and also he worked on the rug rats movie that's true yes well. what you made the simpsons the series you made it into a full size widescreen movie what was the hardest part and why on working on that because we all we all are used to simpsons being like a series like like like like little nothing like a smile that said but you made the movie what what was it was it really hot it was really hard because two main challenges were about first of all of course translate the format which is familiar to a majority of the audience been seen or not like twenty inch screen and then you have to splash it over a hundred feet of screen in a movie theater and if you will just. project it on such a huge screen it's not going to hold up to the. just even physics of the human vision because way too much of yellow color and it's going to look is terribly flat line will become and also that there is need that it's the technique that is wrong it's the guys are all their attention it's going to be visible so you have to use a lot of enhanced moments to basically fill out that it was up to us a

actually what you made of the simpsons the series he made it into a full size widescreen movie what was the hardest part time while i'm working on that because we all we all are used to simpsons being like a series like like like like little nothing like a smile you know that said but you made a movie what what was it wasn't really hot i was really hard because two main challenges were about first of all of course translate the format which is familiar to a majority of paying audience been seen on a black twenty inch screen and then you have to splash it over one hundred fifty of those and screen in a movie theater and if you will just about. projected on such a huge screen it's not going to hold up to the. just even physics of human vision because we too much of your color are and it's been with this terribly you had to learn new book and also the technique that the technique that you're throwing it. all their profession is going to be visible so you have to use a lot of enhanced moments to basically fill out that it was up to us as an object and to gets to change it to come up with id

together they created one of the most successful animated how the ninety's called rug rats the movie dream has also been our director for the simpsons movie and the television serious of the simpsons. and she was into the show thank you thank you very much for being with us well first of all here in russia as we just heard you worked in the best cartoon studio that that we had at that time and maybe maybe the best still is so why did you decide to move and start working in the u.s. for economic reasons for for political reasons but certainly not political ones. probably because of the reasons at the time of ninety four i was out of a job for probably more than a year i was there it was already dwindling economically so when i got the invitation from the president of course can triple triple and definitely a record of insistent. on having me over there so i gladly accepted his invitation and at that time it was just invitation to come over for here probably toward and to see if i like it or not and we'll go from there was a decision and we went to los angeles and one year passed another one and i'm still there well. it makes make stu

the idea of a joint committee. now, i've seen this movie. i saw it in the original english with bowles-simpson. it in subtitles in gang of six. and now they're going... whatever it is. it always ends the same way. you always have the same things on the table. you have to decide, all right whacks are we going to do to each of these that's good for the economy, that's fair to everybody. and so i hope that at some point this joint committee takes what we've done and puts it on the table and says, let's save some time. this joint committee has ten weeks, literally ten weeks start to finish to come up with a product. that's not a lot of time. >> now is that a product that then needs to be voted on by the full house and the full senate. >> and if it fails, in comes the so-called triggers. that means deep spending cuts on the domestic side where we've already taken a big cut. >> jon: do you feel any regrets that the democrats, when they had control of the house and senate, didn't just pass a budget, when they had the opportunity to, didn't punch it out of fear of losing seats in the house, so that the

the simpsons" once parodied with a musical. ♪ dr. zaus the latest installment marks an evolution in moviemaking and movie acting.one are the hours of makeup and process at the timics roddy mcdowell had to endure. andy serkis, star of "rise of planet of the apes," wore no makeup at all on set. instead he wore what's called a performance capture suit. >> you have markers on your face which pick up very subtly your facial expressions. they track your eye movements. you can perform very subtly full camera as if you were -- as we are talking now. >> reporter: it's like you're a puppeteer. >> exactly that. it's like being inside a video game. >> reporter: like the matrix. >> yeah, literally, you're connecting with an avatar on screen. >> reporter: serkis has been called the charlie chaplin of performance capture, master of a new craft of digital acting. he was gollum in "lord of the rings." >> yes, precious. >> my agent's call was, they are doing "lord of the rings" down in new zealand, they're looking for a digital character's voice. i'm like, there must be a dozen decent roles in that movie. can't you get me up for