." >>> for the uninitiated, or in this case the unincarcerated, there is sometimes confusion between prison and jail. prison is only for convicted felons. jails also house convicts. but only those awaiting transfer to prison or serving short-term sentences, usually less than a year. >> listen up for your name. >> stand on the footprints for me, please. >> but most jail detainees have pending court cases and have been denied or are unable to make bail. >> put your stomach on the wall. stomach on the wall. hands behind your back. >> there is another type of jail detainee, as well, and they're often the most dangerous, those who have just been arrested, sometimes still drunk, high on drugs or fresh from committing a crime. >> my biggest challenge in here is dealing with the varieties of people that come in from the streets. we have a lot of mental patients. a lot of the inmates that are arrested have psychological problems and they haven't taken their medication for a long time. >> are there voices talking to you? >> yes, there are. >> you do hear that? >> yes. i do. >> okay. how long h

." >>> for the uninitiated, or in this case the unincarcerated, there is sometimes confusion betweenil. prison is only for convicted felons. jails also house convicts. but only those awaiting

. >> seth: now, for the uninitiated, explain the merkin. >> the merkin is a pubic wig. >> seth: uh-huhat. it's really -- it makes you feel a little less naked. and the reason for it is because in the '70s, people let it all grow out. >> seth: yeah. >> which i think is now the only way you can that tell you're watching the show taking place, like, in the past. >> seth: uh-huh. >> you just know that, like, other hair styles, we have co-opted fashion now. >> seth: right. >> it all looks the same. you see the pubic hair, and you're like, "this happened a long time ago." [ laughter ] >> seth: yeah, "this is the past." >> yeah. so, i thought, you know, we had to do it, and it was great because it was, like, a little protected, but it is a thing on the show. and we have a wall. we the merkin wall for all the women on the show. >> seth: wow. >> they each have names. >> seth: well, that's fantastic. >> you design your own. it's like build a bear, it's build a bush. [ laughter ] >> it's so -- [ applause ] you build a bush. you pick the color. >> seth: yeah. >> it's great. >> seth: now, when you'

the los angeles philharmonic. please welcome maestro gustavo dudamel. thank you for being here. ( applause ) now, for those like me who are uninitiated, what does a conductor do? because they've got the instruments-- they seem like they're the ones doing the work. ( laughter ) >> yes. >> stephen: it must be vital, but what is it? >> but that is the reality of the conductor. i don't do anything. conductors don't do anything. well, let's be honest. i think-- this is inspiration. they are the ones who play. you propose something musical, but you need something more inspirational than move and jump in front them and take the energy. i don't know. what do you think? no. >> stephen: you are thought of as, like, a rock star conductor. what does that-- you are! you're one of the most famous living conductors. and what is it you, you bring as is unique? you're known all around the world for the way you bring these compositions to life in a new way. >> yes, but i think it is, you know, the love of what we do. music is life. music is beauty, you know. and this kind of power that music have is magic. >> stephen: well, you're about to do a melody which is one of the mo