i read it so interesting, i showed on instagram about the difficult character of tatyana liozny and ofnever spoke directly. he always talked about her. here is a good irony, she treated him very, very kindly too. and when tatyana mikhailovna enters and sees vyacheslav vasilyevich, she tells him, very gently from the bench, if you want coffee. why are you? because they don’t bring me a second portion, some kind of coffee , well, let’s say small ones, so he told conflicts on the set, for example, he said that his friend yulian semyonov also says that they are somehow dragging something there , discussing something in some way they do not agree , he says he walks and calls her hunger, while time was the prime minister, israel's head was called tatyana mikhailovna, he was meyer gone. almost all the participants in the filming spoke about the director’s tough and strong-willed character, and the two main creators of the film, tatyana lioznoy and yulian semyonov, after the completion of the work , parted not at all as friends; believed that it was necessary to go strictly according to the te

he was played by rodion nakhapetov vladimir ivashov daniil scary, but only the adaptation of tatyana liozny became a grandiose event in the history of russian cinema and deafeningly popular for many years. these interviews with tatyana ilioznova and vyacheslav tikhonov were recorded in 2006. and it so happened that they have not yet been seen by the audience in our film. you will see fragments of these forces for the first time. the fact that i belonged to the military generation, although i didn’t fight, even though i was a boy, because it was still in us at that time. passed through our souls, but i think so poignant for spectators. from the point of view of the soul of experiences, it would hardly have been possible to make a film if it had been filmed by a man. the merit of tatyana mikhailovna is enormous in this regard , the picture taught me a lot in general. the principle of shooting in serial pictures is different than an ordinary picture, we all had to learn anew. mr. wozin, please be kind to the end and help me. i can't step over. it's how many names he has vsevolod vladimirov max

information for reflection only after a special order from the ministry of cinematography of the ussr , tatyana lioznyss to the trophy archives, and tense negotiations were required to obtain permission. here it is quite strictly indicated that to provide any assistance to the six e means to the employees who will come here, which is characteristically indicated that to issue materials only after a special order from the director. the superstars of the soviet stage were also waiting for a fact from the category of little-known tatyana lioznoy chose between muslim magomayev and joseph kobzon. this is how the title songs performed by magomayev could sound highly, the time will come you’ll understand, probably, however, the choice fell on kobzon, there is a version that liozny asked magomayev to resing several times, but he refused, the choice of actors was not easy, and the choice of actors moscow film studio named after maxim gorky july 7, 2023 year 17 hours 15 minutes. 17 moments of spring tried many famous actors, for example, leonid bronevoy could play hitler paul butkevich was considered for the ma

but tatyana liozny doubted. she arranged tests. she tasted the straw.ady ordered not in the role of stirlitz dad and tikhonov worked a lot together on the role. dad told him a lot about work as a scout and dad wrote off the image of stirlitz from them. so it's not a fictional character. this is a collective image and they were friends all their lives later, and when dad got sick, it was hard. uh, friends could not visit him, but tikhonov spoke at my request for a tape. some wonderful words, some good wishes, and dad listened to this cassette, tears rolled from his eyes, and he said my slavochka my slavochka and here is yulina's continuation. vasilisa semyonova is the great-granddaughter of her mother vitalina and his grandson. julian all plays music pianists. you know, it seems to me that it is not we who will study the plans of the silent vyacheslav vasilyevich someday, like some unknown galaxies, because it is not clear what is happening to him, as if he is posing for the director. it doesn't do anything yet there is an intense life going on there. yo

who is an armored man, but relying on her intuition, director tatyana liozny nevertheless approved about for the first time, the armored man got a chance to declare himself as a great artist. he was ready for this difficult role and masterfully performed it. if there were no armor, there would not be such a worldwide success for this wonderful picture, because they play well there. istekneev, episode. and tabakov well , dark is best of all, or you are more comfortable with places. i am most satisfied with the appeal of muller categorically modest with tastes. he, of course, was unexpected. he wasn't handsome at all. yes , and handsome among us, please, was only slava tikhonov, but after that, many compatriots learned in a completely different way. what kind of enemy was that? the enemy is a smart enemy , a talented enemy, meaningful, glad to see you devils again, you are offended by some regular cunning, no longer at all, but with your cunning. which one is ours to compare? well , just heavenly angels on the page. the reproaches of officials and critics that it was impossible to play a f

still celebrating one date today, in general we continue to celebrate yulia of the legendary film tatyana lioznyry of the film 17 moments of spring guests of the program. tonight they will also talk about this movie, and on sunday another very interesting documentary work. stirlitz forever the birth of a legend. there will be another surprise though. bargain information for ours, demand guarantees demand that the child be with you break into the child during the first screening of the film 17 moments spring tatyana lioznova got a call from the factory, tell me and answer this radio operator, otherwise we can’t work these 12 evenings. yes, 12 episodes, while they are watching, they are discussing it and it turns out that they have a common theme, there is something to talk about a nightly conversation in the studio , a podcast plan, we will always discuss the current sunday. why are these shots like a magnet attracted to the screen, like 50 years ago. our successes are undeniable it is enough that i belonged to the military generation, although i did not fight, even though his boy, because that's

hood of muller's cinema, which men love to quote so much filmed a woman working in the work of tatyana lioznying for the audience. from the point of view of your feelings, it would hardly have been possible to make a film if it had been filmed by a man , so she added a lonely frau saury to the script, which the cold-blooded stirlitz treated like a mother, so there was a poignant scene meeting with his wife without a single word without a fleeting touch of our different side. and so, let's talk through his eyes, all this made it clear behind the external cold or hot one there was a subtle and touching person. she knew what the grief of her father and three mother's brothers was carried away by the war in order to survive, and not with her mother sewed clothes for friends, life was difficult, but the house was full of guests, these crackers were crackers. they knew this, and therefore, it means that she rewarded you with crackers of those who distinguished themselves before the shooting battle, in work, liozno strict and emotional sensitive and tough once. she threw a chair at me at the carniva

do not miss today on channel one the continuation of the legendary film by tatyana liozny 17 moments could not make a mistake in his analysis. who do we believe goebels bormann dimmer. if muller had appeared next to him, another question would have arisen. what a strange object in the hands of stirlitz berlin forty-fifth year, a the first felt-tip pens appeared only in the sixties. no one can. heinrich müller also has questions for you. where did this plastic factory clock come from? thank you in your office, they will go into production in the seventies in the ussr stirlitz is listening to a song by edith piaf, which she will write down only 14 years later. this is a complete decline in morals at a meeting with the standard fuhrer bormann, sent in dark glasses such will be. to this fashionistas, a quarter of a century later come on, take off your camouflage, information for reflection, and there really is something to think about february evening. how light is in the afternoon, what time, or rather, failure, the radio operator is taken out. kate wears rings on her right hand in germ