film called "henry's crime" that i was involved in, and there comes a time in a i was in new york at technicolor new york, and we were doing a process which is explained in the documentary called the di, or color correction. so we shot the movie on film. then they scanned it, digitized it, and then they start working on the color, balancing all of the edits and everything together digitally. then there comes a time where they're like okay, we've got this great digital image now on the screen. now we have to match it back to film, photochemical film. so behind you is a colorist and a timer one guy who works on digital color and another guy who works on photochemical. they start talking, and that's where "side by side" came up. because the old and the new were kind of speaking to each other, or this medium. then at the same time, the cinematographer was showing me images on his 5d, going, "look, i just shot this for a commercial," and then the director was saying to me, "yeah, i've been shooting digitally." then i was talking to the guy at technicolor saying that they weren't, the film companies w

film called "henry's crime" that i was involved in, and there comes a time in a i was in new york at technicolor new york, and we were doing a process which is explained in the documentary called the di, or color correction. so we shot the movie on film. then they scanned it, digitized it, and then they start working on the color, balancing all of the edits and everything together digitally. then there comes a time where they're like okay, we've got this great digital image now on the screen. now we have to match it back to film, photochemical film. so behind you is a colorist and a timer one guy who works on digital color and another guy who works on photochemical. they start talking, and that's where "side by side" came up. because the old and the new were kind of speaking to each other, or this medium. then at the same time, the cinematographer was showing me images on his 5d, going, "look, i just shot this for a commercial," and then the director was saying to me, "yeah, i've been shooting digitally." then i was talking to the guy at technicolor saying that they weren't, the film companies w