played, because the family of ivan vladimirovich tsvetaev had already settled in tarusa, tarusa wase also call it a russian barbezon, and vasiliych, being there, of course, wanted to be somewhere - then nearby, he saw bekhovo, this idea captured him, he told his wife about how good it was there, and his wife natalya vasilievna also writes in letters that the dream of staying in bekhovo, settling in bekhovo, living in bekhovo will come true with us , they already had theirs in mind the house, their workshop, natalia vasilievna’s small office, that is, this whole... dream, they had it somehow formed, all that remained was to buy land, having looked at the estate of soblukova, who had gone bankrupt, in bekhovo, vasily dmich gathered the funds, yes you are correct in saying that this coincided with the sale of a large canvas, which of you is without sin or christ and the sinner, this canvas is now in the russian museum in st. petersburg, in the former imperial collection, and indeed, even before the opening day, imperial family... i came to inspect the exhibition of the itinerants and a

tarusa played in these places, because she had already settled in tarusa the family of ivan vladimiry becoming some kind of epicenter of creative life, we also call it the russian barbeson, and vasily dmitovich, once there, of course, wanted to be somewhere nearby, so he saw bekhov, this idea captured him, he said to his wife about how good it is there, and his wife natalya vasilievna also writes in letters that it’s really a dream to stay in bekhov. settling in bekhovo, living in bekhovo will come true for us, they already had in mind their house, their workshop, natalya vasilievna’s small office, that is, all this a dream, they had it somehow formed, all that remained was to buy land, and after looking at the estate of the bankrupt landowner soblukova in bekhovo, vasily dmich gathered the funds, but you are correct in saying that this coincided with the sale of a large canvas, who of you without sin or? christ and the sinner is now in the russian museum in st. petersburg, the former imperial collection, indeed, even before the opening day, the imperial family came to inspect the ex

played, because the family of ivan vladimovich tsvitaev had already settled in tarusa, tarusa was alreadyve life, we also call it a russian barbezon, and vasily dmitovich, once there, of course, wanted to be somewhere nearby, he saw bekhov, this idea captured him, he told his wife about how good it is there, and his wife natalya vasilievna also writes in letters that it’s really a dream to stay in bekh? settling in bekhovo, living in bekhovo will come true for us, they already had in mind their house, their workshop, natalia vasilievna’s small office, that is , this whole dream, they had it somehow formed, all that remained was to buy the land, looking at the estate of the bankrupt estate of the landowner soblukova in bekhovo, vasily dmich collected funds, but you are correct in saying that this coincided with the sale large canvas, which of you is without sin? or christ and the sinner, this painting is now in the russian museum in st. petersburg of the former imperial collection, and indeed, even before the opening day , the imperial family came to inspect the exhibition of the wanderers

fact that vasily dmitovich settled in these places, because ivan’s family had already settled in tarusa in letters that is it really possible that the dream of staying in byokhovo, settling in byokhovo, living in byokhovo will come true with us, with them already ... the idea was their house, their workshop, natalia vasilievna’s small office, that is , this whole dream, they had it somehow formed, all that was left was to buy the land. having looked at the estate of the bankrupt sablukova estate in bekhovo, vasily dmich gathered funds, yes, you are correct in saying that this coincided with the sale a large canvas, which of you is without sin or christ and the sinner is now in the russian museum in st. petersburg, the former imperial collection, and indeed, even before the opening day, the imperial family came to inspect the exhibition of the wanderers, and alexander ii became interested in it. canvas and agreed to buy this canvas, as they say, even for his billiard room, after vasil dmitich made such a very profitable deal for himself, 30,000 rubles, but with silver, that is, not just

entire opera, the ghosts of ellada, which was staged on the stage of the torus people's house, in tarusa, it was performed, and so to speak, we have before we have received the score of the ghosts of ilada, so we also sometimes performed it at the tula drama theater, at the kaluga drama theater, and the most grandiose collection in the museum is the collection of paintings, of course, but here it is very... interesting is also the fact that almost all the works - these are donations, that is , few purchased, these are friends, students, colleagues, they brought them to exactly like a museum, but on the contrary, i want to tell a story about a purchased item, in the largest room of the museum library, which is what we were talking about now, of course the key takes up space raven by viktor mikhailovich vosnitsov, this is a stunning panel, a stunning panel, written based on lermontov’s poem desire, why am i not a bird, not a steppe raven, flying over me now, vasily dmikovich polenov saw this picture just at a traveling exhibition, and knew that viktor mikhailovich vasnetsov, his student, w