but they became close precisely as artists, that’s the same apple, why apple, because by the way taninaiture that even stands in his moscow apartment, when i was talking with him, in this furniture there is always the image of an apple, just like the image of a pomegranate , which means parajanov, this has now become, well, i don’t know the meaning of the language and yes cliche - this is the real thing that these people are called. they felt each other in the sense that they felt like, well , half a word, half a gesture, because they are artists and they enriched each other, it seems to me personally, by the way, few people know that tanina guera wrote an entire novel, dedicated to parajanov, parajanov is depicted there, it turns out it was impossible, then in italy to name the names of soviet citizens, agadzhanyan, he was there, taninogura, he admired the fact that... in one of the camps they even filmed a film based on commissioned by the ministry of internal affairs of ukraine, the film is simply a documentary, the script was written by parajanov , few people know about this, but th

tanina guera, he admired the fact that pazhanov preserved himself, despite these camp terms there, asly charged until the end of his days. everything is so easy for you, not the first time, the third time, and what, every time you just take it and give it away, but this is business, listen, marin, i can congratulate you, you are a mother, congratulations on becoming a father, i’ll bring you a child alexandra’s testimony as a gift, i’m afraid that in the event of a divorce you will not get anything, but somehow, you are a serious statesman with us, you were, i’m ready to give testimony against him. you, why are you bargaining for your daughter, you don’t want to return her, three lemmas, no less, and you need the money in 2 hours. i remind you that this is a podcast of lenshtein's witnesses, you are the host, i am a film historian, stanislav didinsky, and, a film historian, my colleague natalya ryabchikova. today we are talking about the centenary of the director and artist sergei parajanov. why were you interested in the figure in general? and in general, how did you get to the point

andrei torkovsky, artists of the taganka theater, marcela mostroyan, maya plesetskaya and tanina, andting became. parajanov's life itself was a work of art, and his house was a theater. about 30 years ago, for the first time i walked down this street to see sergei, i had to go up to him, there was something about it. and not only me, but a lot of people were moving in this direction to get to know kenya. maybe i’ll take part in your action , let’s take part, youki, let’s work now , you know, let’s work on camera, tell me who sergei was, tell me straight, i’m speaking directly, here’s the camera, look, you can feel sergey, well, you can feel it there , yes, sergei was one of the amazing people who decorated our city, who made it unique, who created in it a special microclimate of the corruption of east and west, he himself was essentially an incredible man temperament, incredible conviction. and incredible tragedy. he sang goodness, despite the fact that he was so humiliated and trampled. and i don’t know what happened to him in life, it did not affect his art in any way, in all his wo

artists and they enriched each other, it seems to me personally; by the way, few people know that taninan entire novel dedicated to parojan. parajanov is depicted there, it turns out it was impossible, then in italy to name the names of soviet citizens, agadzhanyan, he was there, tannin aguera, he admired the fact that padzhanov preserved himself, despite these camp terms there, as an artist he preserved himself, and he was creatively charged until the end of his days, we developed the correct posture, a diagnosis of posture. chemistry of food, when , how much for whom, fiber, we read the analyses, what is dedimer, the program to live healthy, helps everyone, tomorrow is the first, ready, yes, i think that movies only show love stories, in war films, we are talking about love guy to arms, gangster. and the new wave brought love for cinema, without love there are no films, he is a child of the cinema, he himself says that he grew up in the cinema museum in paris, he knows the role of watching old films, films are not good enough for the audience, but the audience is often not good enough

tanina, grandmother, lives in orenburg, came, took the boy, that’s all.y, let's meet, please, thank you, bon appetit, thank you, hello, hello! what, handsome guy, did you want to hide from us? did you think we wouldn't find you anywhere? in short, i give you 3 days to get the money, if you don’t find the money, we’ll kill your wife, got it, you’ll be our first suspect, got it? oh, hello, okay, that's it, i ran, let's go, happily, yeah. what kind of person is this? i 've seen him before. yes, an old friend from seversk. i'm very glad you're back. i propose to note this matter. are you going to order anything? i do not want anything. katya, i wanted to tell you that i am very guilty before you. please forgive me. i don’t believe it anymore, you know, i had time to think, i realized that i cheated on you, this is a strong statement, i can even guess with whom? well listen, let's assume that none of this happened, let's try to start all over again, i think we will succeed, nothing will work out, you never loved me, you got married because you needed my dad, i