loosely adapted from a novel by michael koryta and directed by taylor sheridan, whose credits include the oscar—nominated screenplay for hell or high water, this is solidly pedestrian stuff — a by—the—numbers, box—ticking affair spiced up by shoot—outs, lightning strikes and some very impressive fire escapes. we can't go through that. that eats everything in its path! none of it is particularly believable, withjolie looking far too much like a movie star to convince as a battle star firefighter. battle—scarred firefighter. still, her character is far more convincing than the hit men, who were essentially upmarket, b—movie caricatures, killing everyone they meet whilst complaining about the scenery in entertainingly daft fashion. he's still on duty, you can try him on your radio. on the other hand, you have medina senghore stealing the show as the most in dominantly badass mother—to—be since as the most indominantly badass mother—to—be since francis mcdormand's marge gunderson in fargo. no masterpiece, then, but distracting popcorn fair tailor—made to be seen on the big screen. on the

loosely adapted from a novel by michael koryta and directed by taylor sheridan, whose credits includescapes. we can't go through that. that eats everything in its path! none of it is particularly believable, withjolie looking far too much like a movie star to convince as a battle—scarred firefighter. still, her character is far more convincing than the hit men, who were essentially upmarket, b—movie caricatures, killing everyone they meet whilst complaining about the scenery in entertainingly daft fashion. he's still on duty, you can try him on your radio. on the other hand, you have medina senghore stealing the show as the most indominantly badass mother—to—be since francis mcdormand's marge gunderson in fargo. no masterpiece, then, but distracting popcorn fair tailor—made to be seen on the big screen. on the subject of indomitable women, sigourney weaver achieved iconic status as ripley in the alien movies, a role which earned her an academy award nomination. she's had two further oscar nods for working girls and gorillas in the midst, and starred in such varied fair as ghostbusters

loosely adapted from a novel by michael koryta and directed by taylor sheridan, whose credits include

loosely adapted from a novel by michael koryta and directed by taylor sheridan, whose credits include*t go through that! that eats everything in its path! none of it is particularly believable, withjolie looking far too much like a movie star to convince as a battle—scarred firefighter. still, her character is far more convincing than the hit men, who were essentially upmarket, b movie caricatures, killing everyone they meet whilst complaining about the scenery in entertainingly daft fashion. he�*s still on duty — you can try him on your radio. on the other hand, you have medina senghore stealing the show as the most indomitably bad—assed mother—to—be since frances mcdormand�*s marge gunderson in fargo. no masterpiece, then, but distracting popcorn fare, tailor—made to be seen on the big screen. on the subject of indomitable women, sigourney weaver achieved iconic status as ripley in the alien movies — a role which earned her an academy award nomination. she�*s had two further oscar nods for working girl and gorillas in the mist, and starred in such varied fair as ghostbusters, the ic

loosely adapted from a novel by michael koryta and directed by taylor sheridan, whose credits include, lightning strikes and some very impressive fire—scapes. we can't go through that! that eats everything in its path! none of it is particularly believable, withjolie looking far too much like a movie star to convince as a battle—scarred firefighter. still, her character is far more convincing than the hit men, who were essentially upmarket, b movie caricatures, killing everyone they meet whilst complaining about the scenery in entertainingly daft fashion. he's still on duty — you can try him on your radio. on the other hand, you have medina senghore stealing the show as the most indomitably bad—assed mother—to—be since francis mcdormand's marge gunderson in fargo. —— since frances mcdormand's marge gunderson in fargo. no masterpiece, then, but distracting popcorn fare, tailor—made to be seen on the big screen. on the subject of indomitable women, sigourney weaver achieved iconic status as ripley in the alien movies — a role which earned her an academy award nomination. she's had two f