natasha kolikanova, and you can imagine, i’m in the audience, suddenly the beautiful tanyunya, tanechka drubichns white, and suddenly arkadina natasha kolikanova stands up, she says all her life, her mother continues the monologue, she says , i don’t know the play, it’s that she even knows her son’s monologue by heart, it was such a discovery , it’s crazy, it happened involuntarily god. you know how to say, i dived into chekhov , you know, when chekhov’s text, i start to vibrate, either it’s me and i, or suddenly i start to vibrate, i really want to continue there, i know a lot of things, because chekhov became to loved ones and relatives not only with their eyes, but with their body, soul, gesture and most importantly the nervous system, so i would say this, read it to us, oh, well, now it’s going to be the unified state exam, yes, i don’t know, i can’t take it... however less, why do you say that you kissed the ground on which i walked, i need to be killed, i’m so tired, i should rest, i’m a seagull, no, that’s not it, i’m an actress, well, yes, and he’s here, well, yes, nothing, yes, he didn

new forms, and we tried to fill these new forms, you can imagine we were all in two casts and tanechka drubich, eagles and partridges, came that day solovyov, she was terribly worried, it was not me who played, natasha kolikanova. and you can imagine, i’m in the hall, suddenly tanyunya, beautiful, tanechka drubich, simply, she says, people, lions, eagles and partridges, and even under the spotlight up there, we see how she turns white, she’s got everything, suddenly stands up arkadina, natasha kolikanova, says, all lives, mom continues the monologue , she says, i don’t know, what is it, it was chekhov, it was chekhov, because this love, hatred of the mother and him, it was me just standing in the hall, because something divine happened, there arkadina makes all sorts of remarks, of course, suddenly she reads for, she knows this monologue, it was divine direction and i am eternally grateful. and grishenka kozlov, and my divine st. petersburg boys, and bargman, and latashev, and vlasov, the kingdom of heaven bekhterev for this performance, you know how to say, i dived into chekhov, you know, whe

need new forms, and we tried to fill these new forms, you can imagine, we all had two casts and tanechka drubichform there, just like that her head and suddenly she throws off the rag, in her head it’s like a huge dress and people, lions, eagles, partridges, the nightingale came that day, she was terribly worried, it wasn’t me who played, natasha kolikanova, and you can introduce. and to my divine st. petersburg boys, and bargman, and ladashev , and vlasov, the kingdom of heaven, bekhterev for this performance, you know, how to say, i dived into chekhov, when chekhov’s text, i start to vibrate, either me, yes, i, or suddenly i start to vibrate, i really want to go there continue, i know a lot, because chekhov became close and dear not only with his eyes, but with his body, soul, gesture and most importantly his nervous system, so i would say this, read it to us, oh, well, now it will be the unified state exam, yes, i don’t i know i may not pass it, however, why are you saying, what? kissed the ground i walked on, i should be killed, i’m so tired, i should rest , rest, i’m a seagull, no, that’s n