tavis: tell me again about "tetro."l me about this black and white project. >> this is sort of the second film of my second career. when i was younger, you know, i wanted to write and direct films that were in the spirit and inspiration of the great filmmakers who inspired really all of my generation. they were from europe. they were from japan. they were from all over the world, and we wanted to be sort of like they were and do that, and so, when i started out, when i was in my twenties, i wrote to several original screenplays, got to make one, but one i could not get money at all, and it was called "the conversation." i was married young, and i had kids, and i had this terrific family, and i had to make money, and his assistant i had at the time, george lucas -- he was not an assistant, an associate, ""francis, just do what they want and make money. you are the only one who can make money." and the only one i was offered was "the godfather," and it changed my life, and i did it to make "the conversation" after "the go