inglorious bastards, where he was the father protecting his family in one of the best scenes tarantino'sver done. he protected his family there under the threat from the ss officer. here he's the father again but providing the threat himself. he plays a father called antoine who's been awarded custody of his 12—year—old son, played by that young actor. the son is petrified of his father. he can't seem to tell the courts why and they will not listen because the father has a right to see the kid and the mother has to share everything. it's a very strange award from the court that he's managed to charmingly flirt his way to and here we see the son absolutely petrified. i've never really seen a scene like this before as a father to a young child as well. this was awfully tense as well. the threat that he brings here, every time he pops up or every time he sends a text message, he can ruin the family atmosphere, just the threat of his father. while we never see what domestic terrorism or abuse, it's clearly got this terrible effect on the family, but it plays out like a thriller, almost like

inglorious basterds, where he was the father protecting his family in one of the best scenes tarantinoreat from the ss officer. here he is the father again providing the threat himself. he plays a father who's been awarded custody of his 12—year—old son played by that young actor. the son is petrified of his father. he can't seem to tell the courts why and they will not listen because the father has a right to see the kid and the mother has to share everything. it is a very strange award from the court that he's managed to charmingly flirt his way to, and here we see the son absolutely petrified. i've never really seen a scene like this before as a father to a young child as well. this was awfully tense as well. the threat that he brings here, every time he pops up or every time he sends a text message, he can ruin the family atmosphere, just the threat of this father. while we never see what domestic terrorism or abuse, it's clearly got this terrible effect on the family, but it plays out like a thriller, almost like a sort of serial killer movie in a way. it reminded me slightly of f

i would like to thank robert actingot, nasa's administrator, who will give the tarantino memorial address. fred tarantino was usra's fifth president and he put an emphasis on strengthening interactions with universities. we honor his legacy with this keynote. in addition, i would like to thank the director of the space policy institute at george washington university for organizing this symposium. steved also like to thank for his role in helping organize this. with that, henry, the floor is yours. good. you, jeff and on behalf of the space policy institute, we are pleased to have cohosted this event with usra. what is not often well 's alwaysd, nasa encouraged partnerships with industry and internationally and in fact over 80% of nasa's expenditures have always been with contractors and international partners. that is the way nasa has sincelished is programs the agency began in 1958. today we reflect many changes in government and society that include the majority of space technology, research of universities and other institutions, including usra and the interest of space from nations a

called custody starring an actor who you may remember as the father in the opening scene of a quentin tarantino he was the father protecting his family. he protected his family under the threat from the ss. here he is providing the threat himself. he plays a father called antoine who has been awarded custody of his 12—year—old son. the sun is petrified of his father and can't tell the court is white, the court won't listen because the father has a right to see his scared. there is a right to see his scared. there is a very strange award from the court that he's managed to flirt his way to. here we see his son absolutely petrified. as a father to a young child as well, this was awfully tense. the threat that he brings here. every time he pops up, or he sends a text from hebrew winds the family atmosphere. while we never see what's domestic terrorism, i've seen see what's domestic terrorism, i've seen is called comic he has this terrible effect on the family. it plays out like a thriller. it reminded me of fatal attraction. it's very, very tense. it's not a date movie. very, very well performed,

front a lot of us and german film stars come to the most famous ones were perhaps steven spielberg tarantino tom hanks and they came onto the stage here and said how much they like this cinema he told the disc you know from the top most are good that's all palates oprah lost is quite an institution in berlin is there anything left of its old flare. when i started so past was germany's number one cinema we still screams newsreels and we had all the premiers with sophie and iran and gregory peck on the red comment was in all the major us stars were here and we kept a lot. the flambe from the fifty's and sixty's to have it is a listed building on that and we have modern technology and that's a fascinating mix a little she has a mix and. that's why this. every year around three hundred films are shot in berlin and kokkinakis of chick takes film fans to famous locations. he had so much to the south of here for instance this was also a film location and it's hard to believe because it's almost completely changed us but i'll show you a photo from a very important film but this is it this is the sam

inglorious bustards, where he was the father protecting his family in one of the best scenes tarantino threat from the ss officer. here he is the father again providing the threat himself. he plays a father called who's been awarded custody of his 12—year—old son played by that young actor. the son is petrified of his father. he can't seem to tell the courts why and they will not listen because the father has a right to see the kid and the mother has to share everything. it is a very strange award from the court that he's managed to charmingly flirt his way to and here we see the sun absolutely petrified. i've never really seen a scene like this before as a father to a young child as well. this was awfully tense as well. the threat that he brings here, every time he pops up or every time he sends a text message, he can ruin the family atmosphere, just the threat of his father. while we never see what domestic terrorism or abuse, it's clearly got this terrible effect on the family, but it plays out like a thriller, almost like a sort of serial killer movie in a way. it reminded me sligh

then you find out tarantino wrote the story. he did.ar—old could do this. he had great skills. i think if you go back to antiquity you get obstruction, you get ecolomy. yes. cartoon feeds into that, because cartoons have accessibility. this is your working life, is it, rose? this is what it is, this is you. i pick it off the floor to wipe my brush, i wipe the painting with it, then i throw it down there. would you allow this to be considered an artwork? i think that would be silly, i‘d say it was collateral. it‘s collateral. it‘s just what happens from the way you work. suddenly all these people, who have ignored you for all these decades, notjust years, it‘s decades, suddenly can‘t get enough of rose wylie. that‘s funny. it‘s funny, because you‘re 83 now? yes, because i haven‘t changed, my work hasn‘t changed, but the perception of it has. so why do you think it is, rose, that suddenly these female artists, in their later years, are getting the sort of recognition they are now getting?

assassins based on the fact that hollywood and the violent videogames and the violent movies of quentin tarantinonobody has been discussing the root cause of all the shootings which is the education of our by viewing assassins violent movies. i have not heard anybody talk of thehe root cause change in generation from the boomer generation versus the assassination generation that we have raised right now. host: thank you. the larger issues, the gun issue. the president was interested in forming a commission to look at this idea of school violence. have we heard anything more? john: we have not heard a lot. they had their first meeting a few weeks ago. the president did have videogame industry folks to the white house in the weeks after the shooting and the parkland high school shooting. whether anything has come of that meeting, there is little evidence that any policy change or any proposals are coming out of the them astray should that would target violent video games but it is something the president and his aides have talked about. we do not know what secretary devos and her association may do