very hard, everyone remembers the taganka theaterthe nataganka theater anymore, and there was still a split, there was a split, of course, which is still ongoing or not, the split ended with the departure - firstly of territorially, well you know, here’s where to go, and this is usually the case, i don’t want to offend, but 75 plus, that’s the kind of viewer with tickets starting from 100 rubles. and so on, and we spent a lot of time creating a new repertoire, new performances, because no matter how much people shout about the tradition of the beloved, the theater of the beloved and tradition cannot exist without the beloved. it can’t be in the theater, by the way, are there any lyubimov’s performances left? there are two performances left: the good man from suzanna, with whom the theater began, the taganka theater began in sixty-four, and we still have our anniversary this year, our sixtieth anniversary, and master margarita has two titles left, but of course it’s already such a, you know, museum, museum, museum, museum, that is, th

theater, right? yes, yes, and here is taganka, for me taganka is in general, something so transcendental, i remember crew, that’s how it all holds together here then, that they, as a collective choir , roll out to the stage, act out some kind of action, this is all very, not all performances, yes, there are others, but, but a lot of things hold up, well, they were then in those years, i’m not talking about the current one theater, everything is probably different there, but then it was such a feeling, and yet taganka, and lyubimov there, dupak, but you found a dupak, it turns out, right? while i , yes, he passed away, nikolai lukyanovich passed away last year, of course, i found him, and he came to visit me, came, and you it turns out his successor, no, no, no, no, nikolai lukyanovich left before lyubimov, they quarreled, and the director under lyubimov was his wife katalin, then, when yuri petrovich left the theater and valery sergeevich zolotukhin became the director, then he came. vladimir natanovich fleischer, i already replaced him at the nathan theater, so after all , the manager, the director,

just such a massive visit, well then, after all, when the theater was ruined, there are still facts, that... the management closed the tagankaday and return to the question that i asked at the very beginning: what does a person feel who was born before the october revolution, who in a few years will turn 100 years old, and who is full of plans, has every reason to continue his creative work ? activity, you yourself are surprised, well, i’m a little surprised that i, first of all... i’m happy that i woke up, it’s already good, it’s already good, then my head seems to be working, i mean, well, great talent is an order from god, that’s why you great talent god gave you a big commission, that’s why he is protecting you, because you probably have an order from him, but this needs to be done, how can i tell you, seriously? i owe it all to the lord for my recovery, but we ’ll talk about this in detail, but wait, guys, we won’t torment yuri petrovich any more today, because we’ve been working for 2-2 hours, so i have to say, thank you, i... a man who did for his viewers something that few others have achieved, he gave them a very cl

today the taganka theater celebrates its sixtieth anniversary; it was created on april 23, 1964 in moscowhe basis of the moscow drama and comedy theater, director yuri lyubimov. his students are from the chuka school. the theater opened that day with a performance by the good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mirkhold, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. no curtain, no decoration, unity of the auditorium stage. it was a unique fusion of dramatic acting. over time, due to censorship bans, yuri lyubimov ended up in exile, but then returned and for a long time led the theater, which today has a new repertoire, but its anniversary. it traditionally celebrates the good man from xizuan. the sheep walk in a row, drums are beaten, and skins are given for them. the sheep themselves. 40 years ago, on april 23, 1984, american microbiologist robert galla and us secretary of health margaret he

today the taganka theater celebrates its sixtieth anniversary; it was created twenty years ago.n the basis of the moscow drama and comedy theater, director yuri lyubimov and his students from the chukin school. the theater opened that day performance by a good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mir holda, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. there is no curtain, no decoration, no unity between the stage and the auditorium. it was a unique fusion of drama, acting, poetry, song and dance, with emotional intensity, passion and temperament. at a theater performance, the fallen and the living, pugachev, galileo and others productions, it was impossible to get into, vladimir vysotsky, valery zolatukhin, ala demidova, and slavina shone in them. 984, american microbiologist robert galla and us secretary of health margaret heckler announced that the human immunodeficiency virus - h

where, when, the spring series of games, on sunday on first, on the sixtieth anniversary of the taganka theatering. there is a restaurant next to us and people come out of it, tipsy, they think what a holiday, maybe they missed one. they join us, there is such fun, not only for the spectators who will then come to the theater, but also for just strangers on the street. these are my slogans, creating sustainability. at first i played comedic roles, suddenly i played galileo and hamlet, they ask why you want to play a role, but just because it’s a good role, he would probably be a wonderful king, the prime minister’s ass, vladimir vysotsky, i walked out on the stage, as vysotsky broke the chains, run, lyubimov as a director, was eager for freedom. there is no stanislavsky system, it’s all nonsense, there is a method of work of the great master. yuri lyubimov, man of the century. suddenly leonid ilich says: it’s a good theater, don’t touch it. april 23 on the first. this is the voice. watch the show "goal". this is the semi-final of the vote project and i am closing the voting lines for anton bely

, i believe, you go, rest, go, go, good night, good night, to the sixtieth anniversary of the taganka theater century, today. on the first: fashion verdict, new season, let's try, start a new life, tomorrow on the first. the person who is responsible for taxes, finance and customs in ukraine, daniil getmantsov will strangle anyone in his tenacious tax clutches, one must choose between patriotism and mathematics mathematics, he is the leader in creating schemes that allow the withdrawal of billions of dollars; getmansov’s son has an offshore company. they lend to companies that belong to getmansov’s mother, this is a person who tends to tighten control in himself, so he has reached the level of conflict with ermak, most of the euro dollars are stolen by zelensky’s team, getmansov really wants to become a full-blown eminence grise, he needs a bankrupt picture for western curators, the owner says: fulfill your task to the last mission, everywhere increases extortions, fees, finally finishes off ukrainian business, then it will be replaced by black rock finance... structure, american, european wi

to my concerts, may 25, you remember, they called it in the hostile press, the most brutal theater on tagankahaps about the need to return some restrictions, i specifically do not use the word censorship in this sentence right now, because censorship is prohibited by our constitution, but that very many viewers. readers would like to return some restrictive measures, well, it’s true, we also talked about this a lot, you yourself understand this perfectly well, in general, let’s do it this way, we’ll now first look at a big, pretty story that our colleagues have prepared, and he’s like since it's dedicated the phenomenon of the taganka theater, because well, what happened on the stage of this theater, well, in principle, should not have happened in the conditions that were in the soviet union, practically... right up to its collapse, well , almost, and then we, dear friends, will also invite you to participate in the discussion, you’ve already guessed, we probably want to hold a vote, i’ll talk about this a little later, now let’s watch the plot: 60 years ago, the moscow drama and comedy theat

fashionable verdict, a new season, tomorrow on the first, for the sixtieth anniversary of the taganka theateryou can just lay out a rug somewhere in the yard and start playing, the whole world is on fire, god bless! we are located nearby restaurant, and people come out of it, they are tipsy, they think what a holiday, maybe they missed one, they join us, there is such fun, even not only for the spectators who will then come to the theater, but also for just strangers on the street , here are my slogans, this is not a movie anymore, please be careful, jack. damn, it hurts. i feel like i'm made from one piece of cinema, from head to toe. thank you for being here. motador on saturday. first, this is a festival where there are films for everyone, this is cannes, so, dear friends, this program is to live healthy, we called our last topic like this, husband and wife, german shaevich, one satan, german shaevich pronounces the word satan with feeling, i don’t know why he was so pierced about satan, but... just like that, mikhail, don’t be surprised at what’s happening, but we actually have three marr

today the taganka theater celebrates its sixtieth anniversary; it was created on april 23, 1964 in moscowhe basis of the moscow drama and comedy theater, directed by yuri lyubimov. and his students from the chuka school. the theater opened that day with a performance by the good man from tezuana. this has not been seen in the capital since the avant-garde experiments of the twenties. as critics wrote, it was a revival of the playful theatricality of mir holda, combined with the classics of stanislavsky, the theater of the streets of brecht and the vakhtangov school. no curtain, no scenery, unity of the auditorium stage. it was a unique fusion of drama... 40 years ago on april 23, 1984, american microbiologist robert galla and us secretary of health margaret heckler. they announced that the human immunodeficiency virus (hiv) had been found. at the terminal stage, it causes a disease called the plague of the 20th century, this is spit, acquired immunodeficiency syndrome. it is still unclear where this disease came from; tens of millions of people have died from it, including many celebritie

life would be without it. 8 years ago, in the building of the moscow drama and comedy theater, which was without a tagankaow drama and comedy theater , a group of young actors led by yuri petrovich lyubimov, honored artist of the russian federal socialist republic, laureate of the state prize, he staged the play the good man from xizuan in his final year at the shchukin school. it seems to me that you were too hasty in promising money, it could cost her the shop, they say i’ve been out of work for a long time, a hungry dog ​​takes the cart home faster, that’s true, but it ’s a risky business, mr. yanksun, you’re suggesting my cousin sell her shop, leave your friends, i understand that you have the intention of marrying a shint, yes, i’m ready for this, oh, so how can you, in that case, don’t let go a shop for a couple of silver dollars, when you need to sell quickly, you always get less, respect, i will receive 250 dollars a month, oh, 250 dollars a month is a lot, but what did you think, i fly for nothing, what a position? it was meant that this theater is conventional for us, after all, and the play the

the taganka theater celebrates its sixtieth anniversary in the spirit of the times.ause the ability to be in tune with time. created his fame. the birthday was celebrated with a poetry performance in search of a genre. more details, yana music. then he will say goodbye in the morning, of course with... experiments with vysotsky’s legacy with theatrical language, taganka in search of a genre, fresh ideas and new names. over all the many, many years, in the traditions of the theater, to speak, to be in dialogue with the audience in today's language, and we have never lost this and are trying not to lose it, so what tomorrow will be, this will be the nataganka theater. one of the directions is to bring vysotsky’s work closer to today’s. to interest the young audience, a special team was formed inside the theater - viakama. the artists realize that vysotsky cannot be surpassed, it is impossible to imitate him. the only way is to find your own sound. some songs, indeed, have melodies in them, some don’t at all, and this was on purpose, because each performer brings someth

to mark the sixtieth anniversary of the taganka theater in more than one letter.t a rug somewhere in the yard and start playing, the whole world is on fire, oh my god, bless us, there is a restaurant nearby and people come out of it having fun, they think what a holiday, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also just strangers on the street, these are my slogans! creating a stable government, at first i played comedic roles, suddenly i played galileo and hamlet. and asking why you want to play the role of hamlet, simply because it’s a good role, he would probably be a wonderful king, premiere, vladimir vysotsky, i came out on stage, how vysotsky broke the chains, how... about the russian national debt and especially about the attempts in the united states in the european union to confiscate russian assets that they illegally seized? well, formally no one can, already now the fact that they were blocked is a violation of the law, the law, and even more so confiscation, but informa

, the story continues, tomorrow after the program time, to on the sixtieth anniversary of the taganka theaterpularity of this theater, you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god’s blessing, we have it nearby. restaurant and people come out of it, they are tipsy, they think that there is such a holiday, maybe they missed one, they join us, there is such fun even not only for the spectators who will then come to the theater, but also for just strangers on the street, so my slogans, creation of a sustainable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be or not to be, they ask why do you want to play? he says it’s a good theater, don’t touch it. april 23 on the first. this is a podcast 20 years later, i am the host konstantin mikhailov, my guests are svintsova and tuman. how did the name come about? oh, that was also a disaster, because it was my student years, even after that, because it seemed like a group, a group, a group, a group, but what group? there is no name . and so we came up

well, after the advertising we will see how trump is tried, for the sixtieth anniversary of the taganka theaterply because it’s a good role, he probably would. we need to touch it, today is the first one. once these people determined the trends of rock pop music, but now they have left russia and divided the performers into their own and others, former music producer and now foreign agent mikhail kozyrov. there are artists who are like us we call it ziganuli, but there are artists who consider it suicide to express their anti-war views. mish, well, you probably need to get better, every night i return to what was possible. to do otherwise, i ’m doomed to live with this until the end of my days, broken, depressed, devastated, absolutely human, i’ve never seen him like this, bedinsky is obsessed with roulette and other gambling games, my income is meager, i’m actually banking on the fact that my friends give me, lord, how i feel sorry for him, on the one hand, on the other hand, what you are pathetic guys, i'm trying to catch some glimpse of... these are the finalists of the twelfth season of the

you know what i want, to me in some send a message to vanya on the sixtieth anniversary of the taganka theaterying, that’s all. comedy roles, suddenly i played galileo and hamlet, to be and not to be, asking why you want to play the role of gan, yes, simply because it was a good role, he probably would have been a wonderful king, he quieted down, the premiere, vladimir vysotsky, i walked out on the stage, as vysotsky broke the chains, win, lyubimov as a director was eager for freedom, and what, why are you repeating yourself? and i’m not repeating myself, my god, are there no doors, in this film i play a negative character, i just left my rights, the script is real literature, we can’t leave it, thousands of journalists came, this is a festival where there are films for everyone , this is cannes. today the grand opening of the twelfth film festival took place. and, yuri nikolaevich, everything is clear, you rented a hotel room, right? everything is clear, come here. will you catch it? i was in the studio, dozens of people saw me. are you lying? why are you lumping everything together, huh? we

narem, three chords, new season, look after the evening news, for the sixtieth anniversary of the taganka theatery of this theater? you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god bless us, there is a restaurant nearby, and people come out of it, happier, they think, what is this holiday, maybe they missed one , join we have such fun, not only for the spectators who later come to the theater, but also for just strangers on the street, these are my slogans, the creation of a stable government, at first i played comedic roles. suddenly i played galileo and hamlet, to be and not to be, they ask why you want to play the role of hamt, just because it’s a good role, he would probably be a wonderful king, the premiere of the premiere, vladimir vysotsky, i walked out on the stage like vysotsky was tearing up chains, lyubivov, how the director was eager for freedom, there is no system of stanislavsky, that’s all. almost every person has one. i even read an interesting fact that sao paulo is the most tattooed city in the world. i was wondering,

and misunderstandings from the audience, the artistic director left the stage and went to the taganka theateren a change, every 3 years there is a change of main directors - this is a painful process, because everyone has to adapt in one way or another, together, do, listen and... i couldn’t be happier, now she’s on the right spouses plays in the entertainment performances of his favorite director, it’s convenient, you can rehearse without leaving the couch, well, i see we are poor peasants, i see we are poor peasants, well , well, well, well, i see you are poor, when they met, he was still unhappy and married , had a daughter, arina, she married an italian a long time ago and lives with her husband. in sardinia, so saifulin’s granddaughter is italian. gennady rashidovich says that he fell in love at first sight. when i met, i had two friends, but for some reason i liked natasha, she was also a very pretty girl, but somehow, what it is, it's an inexplicable thing. i liked natasha, well, it’s already, soon it will be a lot of years, how long we’ve been living, more than forty, oh, it’s crazy.

three chords, a new season, look after the evening news, for the sixtieth anniversary of the taganka theaterletter, i’m not lying, in what is the secret of this popularity? this is all nonsense, there is a method of work of a great master. yuri lyubimov, man of the century. suddenly leanit ilich says, it’s a good theater, don’t touch it. april 23 on the first. one of the indigenous peoples of ugra is the khanty. not far from surgut is the ancestral land of the khanty family sopochin. now this is a very popular place among tourists. you and i are far from the city, as you got there. this is due to the fact that deer need to be kept away from civilization so that they can be kept in peace. grazing deer, olei, tell me, do you always live here, yes, we always live here, we only go to the city on business, but our main place of residence is here, how hard it is, it’s not hard for me, we’ve lived all our lives, we’ve grown up, as if we it’s familiar, it’s not difficult for us, from time immemorial my great-grandfathers lived in this place, everything is your ancestral land, yes, this is our ancest

joint card, i’ll send it to vanya, now i’m organizing, for the sixtieth anniversary of the theater on tagankas theater? you can just lay out a rug somewhere in the yard and start playing everything, a world fire in the blood, god bless! there is a restaurant nearby, and people come out of it, they are tipsy, they think what kind of holiday is this, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also for just strangers people on the street. these are my slogans, the creation is empty. at first i played comedic roles, suddenly i played galileo and hamlet, they ask why do you want to play the role of a gan, just because it’s a good role, he would probably be a wonderful king, asshole of the prime minister, vladimir vysotsky, i came out on the stage as vysotsky broke his chains, prove it, lyubimov as a director, was eager for freedom. there is no stanislavsky system, it’s all nonsense, there is a method of work of the great master. yuri lyubimov, man of the century. suddenly leonid ilich says, it’s a good theater, don’t t

tomorrow on the first. to the sixtieth anniversary of the taganka theater.taurant next to us and people are coming out of it, they are tipsy, they are thinking, what such a holiday, maybe they missed one, join us, such fun is going on, even. not only the spectators who later come to the theater, but also just strangers on the street. these are my slogans: creating a sustainable government. at first i played comedic roles, suddenly i played galileo and hamlet. and they ask why do you want to play the role? yes, simply because it’s a good role. he would probably be a wonderful king. premiere, vladimir vysotsky. april 23 on the first. health is with you again, dear friends, our program continues my favorite project continues, which is called my pressure, my responsibility and no one else’s, there are not so many doctors to measure the pressure of every person in every mouth , put a pill, your pressure is your responsibility, my pressure is my responsibility, and today we doctors so easily shift the responsibility is on you, not by chance, the fact is that... we

want, and you know what i want, send me some news to vanya, for the sixtieth anniversary of the taganka theatere popularity of this theater, can i just lay out a rug somewhere? we have a restaurant nearby and people come out of it, they are tipsy, they think what kind of holiday is it, maybe they missed one, they join us, there is such fun, not only for the spectators who will then come to the theater, but also for just strangers people on the street, these are my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo. and hamlet, asking why you want to play the role of hamlet, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky, i walked out on the stage as vysotsky broke his chains, lyubimov as a director was eager for freedom, there is no system for stanislavsky, it’s all stupidity, there is a method of work. the center is decreasing, however, very little at the moment, the level in tabol is still about 10 m, -5 cm in a few hours, the authorities emphasize that it is too early to relax, the

group, monte shococa cognac, a product of the stellar group, for the sixtieth anniversary of the taganka theaterome ice, please , back, everyone was running here, narzan wasn’t on the arbat. there is no such system by stanislavsky, it’s all nonsense, there is a method of work of the great masters, that's it. i stood against the wall, but with a real fodar, it was my military man, there were these green, white, red ones. the artists knew that the red one was a rehearsal until the last metro, why can’t you calmly sit on your hip, well, it would be hard for me now. run away and train you, i was generally kicked out three times, or even four, i walk into my office in the morning, someone is sitting next to me drinking beer, and i’m uh, that’s it, i’m done with you, why are you coming, i say, first, be kind, get out of here, yuri lyubimov, man of the century, today on the first, to the centenary before... you can you explain to me what happened? has, again his trace, so far everything is against us, there is no photograph, we need a person who could identify him. pomilty, why me, why? well, thank god

attacks from critics and audience misunderstanding, the artist left the stage and went to the taganka theaterr, together, do, listen, sometimes a director comes who is not interesting to me, but i have to say so, our acting business is like this subordinate, so it was a very difficult period, now bogomolov has come, he’s been here for 5 years now, in my opinion, he’s interesting... and the theater is already, however, called not on the malaya bronnaya, on the bronnaya, but it’s sold out, interesting there is to the theater, a person after thirty, he is his own doctor or enemy, oh, mom, there are 30 of them, our 60, crimson, desert land, one day gennady rashitovich decided to follow in the footsteps of his teacher and received a director’s diploma, staged plays on his native stage in the theater film actor, with colleagues alexander... kolyagir and sergei prokhanov at the luna theater. you how long have you been married? i’ve been married for 20 years, my teacher gives lectures, but i don’t know why i grabbed his move. on... natalya danilovna is not overjoyed, now she, as a wife, plays in the

spring series of games, tomorrow, after the program, time, for the sixtieth anniversary of the taganka theatertors who then come to the theater, but also for just strangers on the street, these are my slogans, the creation of a sustainable government, i at first i played comedic roles, suddenly i played galileo and hamlet, they ask why you want to play a role, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky, i walked out on the stage as vysotsky was breaking his chains , lyubivov, how the director was eager to freedom, there is no stanislavsky system, that’s all. your story about pabla escar. my name is pablo iscabbar and i can find anyone in colombia except a normal neurologist. what is this? it seems they want to kill me. the family needs to be informed about this. pablo! oh rusito, my brother, how are things in venezuela? great! pavel! the most! beautiful girl in colombia, dad, daughter, what grade is she already in, we class the lykopitas, but she’s trying, family, listen to me, what am i saying, why are you saying hello, you came in

know what i want, i ’d like some send a message to vanya, on the sixtieth anniversary of the taganka theater come to the theater, but also for just strangers on the street, these are my slogans, creation! stable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be and not to be, they ask why you want to play a role, simply because it’s a good role, he would probably be a wonderful king, the premiere, vladimir vysotsky , i walked out on the stage, like vysotsky was breaking chains, lyubimov was breaking like a director. a statement has been received from the nichaevs, known to you, that after death they want to be together. i officially declare that i, yuri nikolaevich nichaev, want to live in the next world together with my wife, nichaeva, elena mikhailovna. well, what kind of love can there be, what eternity, right now i’ll tell lenka that i’m leaving her. in the end , she is not the first to cry and calm down. where's the champagne? i drenched him with my hysterics, horoscopes, and suspicions. and i think that he... only his wife and doesn’t want to part

season, i’m with you , alexander rogov, tomorrow at the first, for the sixtieth anniversary of the taganka theater the spectators who will then come to the theater, but also for just strangers on the street, these are my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo and hamlet, we... bimov, the man of the century. suddenly leonid ilich says, it’s a good theater, don’t touch it. tomorrow on the first. voice. the final. live. on saturday. on the first. today took place grand opening of the twelfth film festival. a, yuri nikolaevich. all clear. you got a hotel room, right? all prose. come here, and you catch me, i was in the studio, dozens of people saw me, you’re lying, why are you lumping it together, but we’ll get used to living separately, we’ll break up anyway. but we don’t decide, and then come up with something. so, gentlemen, a statement has been received from the nichaev spouses, known to you, that after death they want to be together. i officially declare that i, yuri nikolaevich nichaev, started together with my wife nichaeva, elen

to the sixtieth anniversary of the theater taganka stable government, at first i played dey on the streetmlet. they ask why you want to play a role, just because it’s a good role, he would probably be a wonderful king, the prime minister’s ass, vladimir vysotsky, i went on stage, as vysotsky broke his chains, prove it, lyubimov as a director, was eager for freedom, there is no stanislavsky system, it’s all nonsense, there is a method of work of the great master, yuri lyubimov. man of the century, suddenly leonid ilych he says it’s a good theater, don’t touch it. april 23, on the first. she’s great, and your mother, well done, wonderful, once again, leonid arkadyevich, i want to thank my best friends, sister and mother, who accompanied me here, came with me, and kind of... supported me, thank you very much, 550 glasses, but the letter i, well, why are you standing there, you knew that the letter is not here either, elena olegovna, the city of altaisk, there were, there were, however, it was a very long time ago, how are you, great, what is your profession, what do you do , i'm a family psy

i had one story when i was young, i fell in love, i was wandering around theaters then, taganka, a contemporary-read, with artists by the hand. well, in general, as they say now, i was blown away, and then it turned out that it was the shop workers who brought him to me, figured out the fool, uh-huh, what next, next, i’m pregnant, and he demands that i give him some materials from the case she stole it, so you have a choice, what are you looking at, jail him? his whole gang, my love is my choice, but he has none there was no love, naked excuse me, calculation, but the child, there was no child, your father was detained in the sherem in the evening, why are you silent? he’s fine, alive, healthy, he’s not giving evidence yet, but i think it’s a matter of time, tell me honestly, you didn’t scrawl this report for your father, or am i mistaken, no, not only, i didn’t sign the report, i didn’t have time, so think, everything can be returned back, you have time, i may have time, but i have no other way out, what nonsense, he doesn’t have another way out, there’s always a way out, that’s it the questio

just watch a movie, poster on the tv channel culture, theater, music, fine arts april 23 , the taganka theaterd young contemporary poets. on the stage of the branch of the pushkin theater the white waltz, the premiere performance based on the play by alexei arbuzov, my poor morad, stage version staged by boris d'gichenko. the theater institute of the saratov conservatory named after sobiny shows the play passion for bumbarash on the stage of the theater center on strastnoy as part of the festival your chance gitis fest. music rachmanin and rispigh will be performed in... in the tchaikovsky concert hall performed by nikolai lugansky and the russian national orchestra conducted by alexander rudin. in the shyusev museum of architecture there is a monographic exhibition of vladimir stepanovich kubasov, one of the founders of modern russian architecture, the creator of projects for the building of the gorky hut, the international trade center, the palace of pioneers and schoolchildren on borobyovy gory, the river station in rostov -on-don, author’s graphics, photographs, archival materials, in tota

anniversary of the theatre. on taganka i'm not lying, i'm not lying, start playing everything, a world fire is in the blood, what is the secret of the popularity of this theaterey join us, there is such fun, not only for the spectators who will then come to the theater, but also... just strangers on the street, so my slogans, the creation of a stable government, at first i played comedic roles, suddenly i played galileo and hamlet, to be or not to be, they ask why you want to play the role of gant, simply because it’s a good role, he would probably be a wonderful king, kuzatik premiere, vladimir vysotsky, i came out on stage like vysotsky. broke chains, lyubimov as a director, was eager for freedom, there is no system, stanislavsky, this is all nonsense, there is a method of work of a great master, yuri lyubimov, a man of the century, suddenly leonit ilich says, good theater, don’t touch it, first thing tomorrow. right now we ask for the attention of passionate fans, we want to talk about incredible world records, i would say even crazy world records, right now sports news from journalists from channel one: people have always had a craving for records, they a