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rina zelyonaya evgeny herald tatyana peltzer anatoly papanov olga arosyeva spartak mishulin tatyana vasilyevaexander shirvindt it was alexander anatolyevich who, after the departure of valentin nikolaevich ray, became the artistic director of the legendary corpse. expand the theater of satire visited by more than 2.5 million viewers per season, only imagine kazan and yekaterinburg in one room. and here is the beginning of a new era under the direction of sergei gazarov, arbenin, a masquerade without words directed by sergei zemlyansky, a sensation, of the past season on the stage of the satire theater, the audience has long been accustomed to the fact that the beloved artists here dance and sing, but to the fact that throughout performance they will not utter a word were not ready, even worldly critics. honoured artist. maxima averin conveyed the meanings of the drama of mikhail lermontov with plasticity and facial expressions, someone liked it some do not, but one thing is clear and the production of the artistic director. sergei gazarov did, even if not mine but a policy statement in a new

rina zelyonaya evgeny vestnik tatyana peltzer anatoly papanov olga arosyeva spartak mishulin tatyanafter the death of valentin nikolayevich pluchik, it was alexander anatolyevich who became the artistic director of the legendary corpse under the shirvint. more than 2.5 million spectators visited the satire theater during the season, just imagine kazan and yekaterinburg in one hall. and here is the beginning of a new era under the direction of sergei gazarov, arbenin, a masquerade without words directed by sergei zemlyansky, a sensation, of the past season on the stage of the satire theater, the audience has long been accustomed to the fact that their favorite artists are dancing and singing here, but to the fact that throughout the performance they would not utter a word were not ready, even those who had not seen the types of criticism. honoured artist. maxima averin conveyed the meanings of the drama of mikhail lermontov with plasticity and facial expressions to someone it was to the taste of someone not, but one thing is clear with this production, the artistic director, sergey ga