. >> you were a telemarketere at oint? >> a couple of different points. >> how much of that experience is in thise? mo >> i think that's the jumping off for a lot of ideas. and it's not a auto biographical movie, but you use experiences from your life. >> and noah, why did you choose sorry to bother you as the centerpiece film? .> this guy to my right is the main o he's been an incredibly important force in the cultural area. the city of oakland, and how it's developed and how w can talk about that in terms that are new and fresh and really expressiwae. this film part of our film house, and film grting programs at sf film. proud couldn't be more that something like sorry to bother you as come out of the programs. it speaks to the vibrancy and precision of what we'reto tryin o here in making movies in the bay area. >> yeah. s film house francisco film society really sf film, made it possible to do this. because they not only gave the project money, butth gave me office space to sit and work. >> and you got into sun dance be