tese's work reveals itself no matter how it is mounted. and we see the world through the eyes of these people, and we can, at this stage, yes, of a half-finished film, edited later, as if to penetrate into the workshop, into the kitchen. this is, in general, just incompleteness, but we know from einstein from texts, from photographs, from memoirs about him that he is a living figure, and in fact, when we see that this material has not yet been assembled by einstein himself, and despite the fact that esenstein himself he never will be edited, unfortunately, but nevertheless we are always present as if next to him, that is, by doing so we find ourselves truly involved in his laboratory, in his creative process, and this is probably the most interesting thing in this case, it was podcast ezenshtein 125, film historian natalya ryavchikova and... artyom sopin, goodbye, hello, dear tv viewers, you are watching the podcast triggers with you its hosts psychologist tatyana krasnovskaya psychologist psychotherapist sergei nasibyan visiting us today