even the templer book, when i wrote the templer legacy i dealt with them in an entirely different way it, and i like to try to keep it as close to reality as i possibly can. that's the key to it. and i have to find those elements to make it work. my books have to have, first off, have to have an ooh factor. if i say it you go ooh. and the reason why that happened was when i was writing the templer legacy they asked me what's the next book about, i'd say templer, and everybody would go ooh. so things that get you to go ooh, you know, like paris or char he main or lincoln jefferson, those kind of words that kind of then you have to have the so what, who cares if we find the lost lives offal sand drink ya? who cares if the 16th amendment wasn't properly ratified? it has to have a so what today. so this goes into the titles, by the way the lincoln myth, see? the ooh word the so what. the jeff southern key. jefferson key. the alexandria link. they're all key to that, ooh word and so what, and those go into where we factor our title. so i have to find those, the ooh and the so what. sometim