i don't want him hangin' around here tearin' up everything. you saw what he did to my house last night. now he's startin' in in here. where is he, anyhow-- setting fire to city hall? no, no. i gave him a harmless job to do. he's polishin' up the jail keys. look, andy, i'm sorry, too, the way things turned out i'll tell him myself he's got to go. why wait? ( ringing ) that's the alarm clock. i promised otis i'd set it for him. he's got an appointment to see oscar skinner about a job in the feed store. oh. ( otis yawning ) all right, otis. if you want to get to that appointment you better get movin'. hey, virgil? i need 'em. comin', cousin barney. here they are. all right. clean enough for you? ( chuckles ) yeah, they're nice and clean. hey, andy look what a good job virgil did on the keys. well, i'm glad you like 'em, barn. i have to go back there t. what's the matter, barney? open up. hold your horses, otis. can't you see i'm trying? hey, andy there's something the matter with the lock. it won't turn. look, barney, you know mr. skinner. if i'm

foster, for you to come tearin' in here like this. what's the trouble? it's them young'uns. you've got to keep them from trespassin' on my property. young'uns? they done any damage? well, no... no damage. ? well, no, nothin' stolen. but there's gonna be stealin' and damage if you don't stop them from comin' on my property. now, you got to keep them off my property, off. you keep 'em off! all right, jubal, we'll keep a eye out. make a note of that, barney. keep an eye out on the jubal foster place, i got it. you can just set your mind at ease, jubal. it'll be taken care of. why, there's one of 'em right now. that's right. that's one of the bothersome brats i seen on my property. ain't you?! don't be comin' in here scarin' my boy half to death. but he... and i don't appreciate you callin' him a brat. you made your complaint. you can leave. you heard the high sheriff-- out! well, some sheriff's office this is. erable crank, ain't he? he sure is. if he'd a said one more word, i'd a been forced to get physical with him. he would, too. it took long enough to find this place. i thi

. >> okay. [ applause ] [ music ] [ applause ] >> shaughnessy, tearin' 'em up! [ cheering ] >> okay. >> lemme tell you somethin'. >> sure! why not? >> just-just very brief. before we get into my big, dynamic contract-- [ chuckling ] and the money i'm makin', and all that stuff. you talk about bein' thankful. >> yeah. >> this a-- this a kind of a, uh, uh, uh, spiritual experience. i've had things like this happen to me, all my life. ya know, i talk about somebody watchin' my store? >> right. >> there really is. i was-- you know, i'm cleanin' up, and makin' friends, and apologize, and gettin' all straight, and all like that. and i don't drink, and don't dope, and ev-- i was at the gym, the other day, right? >> right. >> and i'm workin' out, or whatever. and there was, like, very few people there. and, uh, this guy starts leanin' on me, out of the blue. "hey, baretta, where's your bird, man? [ mumbling ] say, weren't you little beaver? didn't you wear the feather hat?" and, all of a sudden, i was back on the school ground, when i was a kid. >> mmm-hmm. >> and they'

no sense in tearin' a man all up for nothin'. there she is. ( chamber clicks open ) loaded, four shots. you just pull back the hammer and you keep firing. understand what i mean? - thank you. - yeah. and by the way, don't drop any dirt in it, huh? ho, whoa. excuse me. i'm looking for r woman, esperanza. hey, sonny, you speak english? se?o?o i speak english. good, good. i'm looking for a woman named esperanza. whiskey. yeah. who? esperanza. that's the woman's name. adi?s, se?or. oh ho, wait. i said, adi?s, se?or. ( kicking at doooo) looking for something, se?or? yeah. looking for a woman named esperanza. she is busy. don't think so. my country is like yoururountry, se?or. you do not call a man a liar. well, , less he is. so? i am a liar. s true: you are leaving. compadres! tomaso, se?or. and pablo. remove your sombreros! t? tambien, b bto! you must remember: se?or randall is a guest in our country and must be treated with full courtesy... the next time you plan to visit our country. we will arrange a fiesta. i'm afraid you're suff

. >> okay. [ applause ] [ music ] [ applause ] >> shaughnessy, tearin' 'em up! [ cheering ] >> okay. >> lemme tell you somethin'. >> sure! why not? >> just-just very brief. before we get into my big, dynamic contract-- [ chuckling ] and the money i'm makin', and all that stuff. you talk about bein' thankful. >> yeah. >> this a-- this a kind of a, uh, uh, uh, spiritual experience. i've had things like this happen to me, all my life. ya know, i talk about somebody watchin' my store? >> right. >> there really is. i was-- you know, i'm cleanin' up, and makin' friends, and apologize, and gettin' all straight, and all like that. and i don't drink, and don't dope, and ev-- i was at the gym, the other day, right? and, uh-- just tryna keep cool-- pushin' iron, and a bag, or whatever. and there was, like, very few people there. and, uh, this guy starts leanin' on me, out of the blue. "hey, baretta, where's your bird, man? [ mumbling ] say, weren't you little beaver? didn't you wear the feather hat?" and, all of a sudden, i was back on the school ground, when i was a kid.

you are tearin' up my home. >> judge tanya: what's your explanation? >> announcer: "hot bench." judge tanya acker. judge patricia dimango. judge michael corriero. three judges. three opinions. this is "hot bench." john conner is suing his former tenant, barry kyles, for unpaid rent. barry is countersuing for the return of his security deposit, invasion of privacy, harassment and emotional distress. >> judge patricia: thank you, everyone. please be seated. >> sonia: your honor, this is case number 174, conner vs. kyle. >> judge tanya: thank you, officer montejano. mr. conner, you leased a duplex to the defendant.