global films at netflix, having been offered thatjob by the chief content 0fficer, as he then was, ted sarandosaid yes, i mean, i think you have said that part of it was about thinking that certain films might not be made — the likes of taxi driver, do the right thing or the piano — that they might not get made in mainstream film—making these days. and you wanted to make them. just why did you feel like that? what was your view on what was happening to film—making? you know, it's interesting. when i was at universal, we had dvd and there was an ability with the business model to do a lot of different things. so when i was a young executive, i had a year where i was the executive on a beautiful mind, fast & furious and the best man — really diverse, uniquely different stories. and i could see... and i think a lot of us in the industry were getting frustrated. we were pretty much ip driven, animation and low—budget horror films. and they're great, and the artistry of them are incredible. but there's so many young film—makers and different storytellers that want to tell those stories. and so for m