i went back to the big painting, the triptych, today. started to challenge, to confront the dragon today. the dragon ladies, actually, today. so who won? still there. you'll see. the battle hasn't turned yet. it's the second day at gettysburg still. there's a sensibility in the painting itself -- it's like an extension of this color... liu: i used some birdcages in this group of paintings. the birdcage, for me, symbolize, maybe, the women in this paintings, their spiritual captivity, the loss of freedom. the women treated just like objects. maybe the objects, like the birdcage in this case here, like the embodiment of the women. man: the good news is that the mount is relatively universal, and they'll all be parallel lines. so you can switch them anytime you want. if you don't like the look, we can just change it. also i really want to see them hung there, and then i can make a decision. yeah, it's pretty hard to make a decision with them on the floor. uh-oh. oh, my god! who did the installation? who did the installation? well? well? well