how tatyana samoilova came to this role is her second film role, which made her truly world famous, howthere was a connection with cinema, in her youth she studied ballet, hence her plasticity, hence these even when... beloved by the union, this is nadezhda rumyantseva, she has such a fun role, she plays a young typist, actually tatyana samoilova, which plays a more serious role of such a mexican beauty, strict, i have a theory why this film was made, why it was made this way, why samoilov was needed, the film was made in the 5th year, was released at the beginning of fifty-six, in fifty-five the argentinean conquered everyone film "time to love" with lolita torres. songs from there, the very image of lolita tores, brunette, with such cheekbones, with raised eyebrows, singing, dancing, absolutely became literally the favorite actress of soviet viewers, yes, girls began to be called lolitas and so on, samoilova in this film is slightly modeled on the image of tores, she appears there first singing, though not funny songs, but such serious, lyrical mexican ones. as it were, then she dance

witnesses and today a special episode dedicated to... the anniversary of the great, beloved actress tatyana samoilova roles level, like the cranes are flying, she, by the way, still managed to work again with urusevsky and kolotozov or kalatozov and urusevsky, in a modern role, a modern girl, a soviet geologist in the film an unsent letter, but there in these joint productions, there’s samoilova in general it feels like they are taking her precisely because she is samoilova, not because she is an actress, but because she is an actress from the film the cranes are flying, that is, on the one hand, she is a representative of soviet cinema, on the other hand, she is this sign, she is veronica from flying cranes, in the film leon's mountainous friend, she is actually an actress and singer, she plays such a rather eccentric person, who, in principle, the plot is there... this is how the frenchman is looking for his comrade in arms in the soviet union, that is, this is a film such as a journey through the ussr, it’s even semi-documentary, yes, that is, yes, well, there are documentary footage, yes, the res

other people, today we in fact, we know it as the film of the slave of love, and, unfortunately, tatyana samoilova longer there, but she remained in some pieces, which khandamov later dragged into the film anna karamazov, also such a dramatic plot, this... at the turn of the nineties and two thousand returns to the cinema, people who remember her, like veronica, the cranes are flying, people who don’t write, maybe especially for her, but this is still not just a role, but this is some kind of cameo, yes, a cameo, that is when we find out, yeah, this is not just an actor or actress playing a role, and this is a value that actually does honor to everyone who watches who makes this film, because he or she, they generally appear here for minutes, maybe five, the imaginary history of soviet cinema, and there is an elderly actress, we see her at first young, and already at such an age of memoirs, she is played by... just samoilova, her name is not lyubov orlova, but it is clear that this is some kind of strange, strange connection, herself and orlov and , in fact, thanks to television in in many ways, t

tatyana samoilova, but she remained in some pieces, which khamdamov later dragged into the film annaa co-production, the soviet union, or already russia, even france, unrecognized either at festivals or among viewers, jeanne moreau plays the main role, the second main role is played by svetlana nemalyaeva, again, for samoilova there is no position that she could actually occupy. she returns to films in very small roles, very old, with a new generation, among the soviet generation, yes, she returned to cinema at the turn of the nineties and two thousand, people who remember her, like veronica, the cranes are flying, people who do not write, maybe especially for her, but this is still not just a role , and this is some kind of cameo, yes, a cameo, that is, when we find out, yeah, this is not just an actor or actress playing a role, but this... this is a magnitude that actually does honor to everyone who watches who does this film, because he or she generally appears here for minutes, maybe maybe for 5 minutes, and so it turns out, for example, in the film anna melekian mars, there she

at the same time, similar to the first beauties of that time, audrich höbernaya and tatyana samoilovaen it for you, let's open it, galiyan mitrovna, it seems to me, my god, what a beauty, look, it's imperial. and the giselle collection, yes, it took my breath away, my god, what a miracle, you know who it is, do you remember who danced the giselle, thank you, thank you, thank you for this beauty, you really loved her, anna pavlova all your life, from childhood, this great ballerina of ours, remember this... moment when emil vladimirovich invited you to play her in a movie? i'll tell you a story, the fact is that emil vladimirovich, he didn’t offer it to me, he just wanted to do something related to dancing after we had already become husband and wife, and he just wanted to put on some kind of film related to ballet for me, but at that time the producers had just arrived. from england, who brought this script about anna pavlova. the fact is that anna pavlova ended her life in england. in england, to this day... there is her house in which she lived, she is buried there, so the british,