well, my name is terrance blanchard, i'm a jazz musician, brad trade from new orleans, louisiana. and now apparently, i'm an opera composer. i've already so i was so happy about that. i know karen i room dina entities is al. hello, my name is karen slur. irma soprano and i, i originally originated the role of 1000000000 in the original production of fire shopping, my bones, the st. louis. ah, i think to hello. hello ma'am. wow. like a welcome to the street. please introduce yourself to our audience around the world . i am michael mohammed. i am a director and an educator based in san francisco, california, all right, unfiltered 1st thoughts about fire shot up in my balance. what does it mean to you, michael? karen, tenant, michael, you sound? i think the importance of it is representation representation on its deepest level of what happens when we actually get to see a black stories, black bodies on stage and in see one of the largest platforms possible for opera. and how does that welcome in a new set of people? how does that actually make space at the table for new stories and f