you you understand that it is not tairov who will not let me pay my salary and will not be allowed to imagine? and i understand, i understand do not you dare interfere. i discard, celebrate there in a good way. here we should rejoice, not mourn.

new year for the year tairov will change his mind and offer you a lot. vasily ivanovich, you understand that it doesn’t deprive tairov, they won’t let me pay my salary on stage, tell me, could you ever imagine? what will you obscure? great alice and such herself that she will shake up the entire repertoire of more money to pay you so that you do not go on stage, therefore, i would love to, but i understand. hello comrade maisky, we owe you. i promise the theater this is your profile. i understood. nothing has changed for me. now for myself theater is to change the poster and start rehearsing a new play. tell me, we all need to calm down and think one step ahead. the play is devoid of the pathos of class anger. in every line, sympathy for the enemies of the revolution is time to call the anti-soviet author to account. we must strive to improve performance in literally all areas. continue to improve performance in all areas. the red army is going on tour in the far east. pavlyuchenko is promised unforgettable meetings with sailors. he said it's very import

she played in the tairov theater, it's all, uh, the same, like a school, and here's the question.n people watch some of her uh performances, they really hmm see that she deviates from the principles. stanislavsky, just this one from this theater of experiences gravitates more towards the theater of performances, like actresses. that's what it seems to me, it seems to me, it's just uh, i don't separate it. for me, you think that this is some kind of synthesis. yes, it seems to me, yes, it seems to me that the most beautiful artists, like once those who know how to combine it, when you know how to put on this some kind of new mask every time. you manage to fill it alive. uh, live emotion with live feelings diary of the role, and u know the name of the dog that lived with you at the age of 5. well, so as not to discourage. i’m completely, but it seems to me that it was very characteristic of her, just complemented. she did not leave, uh, the theater of experiences, but she enriched it with some additional colors. like, for example, there smoktunovsky yes, which is absolutely, but mak

svoboda loved tairov, a heart attack could not survive the excommunication alexander yakovlevich diedgeorgievna, who loved him, cursed this theater. how did you get the theatre? i also worked as pranksters and with eremin. in those days , the priest came periodically once a year, which means something came down , it was, it made me incredibly laugh. most importantly, i saw that there was no sense in it. and when i came, what should i do? i did not understand this at all, because all the interviews began with evgeny pisarev came to the damned theater. well, how can you not be afraid here, the cast comes to you and so on. it was already. eh, not even funny. i think that the problem has always been that all denied all these were afraid of this story. everyone somehow thought, but this is not about us, but i thought about what needs to be done in the evening dedicated to them. maybe even such an evening of repentance of some kind of worship. it was the centenary of chamber theatre. uh, the fourteenth year, and we made such an interesting performance, which was called the chamber theater,

yes, and in general, she played in the tairov theater, that's all. like a school, and here the question is, when people watch some of her performances, they really hmm see that she deviates from principles. stanislavsky, just this one from this theater of experiences gravitates more towards the theater of performances, like actresses. that's what it seems to me, it seems to me, it's just uh, i don't separate it. for me it counts as it's a synthesis. yes, it seems to me, yes, it seems to me that the most wonderful artists, just those who know how to combine this, when you know how to put on this some kind of new mask every time, you warm it up to fill it with lively , lively emotions, lively feelings with a diary, roles, and er know the name of the dog that you have there at 5 years old. well, so as not to discourage me completely, but it seems to me that this was very characteristic of her, she just complemented it, she did not leave the theater of experiences, but she enriched it with some additional colors. how, for example, there smoktunovsky yes,