it is the technique, the skill, the handwork, the knowledge. sometimes it gets buried underneath the fantasies of the close. but if you look hard, particularly those of you are going to go to the exhibition afterwards, if you look on one side to see the incredible punk can-can clothes, while, exciting, a waterfall. then you look at the central lie all which is the per region and parts, you'll see the extraordinary crest -- kraft mentioned that can turn address and to have a jacket and half the skirt or can make a trench coat one of jean paul gaultier's iconic pieces and send it that is a trenchcoat but is also a pair of shorts. these kind of things, they're not tricks. their works of extraordinary skill. if you search in the exhibition, you will find that. you'll see the very early years that jean paul spend when he was learning paris couture. eglin said this young man looking very serious as he sits -- you will see this young man looking very serious as he sits and you will realize this is not a miracle. there was a solid basis. the other thin

the 18 teens, 1820s, there's many more years. he makes more in this hand mode system. and that's a phenomenal amount of chairs. so again it's really within this older handworked system you cand it up. it is not really the machinery that's the cutting edge at all. the machinery comes at the end of the process and allows them to consolidate their goals. and so then by the 1820s and 30s, you get really the mixture of these chairs into what was the most popular chair at the time, which is the hitchcock chair. it brings all that production home. again like my sideboard uses much more simplified turning so you can make these much faster. he puts this gold striping. but the gold striping really extends over to the front of the chair. if you turn it around you would see that it doesn't have the striping on the back. there's all sorts of labor saving techniques. he now uses a stencil for this painting instead of freehand painting which you'd find in more expensive items. a wider range of decorative techniques, but much of this is really -- or you get, at the higher end, you get aldon spooner who makes -- and for many years these chests of drawers were believed to be m