terra cotta to reflect the brick. we have two kinds, the vertical striaded and helps to deepen the tonality of it. the windows are composed of glass and then we have solid metal panels to provide a sense of depth in elevations which is very important. these elements are what bring richness to the campus. the one on the right is from building nine and reflects the stairway in building 9. for our western portion where we place the townhall communal space, we're use * using buff cr terra cotta to call out the special part of the building. this is both, i think, appropriate for the architecture but important for the overall campus but this now demarks the main entrance into the campus. the hardest time, i'll be honest, with the requirement for an entry on the south side of the building. this is for researchers and staff, so the general public is not coming in or out of this building. secondly, very pragmatically, the campus has a real concern with security. there have been issues on campus. there's a population that creat

has what our commission found as acceptable paving, which is completely replacing the herringbone terra-cotta bricks, but if you could enlighten us, that would be great. >> i can speak to that quickly or at length. i think in the image that is on the screen, i don't think i put that up. who's to say with finishing color this has, but just as you say, the project has picked a paver unit, and the proposal here is that you and plaza -- u.n. plaza gets one kind of paving in the promenade from the steps of city hall to an existing granite band between the flags, that is another paving, and the idea is -- and the third paving is within the 11 worth area to characterize that community park. so what you would perceive when you arrive, and i agree with everything you have said about gateway, we have to get it right , but you feel the continuity of the market street paving throughout u.n., wrapping around the fountain. and then the ambition for the great walk to city hall is that it would be a timeline of history, and activism in san francisco. a lot of richness and visual texture and an interpretive e

in 1997 after three years on the lam, he started a pottery company called terra cotta gardens. >> dialdvertised it on the radio, did an interview on the radio. >> unbelievably, the attention led to an invitation for the fugitive killer to speak at a women's luncheon at a local country club. >> near and dear to my heart -- >> where were you while he was out front entertaining the ladies who lunch? >> i was back at the trailer tied up. >> from there, dial and bobbi went to work on an industrial chicken farm owned by debra grace. she never doubted they were married, but she could see dial was abusive. >> he was like, i can beat her. she's my wife, i can beat her. i said, no, not on my farm, you can't. i tried to get her to come to the house. she wouldn't go. she kept saying, no, no, no, he wouldn't like that. >> in 2000, bobbi and dial moved again to another bigger chicken farm. bobbi's daughters were teenagers now. she'd missed five anniversaries with randy. >> there were times that the loneliness was so great that my body would physically ache. >> and she says dial never ceased his camp