enter some kind of luminal phase, yes, go through the association, that is, find this notorious tetragrammatonu these hexagons will be ordered, will open up and become permeable in the uh story. well, i don't even know. eh, probably these are isa, and maybe the story e four cycles. he's just trying to systematize, maybe he brings all his endless knowledge the theory that there are only four plots in world literature, and we all endlessly repeat this plot. uh, taking the fortress. well, for example, uh, the iliad, and homecoming. well, the example is also the classic odysseus who returns to the stage and e search is probably a broader concept, but he gives examples of timurka’s bird, which is simultaneously a multitude of birds and one bird, which contains this multitude, and in general, this also the image of god yes, to which, well, any ancient plots, well, the ancient epic literature travel - this is all just the search and suicide of god yes, the sacrifice of the sacrifice of tradition is what we can see in the bible and in narnia there, well, in the general set in european myths, yes, that

be mentioned. that is, there is actually this key there, yes, then there is it just like the tetragrammatone the right word, and if accordingly, the kindergarten will be erased... golem solba one of the letters of this word it will turn into another, like the word emet, truth turns into met, that is, death, and the golem crumbles into dust, that is, control over the golem is also in the right word and the right letters, it is this opportunity to work with letters back and forth, that is write, erase, write, erase, this is some absolutely amazing , unlimited control over dead matter that it gains, but it seems to me that for borhis the text is living matter, yes, yes, of course, of course, and in no way case, not static, constantly changing, because the interpretation of the text, even though its literal image may be fixed, but the interpretation of the text will be different in different centuries, for us now there are superstructures that we from the height of our well-educated cores with postmodern heights, arabs, yes, from the height of postmodernity, that is, we get a third, fourth, six

to his external appearance, yes, that is, it’s just like the tetragrammaton on the golem’s forehead., in order for the golem to work, he talks about this in the uk in a lecture about kabbalah, so that the golem works. he must have the right word if, accordingly, hmm, the kindergarten erases one of the letters of this word from the soldier golem, and it turns into another. like the word emmet, truth turns into honey, that is, death the golem crumbles into dust, that is, control over the golem is also in the right word and the right letters, and this is precisely the opportunity. work with letters back and forth, that is, write. erase write. erase this absolutely amazing unlimited control over dead matter that the jewish universities acquire, that for borhis the text is living matter. yes, of course, of course, and uh, in no case, not static, constantly changing, because the interpretation of the text. even though its letter form may be fixed, the interpretation of the text will be different in different centuries. for us now there is a superstructure that we are from the height of our

yes, that is, it’s just like the tetragrammaton on the golem’s forehead, so that the golem can work. the kindergarten erases one of the letters of this word from the soldier golem, and it turns into another how the word emmet truth turns into honey. that is, death will not crumble into dust, that is, control over the golem is also in the right word and the right letters, and this is precisely the opportunity. work with letters back and forth, that is, write. erase write. erase this absolutely amazing unlimited control over dead matter that jewish universities acquire, that for borhis the text is living matter. yes, of course, of course, and uh, in no case, not static, constantly changing, because that is the interpretation of the text. even though the lettering of its uh image may be fixed, the interpretation of the text will be different in different centuries. for us now there is a superstructure happening, that we are from the height of our formed moves. just look at the arabs, from the heights of postmodernism. that is, we get, third, fourth, sixth, superstructures, all these add

of course they are, that is, yes, that is, it’s just like the tetragrammaton on the golem’s forehead,garden erases one of the letters of this word from the golem’s forehead, and it turns into another, just as the word emmet truth turns into honey, that is, death and the golem crumbles to dust, then there is control over the golem also in the right word and the right letters, and it is precisely this opportunity. work with letters back and forth, that is, write. erase write. erase this absolutely amazing unlimited control over dead matter that the jewish one acquires, which is for borhis text. this is living matter. yes, of course, of course, and uh, in no case are static constants that change, because the interpretation of the text. even though the lettering of its image may be fixed, the interpretation of the text will be different in different centuries. what is happening to us now at the construction site is that we are from the heights of our well-educated cords, models, arabs, yes , from the heights of postmodernity. that is, we get, third, fourth, sixth, superstructure, all thes

eh, actually this key, yes, that is, it’s just like the tetragrammaton on the golem’s forehead, so thatdingly, hmm, the kindergarten erases one of the letters of this word from the golem’s forehead, and it will turn into another. like the word emmet, truth turns into honey, that is, death and the golem crumbles to dust, that is, control over the golem also in the right place the word and the correct letters, and this is precisely the opportunity. work with letters back and forth, that is, write. erase write. to erase this absolutely amazing unlimited control over dead matter that jewish news acquires, that for borhis the text is living matter. yes, of course, of course, and uh, in no case is it static, constant, changing.