tatyana vasilyevna responded with pleasure, and what's more, she became our active participant. we knit things from pure wool yarn, which later warm and stimulate the nervous the end of our premature babies. when i knit a sleeveless jacket, a hat and socks, i always think about the good, about what will help this child, this thing that i will knit with my own hands, will give him health and he will grow up to be a good and worthy person, a citizen of our country. i myself am a native of the town of oktyabrsky, i was born here, and i am proud that i live here. i was probably lucky in that when i graduated from the mogilev cultural and educational school, i had many offers to stay in mogilev, you know, i am rooted in my own, this is my native, i was drawn here because my roots are here, my ancestors lived here, i wanted to do a good deed for my small homeland, not only to give people joy, but also to be with... to captivate everyone here, to involve them in the creative process, here in our small village, everyone is a brother-in-law to each other, we are such close people here, a

my mother, tatyana vasilyevna bogdanova, ended up in the end of the sixties in cairo as a translatorialists who worked here. and here she met my father, abdelmalik khalil, a journalist. and well, these wonderful people, i was born, actually, so i turned out to be bicultural. and a person. mona is fluent in two languages ​​and is at a loss when asked who she is, russian or egyptian? this is a good question. now i spend more time in egypt with visits to moscow, but of course, my home is here too. that is, i really have one foot here, the other there. and when i am absent from one of these countries for a long time, i start to almost... then other times came, namely under sadat, i remember in the eighties, when i started as a girl, how it was very difficult for us to walk outside the toad, these were very difficult times, they wrote right on the walls, they wrote on the walls everywhere, if you do not give up the hijab, you end up in hell, during this period a large number of egyptians began to rush to earn money in the persian gulf countries, they spent many years there. islam never sa

have forgotten, i don’t know, quality is the same pottery, which in any case should remain, tatyana vasilyevnaplease tell us, what is a craftsman, you still have a title, a loud one, elena vasilyevna, i just, i say again, everything that i said. i basically spoke as a person who does not understand much, and really, as an ordinary the average person who comes to the counter asks why this soap costs 20 rubles. she tells me: you know, i made it with my own hands, well, you agree, well, this basket costs so much, yes, i am a folk craftsman not because i am some kind of person, yes, i am a special person, because this is a mindset, firstly, a craftsman thinks completely differently than a artisan, this was a completely legal opportunity, with little bloodshed, or rather a small sum, to bypass legislative changes. to what extent are we right, and did this really happen, and if we talk about why the state is now decided on all these changes in the sphere of entrepreneurial activity and specifically, when we talk about handicraft activity, because it covered, probably, a very large percentage of the

forgotten, there, i don’t know, the quality is the same pottery, which in any case should remain, tatyana vasilyevna me please, so what is a craftsman, you still have a title, it’s a loud one elena vasilyevna, so i’m just telling me again, everything that i said, i basically said something, as a person who doesn’t understand much, and really, as an ordinary person who comes to the counter, says: why does this soap cost 20 rubles. she says to me: you know, i made it with my own hands, well, you agree, well, this basket costs so much, yes, i am a folk craftsman not because i am some kind of person, yes, i am a special person, because it is a mindset, and firstly, a craftsman thinks completely differently than a craftsman, even if there will be... such degradation, a craftsman is someone who makes the same thing en masse, a craftsman, after all, he thinks figuratively, even if he makes baskets en masse, they are all different for him, yes and no similar work, that is, it is a special mindset, that is, it is each work of art, right, and if we exhibit all this at a fair, again, forgive me for skimping on

tatyana vasilyevna, what are the priority tasks to be solved here?hank you, mikhail vladimirovich, dear colleagues, the strategy of state cultural policy until the thirtieth year. has been developed instead the strategy in effect since the sixteenth year, and as you rightly said, but the new version of the strategy has been brought into line with the documents that were issued by the head of state, this is the strategy of national security of the russian federation, the foundations of state policy for the preservation and strengthening of traditional spiritual and moral values ​​and the foundations of state cultural policy, among the main goals of our tasks: the strategy defines: the preservation of a single cultural space, the historical cultural heritage of the peoples of our country and its use for education, strengthening civil identity and unity of russian society, transmission from generation to generation of values, norms, traditions and customs traditional for our society, creation of conditions for education of a harmoniously developed perso

art objects, art, i'm not afraid of this word, are still produced, but often... it happens, tatyana vasilyevnarobably, those people who sit at a rolling mill or at a potter's wheel and, in general, uh, are passionate about their work, but do not have the time and opportunity to sell those art objects that they have every day, especially there, say, every weekend to go to minsk so that russian tourists can appreciate all the charm there and our local color, then it turns out that their places... such an aspect that some masters, who are really, well, masters inside, and today, not counting their personal time, they also go to exhibitions, fairs on weekends and sell their products, well, for example, a potter works in my house of crafts, she says: i sit until two to three o'clock in the morning and go to the exhibition, so that later on the weekend i can sell my product. well, also at the house of crafts, our masters work, they of course also make their products, where we sell them in our retail outlet, well, look, with the help of instagram, well , now the world is open, there are a lot of peop

who gave you the right, that you're sitting here now and saying something, when you're in tatyana vasilyevna'stalking about, what 500 rubles, yes of course, and where is your child, who did your child stay with. anna is very sorry that she didn't warn her daughter about the relationship right away. with you, in our studio natalya kamenetsova, hello, natalya, hello, how did your daughter introduce you to s you are a fiancée with arkady, it's very simple, that 's it, he came up to us, he came up, she said, mom, this is arkady, what did you talk about, well, nothing, simple. no matter how you went, you went riding, you went, to the ponds, you were at the ponds, you forgot, yes, not only did you forget, i also don't know, it's bad, probably, it was arkashka who attacked you, that's why you don't remember anything. natalya, why then didn't it come to a more serious relationship? i don't know why, he didn't propose , i was waiting for him to tell her: "let's get married, but i never waited for that." you do you yourself not doubt that the father of the grandson is arkady? no, well, after all, anna i

anymore, it's even funny, she came and wants to get a job, tanya, first of all, not tanya, but tatyana vasilyevnal security now. can you imagine, she sees the choir or needs it, she came and thought that her primus with open arms was here, it's just absurd. hello, excuse me, please, can you tell me which apartment the osipovs live in, and who are you to them, i'm a relative, documents show me, relative. they're wandering here and there, if you don't stop wandering, thank you, i 'll call the police, got it, thank you, we'll apologize, got it all, yes, thank you, masha, tolya, how did you find out, kind people said, and you wanted to hide it from me, what are you talking about, hi, hi, really mom says you're an apartment, i understand, well why didn't you tell me that, i would have met you, well, it all happened so quickly, and then it all started spinning. it just happened, forgive me, yeah, oh, well thank you, let's go, let's go, where, to a restaurant, please, let's go, oh, no, no, where, come on. "this is for you, i want you and me to always be in touch, by the way, i already entered my number,

yes, i, yes, yes, i think so, no, we are now remembering tatyana vasilyevna daronina, she was very brightyes, yes, and you were also bright, no, but outwardly you were 100% bright, i played in the crowd, in the play lermantov, he put the village, yes. he addressed there, well, young people, later robbers, let's go further, yes, i learned how to behave in the crowd, when a gurgur is needed, yes, we all talked, what to talk about, when there is nothing to talk about, there is nothing to talk about, with us were future leading actors of the art theater, well, and so on and even played a small role episode coming to the nagaoptvakht, where lermontov was sitting. stage of the moscow art theater, it was during the anniversary of the mkhat. anniversary of the school studio mkhaton. i sat next to misha kazakov, he was my friend, close. we all got dressed, shirts, gal, well, as it should be, a ceremonial meeting, in the hall, the auditorium of the moscow art theatre, dedicated to ours. and mishka came in a sweater in some kind of torn one with a pipe and generally showed that all this, in general,

vasilyevna ryabtseva. kirill savash, bolsheberestovitskaya secondary school named after pritytsky and the head of military-patriotic education, aleksey olegovich kudashov. secondary school of zelvinsky district and class teacher, teacher of belarusian language and literature tatyanaskaya. bogdan stepanov, gymnasium number 41 of the city of minsk named after serebryany, physics teacher yulia petrovna prel. matvey yakemenkov, secondary school number 68 of the city of minsk, geography teacher aleksandr olegovich shilkov. gleb klimovich - naroch secondary school of the villeisky district and. teacher of mathematics and computer science vyacheslav vyacheslavovich nasekaeva. alexander denisov, secondary school no. 15, mogilev and the head of military-patriotic education sergey alekseevich arkhipov. anna shcherba, secondary school no. 1 , osipovichi named after dmitriev and the teacher of history and social science aleksey dmitrievich kosov. i have one more person to introduce, this is our scientific expert ekaterina duko. head of the department of methodological support for mathematical and natural science education of the academy of education. in case of controversial situations, she is the one to will decide on whose side the truth is. hello, guys, i wish you a good