dyadinsky and gaga karapetyan, research journalist, author of the book apple and pomegranate, tanina guerank you very much, goodbye, goodbye.

tanina guera, he admired the fact that pazhanov preserved himself, despite these camp terms there, asly charged until the end of his days. everything is so easy for you, not the first time, the third time, and what, every time you just take it and give it away, but this is business, listen, marin, i can congratulate you, you are a mother, congratulations on becoming a father, i’ll bring you a child alexandra’s testimony as a gift, i’m afraid that in the event of a divorce you will not get anything, but somehow, you are a serious statesman with us, you were, i’m ready to give testimony against him. you, why are you bargaining for your daughter, you don’t want to return her, three lemmas, no less, and you need the money in 2 hours. i remind you that this is a podcast of lenshtein's witnesses, you are the host, i am a film historian, stanislav didinsky, and, a film historian, my colleague natalya ryabchikova. today we are talking about the centenary of the director and artist sergei parajanov. why were you interested in the figure in general? and in general, how did you get to the point

artists and they enriched each other, it seems to me personally; by the way, few people know that tanina guerare novel dedicated to parojan. parajanov is depicted there, it turns out it was impossible, then in italy to name the names of soviet citizens, agadzhanyan, he was there, tannin aguera, he admired the fact that padzhanov preserved himself, despite these camp terms there, as an artist he preserved himself, and he was creatively charged until the end of his days, we developed the correct posture, a diagnosis of posture. chemistry of food, when , how much for whom, fiber, we read the analyses, what is dedimer, the program to live healthy, helps everyone, tomorrow is the first, ready, yes, i think that movies only show love stories, in war films, we are talking about love guy to arms, gangster. and the new wave brought love for cinema, without love there are no films, he is a child of the cinema, he himself says that he grew up in the cinema museum in paris, he knows the role of watching old films, films are not good enough for the audience, but the audience is often not good enough for th