that there was a feeling that you had neither one nor the other, a young man shouldn’t, but tamara fedorovna makarovaamart told me, since i am a very superstitious person in this sense, very much, but i have a serious reason for this to be opinionated, i understand, life kept me going until the moment i meet this woman, this woman did not even take a course at the variety circus school, she worked at the satire theater until the end of the fifties. then she quarreled with the main director of the satire theater , valentin nikolaevich pluchik, and left the theater. and subsequently olga alsanova, whom my nadezhda ivanovna slonova took care of, told me a story. this means that she came from leningrad and entered the satire theater. and nadezhda ivanovna looked after her as a young artist, she really liked her, she had character, she was cool, she was according to the sign, a fiery horse, according to the eastern calendar, and a lion, wow, she was , in short, she calls the young rossila to her home, set the table, she lived in a tiny two-room apartment, not far from the belarusian train station, yaru sa